Dynaudio Air Series manual LFE Gain, Polarity, Phase Introduction

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CALIBRATING THE SUBWOOFER - with the main monitors

LFE Gain

Range: 0 to +14dB

The LFE channel can be boosted up to 18dB using this parameter.

Polarity

Range: 0 or 180º

If the Subwoofer is correctly placed, setting the Polarity parameter at 180º should result in a full Phase cancellation at the set Cross -over frequency. If this is not the case - the Phase parameter described below should be adjusted.

Phase

Range: 0 to 180º

Phase Introduction

The integration of the AIR-Base subwoofer with the AIR monitors requires on-location tuning. Apart from level calibration and choosing a Bass Management Crossover (X-over) frequency, the issue of phase alignment remains. For this purpose, the AIR-Base has a 0-180 degree phase adjustment (in 5 degree steps) and a Phase Reverse function. The optimum setting of these will depend on several factors:

1.Room acoustics

2.Placement of monitors and listening position

3.Choice of X-over frequency

4.AIR Monitor type (6 or 15)

Phase settings are automatically saved and linked to the currently selected Cross-over frequency. Phase settings are Global settings and are therefore not saved with individual presets.

Initial setting

During calibration of the AIR-Base's DSP software, we have come up with default settings that we found optimal in our listening room. If you're placing the AIR-Base at the same distance from the listening position as your AIR Monitors, the default phase settings can be used as initial guidelines for setting the phase. If the distances are significantly different, these values are not likely to be optimal.

Phase Adjustment

Now play repeatedly a low-frequency sweep signal that sweeps over the X-over frequency that you have chosen. Tracks 31-42 on the AIR Test CD may be used. Between each sweep, change the Phase Reverse setting. Note the difference. Ideally, with the right level calibration and phase setting, the sound should cancel out and virtually disappear at or near the X-over frequency, when the Phase Reverse control is in one position. Tune Phase Adjust to get the largest possible difference between the two Phase Reverse settings. Then leave it in the position where no cancellation occurs.

Iteration

You may need to iterate quite a bit, maybe readjust the level calibration a bit too. You may even want to reconsider your initial choice of X-over frequency and/or monitor placement and start the process over again. Be patient: The time spent getting this right is well spent.

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Contents Page Page Voltage Line plug according to standard Important Safety InstructionsPage Table of Contents Quick Setup Reference Quick Setup Reference Main Display Operational OverviewStereo Setup with stereo Subs SetupsStereo Setup Stereo Setup with mono SubsThis illustration shows how to connect a 5.1 analog setup Digital SetupAnalog Setup This illustration shows how to connect a 5.1 digital setupThis illustration shows how to connect a 5.3 Analog setup This illustration shows how to connect a 5.3 Digital setupDig/6 Master This illustration shows how to connect a 6.1 Analog setupAnalog connections Stereo Setup With Chains on L & ROther Chained Setups Analog/Digital setupDigital 192 kHz Digital Setup Product Concept IntroductionThis Manual BreakSlave & Sub Units Remote ControlCommon Features Master UnitOptional Digital I/O card Rear Panel Description MasterMaster Unit Analog I/O Slave/SubOverload Indication LED AIR DisplayOverload Indication Enter key Cursor UP/DOWN keysMain Display Press Enter to access the Select ModeParameter Description Basic operation in all menusExternal Clock Setup MenuSetup Set Monitor TaskRecall LFE channel noteStore Overview Placing the MonitorsOn the bridge / Console Close to wall / WallOther situations Evaluation Checking the placementPhase checking Checking by ear when listening to the signals In phaseNext EqualizingCurve Calibrating Main Monitors CurvesInterchannel calibration Acoustic level calibrationPlacing the Subwoofer Evaluation Low frequency sweepsChecking the Crosspoint Checking summing phase cancellationTo Calibrate Controlling standing wavesPolarity PhasePhase Introduction LFE GainGood acoustics AcousticsReverberation time Sabines formula Absorbtion or diffusion ? Resonance absorbers AbsorbersDiffusers Membrane absorbersStanding Waves Background Info AcousticsAxial Tangential Radial Room modesHow does the standing waves influence the sound field? How to prohibit standing wavesAcoustics Background Info Comb Filtering Dip frequencies Or +Rear wall cancellation Subwoofer Subwoofer Background InfoLow Pass LFE Gain Subwoofer & LFE Channel Background InfoLFE Channel Cross-oversAcoustic summation of audio signals Delaying Monitors LINE-UP & CalibrationCinema setup LINE-UP & Calibration Background Info How to measure the sound pressure?Calibration of 5.1 in an ITU-775 arrangement AIR Remote Remote Control FeaturesIntroduction Shift key Preset 1/3 and 2/4 keysVolume potentiometer REF Level 1-3 keysNavigating AIR Soft AIR SoftTools MainNetwork Preset ListSystem Setup Chained monitors Calibrate AIR-BaseLocal Parameters Reset ProceduresMiscellaneous Global ParametersSerial to Cat-5 cable CablesTC Link Standard Cat-5 cables AES/EBU Standard cablesAIR 20 & AIR 25 Master and Slave AIR 6 & AIR 15 Master and SlaveAIR Base AIR-Base-1 & AIR-Base-2General for all Products Room & DistanceAIR Remote specs Error messages etc Delay in System & Error Messages ETCCertificate Of Conformity Certificate of ConformityAIR AIR-Base # Name Preset List