Dynaudio Air Series manual Sabines formula

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ACOUSTICS - BACKGROUND INFO

Sabines formula

Sabine is the father of modern acoustics. He found that reverberation time is described by a relationship between the room size and the amount of absorption in the room. Larger rooms - longer reverberation. More absorption - shorter reverberation.

T = 0.161 * V / A

where

T:Reverberation time in seconds

V:Volume in m3

A:Absorption in m2 Sabine

0.161: Is a constant (to make the calculation right with the actual units)

One square meter (1 m2) Sabine is comparable to an open window with an area of one square meter: The sound that hits the window will disappear and never return. One square meter Sabine is one square meter with full absorption.

The basic formula sounds simple, but the problem is that the materials in the room will absorb differently at different frequencies. The absorption may range from nothing (fully reflective) to total absorption.

A proper reverb time should be constant with frequency, but this is not always the case because of the behavior of the materials in the room. The low frequencies are the most difficult to control.

This is why the reverberation time against frequency in practice may look like this:

 

 

 

 

X-stu d io , re v e rb e ratio n time in co n tro l ro o m

 

 

 

 

0,80

 

 

 

 

 

 

 

 

0,70

 

 

 

 

 

 

 

 

0,60

 

 

 

 

 

 

 

time [s]

0,50

 

 

 

 

 

 

 

0,40

 

 

 

 

 

 

 

Reverb

 

 

 

 

 

 

 

0,30

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0,20

 

 

 

 

 

 

 

 

0,10

 

 

 

 

 

 

 

 

0,00

 

 

 

 

 

 

 

 

63

125

250

500

1000

2000

4000

8000

Fre que nc y [Hz]

Reverberation time measured in a control room. From 250 Hz and above the curve is nicely placed around .3 sec. But belov the reverb time rises to .75 sec. which is too much.

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Contents Page Page Voltage Line plug according to standard Important Safety InstructionsPage Table of Contents Quick Setup Reference Quick Setup Reference Main Display Operational OverviewStereo Setup SetupsStereo Setup with mono Subs Stereo Setup with stereo SubsAnalog Setup Digital SetupThis illustration shows how to connect a 5.1 digital setup This illustration shows how to connect a 5.1 analog setupThis illustration shows how to connect a 5.3 Analog setup This illustration shows how to connect a 5.3 Digital setupDig/6 Master This illustration shows how to connect a 6.1 Analog setupOther Chained Setups Stereo Setup With Chains on L & RAnalog/Digital setup Analog connectionsDigital 192 kHz Digital Setup This Manual IntroductionBreak Product ConceptCommon Features Remote ControlMaster Unit Slave & Sub UnitsMaster Unit Analog I/O Rear Panel Description MasterSlave/Sub Optional Digital I/O cardOverload Indication AIR DisplayEnter key Cursor UP/DOWN keys Overload Indication LEDParameter Description Press Enter to access the Select ModeBasic operation in all menus Main DisplaySetup Setup MenuSet Monitor Task External ClockLFE channel note RecallStore Overview Placing the MonitorsClose to wall / Wall On the bridge / ConsoleOther situations Phase checking Checking the placementChecking by ear when listening to the signals In phase EvaluationNext EqualizingInterchannel calibration Calibrating Main Monitors CurvesAcoustic level calibration CurvePlacing the Subwoofer Evaluation Low frequency sweeps To Calibrate Checking summing phase cancellation Controlling standing waves Checking the CrosspointPhase Introduction PhaseLFE Gain PolarityAcoustics Good acousticsReverberation time Sabines formula Diffusers AbsorbersMembrane absorbers Absorbtion or diffusion ? Resonance absorbersStanding Waves Background Info AcousticsAxial Tangential Radial Room modesHow does the standing waves influence the sound field? How to prohibit standing wavesAcoustics Background Info Comb Filtering Dip frequencies Or +Rear wall cancellation Subwoofer Subwoofer Background InfoLFE Channel Subwoofer & LFE Channel Background InfoCross-overs Low Pass LFE GainDelaying Monitors LINE-UP & Calibration Acoustic summation of audio signalsCinema setup How to measure the sound pressure? LINE-UP & Calibration Background InfoCalibration of 5.1 in an ITU-775 arrangement Remote Control Features AIR RemoteIntroduction Volume potentiometer Preset 1/3 and 2/4 keysREF Level 1-3 keys Shift keyNavigating AIR Soft AIR SoftTools MainNetwork Preset ListSystem Setup Chained monitors Calibrate AIR-BaseMiscellaneous Reset ProceduresGlobal Parameters Local ParametersTC Link Standard Cat-5 cables CablesAES/EBU Standard cables Serial to Cat-5 cableAIR 20 & AIR 25 Master and Slave AIR 6 & AIR 15 Master and SlaveAIR Base AIR-Base-1 & AIR-Base-2Room & Distance General for all ProductsAIR Remote specs Error messages etc Delay in System & Error Messages ETCCertificate of Conformity Certificate Of ConformityAIR AIR-Base # Name Preset List