CD-R/RW MASTER RECORDER CR500 (Preparation before using the CR500)

Initial format of a disc

The following description shows how to do the initial format of an unused disc, assum- ing that the CR500 is turned on and no disc is set on the disc tray.

<The recordable time and the maximum number of tracks>

The table on the right shows the approximate recordable time and the maximum number of tracks after formatting a 700 MB CD-R/RW disc.

Note that the actual re- cordable time is slightly different depending on discs.

You can check the record- able time and the maxi- mum number of tracks on the input monitor screen.

Format type

Recordable time

Maximum number of

tracks

 

 

 

 

 

CD-DA (44.1/16)

Approx. 79 min.

Max. 99 tracks

BWF (44.1/16)

Approx. 66 min.

Max. 97 tracks

BWF (44.1/24)

Approx. 44 min.

Max. 97 tracks

BWF (48/16)

Approx. 61 min.

Max. 97 tracks

BWF (48/24)

Approx. 40 min.

Max. 97 tracks

BWF (88.2/24)

Approx. 22 min.

Max. 97 tracks

BWF (96/24)

Approx. 20 min.

Max. 97 tracks

 

 

 

<Note>: The recordable time of a BWF formatted disc decreases not only by making recording but also by closing the disc (see page 46) and by rewriting the file system data (see page 88).

 

 

2

 

 

 

 

 

 

 

4

 

4

3,4,5,6,7,8

 

 

 

 

 

 

 

ACCESS

DISPLAY

MEMORY MEMORY SET

LOCATE

 

EXIT/NO

 

 

 

 

 

 

 

 

 

 

SHIFT

 

 

 

 

 

 

 

 

1

 

2

3

 

 

 

 

 

 

 

 

 

 

 

CONTRAST

space

ABC

DEF

EDIT TIME

PUSH

 

 

 

 

 

 

 

 

PLAY MODE

 

 

 

 

CLEAR

MENU/ENTER/YES

 

 

 

 

 

 

 

FILE SEL

 

 

 

 

 

 

 

 

 

 

 

 

 

4

 

5

6

+10

 

 

 

 

 

 

 

 

 

PROGRAM SET

DIR SEL

GHI

JKL

MNO

 

 

 

 

 

 

 

 

 

 

REPEAT

REC RDY

 

 

 

 

SKIP/CURSOR

 

 

 

 

 

 

 

 

7

 

8

9

0

 

 

 

 

 

 

L

 

 

R

 

PQRS

TUV

WXYZ

symbol

 

 

 

 

 

 

 

 

 

OPEN/CLOSE

 

REC END

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ABS 0

 

 

 

 

 

POWER

USB

MIN

MAX

MIN

MAX

MIN

MAX

 

 

 

 

 

 

 

 

(KYBD ONLY)

PHONES

 

 

INPUT LEVEL

 

RECORD

 

STOP/HOME

 

PLAY

REWIND

F FWD

 

 

 

 

 

 

 

1,2

 

 

 

 

 

4

 

1)Press the [OPEN/CLOSE] key to open the disc tray.

On this screen, you can format the disc after setting the disc volume label and format type.

2)Set an unformatted CD-R/RW disc and press the [OPEN/CLOSE] key to close the disc tray.

The unit recognizes that the disc is blank and enters the "Format" screen of the "DISK UTILITY" menu in the MENU mode.

We recommend to set the volume label because it can be used as the default file name when making recording to a BWF formatted disc.

If you do not edit the volume label, skip the next three steps and go to step 6.

<Note>: With a CD-DA disc, the vol- ume label setting is ineffective and is not stored.

3)Use the [MENU] dial to highlight "Vol.Label" at the top and press the [ENTER/YES] key.

The rightmost digit of the current volume label flashes and you can now edit the label.

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Fostex CR500 owner manual Initial format of a disc, Recordable time and the maximum number of tracks

CR500 specifications

The Fostex CR500 is a remarkable addition to the world of professional audio monitoring, offering an impressive blend of technology and user-friendly design. This studio monitor is engineered to deliver high-quality sound reproduction, making it an ideal choice for musicians, audio engineers, and home studio enthusiasts alike.

At the heart of the CR500 is its sophisticated driver technology. Featuring a 5-inch woofer and a 1-inch silk dome tweeter, the monitor delivers a well-balanced sound with clarity and depth. The woofer is designed to handle low frequencies with precision, providing deep bass response, while the tweeter ensures that high frequencies are reproduced smoothly, eliminating harshness and fatigue during long mixing sessions.

One of the standout features of the CR500 is its bi-amp system, which allows the woofer and tweeter to be powered separately. This amplification method minimizes distortion and enhances overall sound quality, allowing each driver to perform optimally. Additionally, the rear-firing bass port contributes to an extended low-frequency response, giving users a more immersive listening experience.

The CR500 is equipped with a range of control options, including a volume knob, high-frequency and low-frequency control, and a switch for adjusting the speaker's position in the room. This level of customization is crucial for achieving an accurate mix, as it allows users to tailor the sound to their specific environment.

In terms of connectivity, the Fostex CR500 comes with balanced XLR and TRS inputs, ensuring compatibility with a wide array of audio interfaces and mixing consoles. This flexibility makes it an excellent choice for both professional studios and home setups.

Build quality is another key aspect of the CR500. The cabinet is constructed from high-density MDF, which helps minimize cabinet resonance and unwanted vibrations. The sleek finish not only enhances its aesthetic appeal but also contributes to its durability.

Overall, the Fostex CR500 studio monitor stands out for its exceptional sound quality, robust build, and user-friendly features. It's an excellent choice for anyone looking to elevate their audio production experience, whether for music production, mixing, or mastering. With its combination of advanced technologies and thoughtful design, the CR500 is a reliable tool for achieving accurate and dynamic sound reproduction in any studio setting.