Output color spaces, Ntsc CIE RGB | Konica Minolta IV instruction

Output color spaces

The choice of output color space depends on how the image will be reproduced. For most personal use where the image is displayed on a monitor or printed with a small printer, sRGB color space is adequate. Other color spaces have been included for professional and technical applications. For recommendations for color space use, see page 83.

This color space reflects the average PC monitor characteristics, and is considered the standard for multi-media

sRGB and Internet usage. sRGB is not suitable for professional prepress applications because of its narrow reproduction range.

Apple RGB

SMPTE-C

PAL/SECAM

ColorMatch RGB

Adobe RGB

Wide-gamut RGB

NTSC

CIE RGB

Monitor RGB

Widely used in DTP and is the standard color space in many common graphic arts and design applications: Adobe Illustrator, Photoshop, etc.

The current television broadcasting standard used in the United States.

The current television broadcasting standard used in Europe.

This standard has a wide gamut and is ideal for use with Radius Press View monitors, which are commonly used in prepress production.

This color space is wider than ColorMatch RGB. The extensive color range makes it ideal for prepress use. However, the range is so great that it includes many colors that cannot be printed with a four-color printing process.

Utilizing the color coordinates of the spectrum, this standard offers an extreme range of colors. However, most of the colors that can be generated cannot be reproduced on standard computer monitors or by printing technology.

The current television broadcasting standard used in Japan.

This color space is defined by the CIE (Commission Internationale d’Eclairage).

This color space is defined by the monitor’s ICC profile. See setting the monitor ICC profile section on page 82.

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Konica Minolta IV instruction manual Output color spaces, Ntsc CIE RGB

Contents

Page Selective-color palette Tone-curve corrections Before YOU Begin For Proper and Safe USE DiMAGE Scan Dual Table of Contents Page Table of Contents Installation Before installing the DiMAGE Scan UtilityNames of Parts DiMAGE Scan system requirements Adobe Photoshop Elements Additional memory requirements Windows Page Macintosh Page Scanner Setup Before connecting the scanner to a computerConnecting the USB cable Connecting the AC adapter Disconnecting the scannerTurning on the scanner Loading the Film Holders Where is the emulsion?Handling film Loading 35mm film strips Loading a film holder into the scanner Loading mounted slides Using the APS Adapter AD-10 sold separately APS Ejecting a film holder Dimage Scan Launcher Launching the Easy Scan Utility Easy Scan Utility Scanner Notes Macintosh Using the Easy Scan Utility On next Easy Scan Utility Page Basic Scanning Launching the DiMAGE Scan UtilityScanning basics Main window and index scan tab Scanner setup Selecting index thumbnails Making an index scan Fit-to-window button Flip and rotate images Making a prescan Main window and prescan tab Magnifying tool Grab toolAuto cropping CHP button APS film Making the final scan Tiff BMP Pict Main window and image-correction tab Basic Image Processing Pixel Polish Auto Dust Brush retouching level Auto Dust Brush Variation palette Brightness, contrast, and color balance palette Green An introduction to color Undoing and redoing image corrections Comparing pre and post-correction images Quitting the DiMAGE Scan Utility Advanced Scanning Setting scanner preferencesPage Exposure-control tab Loading exposure settings Saving exposure settings Reverse frame order More index scan functions Saving the index thumbnails Saving an index fileLoading an index file Point AF Autofocus More prescan functions Manual focus Manual cropping AE area selection Autoexposure Inputting scan settings manually About resolution and output size Scan setting examples Deleting a Job Saving scan settings as a Job More image-processing tools Advanced Image Processing Prescan display Sample display area Digital Grain Dissolver Tone curve and histogram palette Using tone curves Drawing tone curves by freehand About the tone curve Short guide to tone curve corrections Increasing image contrast Histogram corrections Tone curve / histogram auto setting Konica Minolta History Short guide to histogram correctionsPage White, gray, and black point corrections Tracking image corrections Snapshot button Setting the white and black-point values Hue, saturation, and lightness palette About RGB and CMY With mask Original image Unsharp mask Loading image-correction Jobs Saving image corrections Custom Wizard Page Batch Scan Utility Page Advanced Batch Scan setup Page Color Matching Setting the output color space Ntsc CIE RGB Output color spaces Scanner color profiles Setting the monitor ICC profile Output Color Space Monitor RGB Color matching recommendations Before installing the plug-in Installation WindowsAuto Dust Brush PLUG-IN Page Installation Macintosh Using the Auto Dust Brush plug-in Auto Dust Brush PLUG-IN Glossary of common terms Appendix Uninstalling the DiMAGE Scan Software Windows Installed files and folders Job file list 35mm Troubleshooting Checking software installation Windows Technical Specifications Warranty and product registration Technical supportRecord keeping Image processing Image Data Sheet Hue corrections