109
Effects

Dynamics (Dynamic)

Advanced

d: Attack

d: Release

These parameters set the attack time and release time. A higher

attack time will cause the compression to be applied more slowly.

f: Trigger Monitor

Setting this parameter On will cause the trigger signal to be out-

put, instead of the effect sound. Use this parameter to check the

trigger signal with EQ applied.

Usually, set t his t o Off.

f: Side PEQ Insert

g: Side PEQ Cutoff [Hz]

g: Q

g: Gain [dB]

These parameters are used to set the EQ applied to the trigger

signal.

The Limiter determines whether the compression is applied or

not, based on the post-EQ trigger signal. Setting the equalizer

allows you to set the Limiter to respond to any frequency band.

4: Multiband Limiter

This effect applies the Limiter to the low range, mid range, and

high range of the input signal. You can control dynamics for each

range to adjust the sound pressure of the low range, mid range,

and high range in a different way from the EQ.

e: Low Offset [dB]

f: Mid Offset [dB]

g: High Offset [dB]

These parameters set the gain of the trigger signal.

For example, if you do not want to apply c ompression to th e high

range, reduce the “High Offset” value down below the “Thresh-

old” level. In this way, the high range limiter will not respond,

and compression will not be applied.

5: St.MasteringLimtr(Stereo Mastering Limiter)

This is a stereo limiter that is optimized for mastering songs.

6: Stereo Gate

This effect mutes the input signal when it falls below a specified

level. You can also invert the on/off status of the gate, or use

note-on/off messages to turn the gate on/off directly.

aRatio
1.0 : 1...50.0 : 1,
Inf : 1 Sets the signal compression ratio
b Threshold [dB] –40...0 Sets the level above which the
compressor is applied
c Attack 1...100 Sets the attack time
d Release 1...100 Sets the release time
e Low Offset [dB] –40...0 Gain of the low-range trigger signal
f Mid Offset [dB] –40...0 Gain of the mid-range trigger signal
gHigh Offset
[dB] –40...0 Gain of the high-range trigger signal
Threshold
Ratio=Inf : 1
Attack=1
Release=1
Ratio=Inf : 1
Attack=100
Release=100
Dry
Wet
Wet
Release
Attack
Limiter - Attack / Release
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Gain Adjust
Mid Offset
Low Offset
High Offset
Envelope - Control
Envelope - Control
Envelope - Control
Low
Mid
High
Band-Pass Filters
+
Limiter
Limiter
Limiter
h
Gain Adjust
[dB]
–Inf,
–38...+24 Sets the output gain
Src Off...Tempo Selects the modulation source for
the output gain
Amt –63...+63 Sets the modulation amount of the
output gain
i
Wet/Dry Dry, 1:99...99:1,
Wet
Balance between the wet and dry
signal
Src Off...Tempo Table, “Dynamic Modulation
sources,” on page106
Amt –100...+100 Amount of modulation source
a Threshold [dB] –30.0...0.0 Sets the level above which the
compressor is applied
bOut Ceiling
[dB] –30.0...0.0 Sets the output gain
c Release [msec] 0.50...1000.0 Sets the release time
d
Wet/Dry Dry, 1:99...99:1,
Wet
Balance between the wet and dry
signal
Src Off...Tempo Table, “Dynamic Modulation
sources,” on page106
Amt –100...+100 Amount of modulation source
aEnvelope
Source D-mod, Input
Selects the source to control the
gate: D-mod control, or use the
input signal as a trigger
b
Envelope
Select
L/R Mix,
L Only,
R Only
Selects the control signal: left and
right linked, left only, or right only
Src Off...Tempo
Selects the source that will control
the gate when Envelope Src = D-
mod
Left
Right
FX Amt
FX Amt
Stereo In - Stereo Out
Limiter
Limiter
Out Ceiling
Out Ceiling
Envelope - Control
+
Left
Right
FX Control BUS 1
FX Control BUS 2
FX Amt
FX Amt
Stereo In - Stereo Out
Envelope Source
Gain Adjust
Gain Adjust
Side PEQ
Envelope - Control
Envelope - Control
Trigger Monitor
+
Envelope Select
Gate
Delay
Gate
Delay
D-mod