Main
Page
Table of Contents
Table of Contents
The Style structure
Style Record mode
Ordinary, Guitar and Drum tracks
What to record
Pattern data vs. track data
Sounds
Style/Pad Import/Export
Entering the Style Record mode
Exit by saving or deleting changes
Listening to the Style while in Edit mode
List of recorded events
Main page - Record 1
Page sub-header
Recording parameters area
High No quantization applied.
Selected track info area
Key/Chord area
NTT Area
Delete Note button
Tracks volume/status area
Main page - Record 2/Cue
Sounds area
Cue area
Main page - Guitar Mode
Recording overview
Recording strumming types
Recording single strings
Recording RX Noises
Selecting a Capo
Recording a regular pattern
Recording a Chord Shape
Choosing a Key/Chord for Intro 1 and Ending 1
Playing back the pattern
Guitar mode parameters
Style Record procedure
Preparing to record
Realtime Record procedure
Step Record procedure
Chords and second voices
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Event Edit: Event Ed it
Page sub-hea der
Event list
aaa is the measure bb is the beat ccc is the tick (each quarter beat = 384 ticks)
Other elements
Event Edit procedure
For more information on the event types and their val- ues, see Event Edit: Event Edit on page17.
Event Edit: Filter
Style Edit: Quantize
Style Edit: Transpose
Transpose value (127 semitones).
Style Edit: Velocity
Velocity change value (127).
Style Edit: Cut
Style Edit: Delete
Style Edit: Delete All
Style Edit: Copy from Style
Copying to a Chord Variation of a different length
1 2 3 4 1 2 3 4 1 2 3 4
Style Edit : Copy from Pad
5 6
1 2 3 4 1 2 3 4 5 6 1 2
Style Element Track Controls: Sound/ Expression
Selected Track Info area
Sounds area
Expression area
Expression leveling
Style Element Track Controls: Keyboard Range
Volume area
Style Element Track Controls: Noise/Guitar
Style Element Chord Table: Chord Table
Style Track Controls: Type/Trigger/Tension
Import: Import Groove
Import: Import SMF
Importing an SMF separated by Markers into a Style
Export SMF
Exporting a Style as an SMF separated by Markers
Write Style dialog box
Copy Key/Chord dialog box
Copy Sounds dialog box
Copy Expression dialog box
Copy Key Range dialog box
Copy Chord Table dialog box
Overdub Step Recording window
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The Pad structur e
What to record
Pattern data vs. track data
Entering the Pad Record mode
Pad Record mode
Exit by saving or deleting changes
Listening to the Pad while in Record/Edit mode
Main page - Record 1
Recording parameters area
Use this parameter to set the quantization during record- ing.
Pad Track info area
Tracks volume/status area
Key/Chord area
NTT Area
Delete Note button
Main page - Guitar Mode
Recording overview
Pad Record procedure
Event Edit: Event Ed it
Event Edit: Filter
Pad Edit: Qu antize
Pad Edit: Transp ose
Transpose value (127 semitones).
Pad Edit: Velocity
Velocity change value (127).
Pad Edit: Cu t
Pad Edit: De lete
Pad Edit: De lete All
Pad Edit: Copy from Style
Pad Edit: Copy from Pad
Pad Track Control s: Sound/Exp ression
Pad Chord Table
Import: Import Groove
Import: Import SMF
Export: SMF
Write Pad dialog box
The MIDI channel
How to select oscillators
Sounds, Drum Kits, Digital Drawbars
Main page
Sound operating mode
Realtime Controls area
FX Area
Digital Drawbars page
Percussion/Rotary tab
Tone/Noise tab
Basic: Sound Basic
Oscillator Count
Transpose Range
Legato as OSC Trigger
Basic: OSC Basic
OSC Multisample
OSC Trigger Mode
Basic: Vel/Key Zone
Basic: Damper Mode
Damper Mode
Resonance/Halo
No Note Off Range
Basic: Damper Trigger
Damper On Trigger
Transpose Range
Damper Trigger Sample
Damper Off Trigger
DrumKit: Sample Setup (Drum Kits)
Drum Kits use only one oscillator.
Layer Selector & Velocity Sample Switch
Drum Sample
DrumKit: EQ (Drum Kits)
Layer Selector & Velocity Sample Switch
Drum Sample Equalizer
DrumKit: Voice Mixer (Drum Kits)
Mixer
Pitch: Pitch Mod
Pitch
Pitch EG
Velocit y
Portamento
LFO 1/2
Pitch: Pitch EG
Filter: Fil ter Type
Filter A
Filter B
Filter: Filter Mod
Keyboard Tracking
Filter EG
Filter A/B Modulation
Filter: Fil ter LFO
LFO 1
LFO 2
Filter: Filter EG
Filter envelope
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Amp: Amp Level/Pan
Pan modulation
Amp: Amp Mod
Keyboard Tracking
Amp Modulation
Amp: Amp EG
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LFO: LFO1
Frequency Modulation
Frequency MIDI/Tempo Sync
This parameter is not available when editing a Drum Kit.
LFO: LFO2
Effects: B FX Config
Effects: IFX 1
Effects: Master 1 / Reverb
Write Sound dialog box
Copy Oscillator dialog box
Copy Drum Kit dialog box
AMS (Alternate Modulation Source) list
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Sampling operating mode
Entering and exiting the Sampling mode
The Record (Sampling) procedure
Preparing to record
Recording
A) Saving the sample and creating a Sound
B) Saving an Audio Groove
C) Using the Groove in other Sounds
D) Using the Groove in Styles or Pads
Sampling: Record
REC Setup
Sampling: Edit
Waveform display
Parameters
Zoom
Changing the sample length and finding good-sounding loop points
Sampling: Loop Edit
Loop diagram
Parameters
Crossfade
Sampling: Sampling Info
Sampling Info
Available Memory
Sample Info
Time Slice
How timeslice works
Time Slice
Ex.1 - Generating samples and MIDI Groove data:
Ex.2 - Varying the grooves tempo
Sample diagram
and the same diagram after the Slice:
Metronome Information
Time Slice
Extend
The Time Slice procedure
The Extend procedure
Multisample: Edit MS
MS (MultiSample)
Keyboard diagram
Multisample Setup
Multisample: Key Assign
MS (MultiSample)
Sample list
Keyboard ranges
Page
Write Sample dialog box
Write MultiSample dialog box
Write Slice dialog box
Delete Sample dialog box
Delete Multisample dialog box
Export Sample page
Export Multisample page
How to merge PCM samples from various sources
Accessing the Voice Processor edit pages
Voice Processor Setup: Setup
Global Setting
Voice Processor
Voice Processor Setup: Mic Tone
Lead
EQ
EQ with Adaptive On
EQ with Adaptive Off
Compress/DeEss
Compress/DeEss with Adaptive On
Compress/DeEss with Adaptive Off
Gate
Voice Processor Setup: Talk
Talk
Mode
Mixer
Voice Processor Preset: Easy Preset
Voice Processor Preset: Mixer/FX
Mod
Delay
Reverb
Del/Rev
Single Voice parameters box
Other Harmony settings
Voice Processor Preset: Double
Voice Processor Preset: Filter & Hard Tune
Filter
HardTune
Voice Processor Preset: Mod
Voice Processor Preset: Delay
Voice Processor Preset: Reverb
Dynamic Modulation sources
Effects
Dynamics (Dynamic)
0: No Effect
1: Stereo Compressor
2: Dyn. Compressor
3: Stereo Limiter
Dynamics (Dynamic)
a: Envelope Select
b: Ratio c: Threshold [dB] e: Gain Adjust [dB]
Dynamics (Dynamic)
d: Attack
4: Multiband Limiter
e: Low Offset [dB] f: Mid Offset [dB] g: High Offset [dB]
5: St.MasteringLimtr (Stereo Mastering Limiter)
This is a stereo limiter that is optimized for mastering songs.
6: Stereo Gate
EQ and Filters (EQ/Filter)
7: St.Parametric4EQ (Stereo Parametric 4-Band EQ)
b: Band1 Type c: Band4 Type
Selects a filter type for Band 1 and 4.
e, f, g, h: Q
8: St. Graphic 7EQ (Stereo Graphic 7-Band EQ)
a: Type
9: St.Exciter/Enhncr (Stereo Exciter/Enhancer)
a: Exciter Blend
D
10: Stereo Isolator
11: St. Wah/Auto Wah (Stereo Wah/Auto Wah)
a: Frequency Bottom a: Frequency Top
D
D
12: St. Vintage Wah (Stereo Vintage/Custom Wah)
a: Shape
b: Frequency Bottom b: Frequency Top c: Resonance Bottom c: Resonance Top
D
13: VOX Wah
14: St. Random Filter (Stereo Random Filter)
a: LFO Phase [degree]
a: LFO Waveform b: LFO Frequency [Hz] c: LFO Step Freq [Hz]
d: BPM e: Step Base Note
15: St. MultiModeFilter (Stereo Multi Mode Filter)
16: St. Sub Oscillator (Stereo Sub Oscillator)
D
D
a: OSC Mode b: Note Interval b: Note Fine
d: Envelope Pre LPF
18: Stereo Decimator
D
19: St. Analog Record (Stereo Analog Record)
D
b: Flutter
Overdrive, Amp models, and Mic models (OD Amp Mic )
20: OD/Hi.Gain Wah (Overdrive/Hi.Gain Wah)
21: St. Guitar Cabinet (Stereo Guitar Cabinet)
22: Gtr. Cabinet + NR
23: St. Bass Cabinet (Stereo Bass Cabinet)
This simulates the acoustical character of a bass amps speaker cabinet.
24: Bass Amp Model
This simulates a bass amp.
25: Bass Amp+Cabinet (Bass Amp Model+Cabinet)
This simulates a bass amp and speaker cabinet.
a: Amp Type h: Cabinet Type Recommended Combinations of Bass Amp Models and Cabi- nets:
26: Tube PreAmp Model (Tube PreAmp Modeling)
b, f: Saturation [%]
27: St. Tube PreAmp (Stereo Tube PreAmp Modeling)
28: Mic Model+PreAmp (Mic Modeling + PreAmp)
b: Mic Position
Chorus, Flanger, and Phaser (Cho/Fln Phaser)
29: Stereo Chorus
d: L Pre Delay [msec] d: R Pre Delay [msec]
Setting the left and right delay time individually allows you to control the stereo image.
30: Classic Chorus
31: Black Chorus/Flanger
Mode Intensity
32: St.HarmonicChorus (Stereo Harmonic Chorus)
f: High/Low Split Point
33: St. Biphase Mod. (Stereo Biphase Modulation)
+
34: Multitap Cho/Delay (Multitap Chorus/Delay)
35: Ensemble
c: Shimmer
36: Polysix Ensemble
37: Stereo Flanger
h: Wet/Dry
g: High Damp [%]
38: Classic Flanger
39: St. Random Flanger (Stereo Random Flanger)
D
40: St. Env. Flanger (Stereo Envelope Flanger)
c: Sweep Mode c: Src
d: EG Attack d: EG Decay
41: Stereo Phaser
h: Resonance i: Wet/Dry
h: High Damp [%]
42: Orange Phaser
43: Small Phaser
44: St. Random Phaser (Stereo Random Phaser)
D
45: St. Env. Phaser (Stereo Envelope Phaser)
Modulation and Pitch Shift (Mod./P.Shift)
46: Stereo Vibrato
a: AUTOFADE Src b: Fade-In Delay [msec] b: Fade-In Rate d: LFO Frequency Mod
47: St. Auto Fade Mod. (Stereo Auto Fade Modulatiom)
48: 2Voice Resonator
D
49: Doppler
50: Scratch
D
51: Grain Shifter
D
a: Duration c: LFO Sample Cycle [Hz]
52: Stereo Tremolo
a: LFO Waveform
53: Classic Tremolo
54: St. Env. Tremolo (Stereo Envelope Tremolo)
d: LFO Frequency [Hz] d: Envelope Amount [Hz] e: Depth e: Envelope Amount
55: Stereo Auto Pan
a: LFO Shape
You can change the panning curve by modifying the LFOs Shape.
b: LFO Phase [degree]
56: St. Phaser + Trml (Stereo Phaser + Tremolo)
57: St. Ring Modulator (Stereo Ring Modulator)
58: Detune
This parameter sets the dynamic modulation of the input level.
d: Input Level Dmod [%] d: Src
59: Pitch Shifter
b: Pitch Shift [1/2tone] b: Src b: Amt c: Fine [cents] c: Amt
60: Pitch Shifter BPM
This pitch shifter enables you to set the delay time to match the
d: BPM e: Delay Base Note
d: Time Over?
61: Pitch Shift Mod. (Pitch Shift Modulation)
62: Organ Vib/Chorus (Organ Vibrato/Chorus)
b: Control Mode c: Preset Type d: Custom Mix e: Custom Depth f: Custom Speed [Hz]
c: Amt
63: Rotary Speaker
Delay
64: L/C/R Delay
65: Stereo/CrossDelay
66: St. Multitap Delay (Stereo Multitap Delay)
d: Tap1 Level
67: St. Mod Delay (Stereo Modulation Delay)
b: D-mod Modulation
d: LFO Sync d: Src g: L LFO Phase [deg] h: R LFO Phase [deg]
68: St. Dynamic Delay (Stereo Dynamic Delay)
a: Control Target
69: St. AutoPanningDly (Stereo Auto Panning Delay)
This stereo delay effect pans the delay sound left and right using the LFO.
70: Tape Echo
D
+
D
a: Delay (Tap1) [msec] a: Src a: Amt b: Tap2 Position [%] b: Tap3 Position [%]
73: Sequence BPM Dly (Sequence BPM Delay)
74: L/C/R BPM Delay
a: Time Over?
You can set the delay time up to 5,460msec. If the delay time
75: Stereo BPM Delay
This stereo delay enables you to set the delay time to match the
76: St.BPM Mtap Delay (Stereo BPM Multi tap Delay)
This four-tap delay enables you to select a tempo and rhythm pattern to set up each tap.
D
77: St.BPM Mod. Delay (Stereo BPM Modulation Delay)
This is a stereo modulation delay that lets you synchronize the delay time to the tempo of the song.
78: St.BPMAutoPanDly (Stereo BPM Auto Panning Delay)
This stereo auto panning delay enables you to set the delay time to match the song tempo.
79: Tape Echo BPM
This is a tape echo that lets you synchronize the delay time to the tempo of the song.
D
a: Tap1 Dmod Src b: Tap1 Delay Note b: Times c: Tap1 Dmod Note c: Times
b: Time Over?
Reverb and Early Reflections (Reverb ER)
80: Reverb Hall
This plate reverb simulates dry (light) reverberation.
This hall-type reverb simulates the reverberation of mid-size concert halls or ensemble halls.
81: Reverb SmoothHall
85: Reverb BrightRoom
This room-type reverb emphasizes the early reflections that make the sound brighter.
This parameter selects the decay curve for the early reflection.
c: ER Level d: Reverb Level
86: Reverb Spring
Mono-Mono Serial (Mono-Mono)
88: P4EQ - Exciter (Parametric 4-Band EQ - Exciter)
D
and an exciter.
89: P4EQ - Wah (Parametric 4-Band EQ - Wah/Aut o Wah)
90: P4EQ - Cho/Flng (Parametric 4-Band EQ - Chorus/Flanger)
and a chorus/flanger.
i: Output Mode
91: P4EQ - Phaser (Parametric 4-Band EQ - Phaser)
This effect combines a mono four-band parametric equalizer and a phaser.
92: P4EQ - Mt. Delay (Parametric 4-Band EQ - Multitap Delay)
and a multitap delay.
D
93: Comp - Wah (Compr esso r - Wah/ Auto Wa h)
This effect combines a mono compressor and a wah. You can change the order of the connection.
94: Comp - Amp Sim (Compressor - Amp Simulation)
95: Comp - OD/HiGain (Compressor - Overdrive/Hi.Gain)
96: Comp - P4EQ (Compressor - Parametric 4-Band EQ)
97: Comp - Cho/Flng (Compressor - Chorus/Flanger)
This effect combines a mono compressor and a chorus/flanger.
h: [F]Output Mode i: Routing
98: Comp - Phaser (Compressor - Phaser)
This effect combines a mono compressor and a phaser. You can
99: Comp - Mt. Delay (Compressor - Multitap Delay)
This effect combines a mono compressor and a multitap delay.
100: Limiter - P4EQ (Limiter - Parametric 4-Band EQ)
a: [L]Ratio a: Threshold [dB] c: [L]Gain Adjust [dB]
101: Limiter - Cho/Flng (Limiter - Chorus/Flanger)
This effect combines a mono limiter and a chorus/flanger. You
102: Limiter - Phaser
This effect combines a mono limiter and a phaser. You can
103: Limiter - Mt.Delay (Limiter - Multitap Delay)
This effect combines a mono limiter and a multitap delay. You
104: Exciter - Comp (Exciter -Compressor)
This effect combines a mono exciter and a compressor. You can
105: Exciter - Limiter
This effect combines a mono exciter and a limiter. You can
106: Exciter - Cho/Flng (Exciter - Chorus/Flanger)
This effect combines a mono limiter and a chorus/flanger.
107: Exciter - Phaser
This effect combines a mono limiter and a phaser.
108: Exciter - Mt.Delay (Exciter - Multitap Delay)
This effect combines a mono exciter and a multitap delay.
109: OD/HG - Amp Sim (Overdrive/Hi.Gain - Amp Simulation)
an amp simulation. You can change the order of the effects.
110: OD/HG - Cho/Flng (Overdrive/Hi.Gain - Chorus/Flanger)
a chorus/flanger. You can change the order of the effects.
111: OD/HG - Phaser (Overdrive/Hi.Gain - Phaser)
a phaser. You can change the order of the effects.
112: OD/HG - Mt.Delay (Overdrive/Hi.Gain - Multitap Delay)
a multitap delay.
113: Wah - Amp Sim (Wah - Amp Simulation)
This effect combines a mono wah and an amp simulation. You
D
114: Decimator - Amp (Decimator - Amp Simulation)
This effect combines a mono decimator and an amp simulation.
115: Decimator - Comp (Decimator - Compressor)
This effect combines a mono decimator and a compressor. You
116: AmpSim - Tremolo (Amp Simulation- Tremolo)
This effect combines a mono amp simulation and a tremolo.
117: Cho/Flng - Mt.Dly (Chorus/Flan ger - Mult itap Delay)
This effect combines a mono chorus/flanger and a multitap delay.
118: Phaser - Cho/Flng (Phaser - Chorus/Flanger)
This effect combines a mono phaser and a chorus/flanger.
119: Reverb - Gate
This effect combines a mono reverb and a gate.
f: [G]Envelope Select f: Src g: [G]Input Reverb Mix g: Threshold
Double Size
D
120: St. Mltband Limiter (Stereo Mltband Limiter)
This is a stereo multiband limiter.
121: PianoBody/Damper (PianoBody/Damper Simulation)
122: OD/HyperGain Wah (Overdrive/Hyper Gai n Wah)
D
123: GuitarAmp + P4EQ (Guitar Amp Model + Parametric 4-Band EQ)
124: Amp Clean Combo
125: Amp California
126: Amp Tweed
127: Amp Modded OD
128: BassTubeAmp+Cab. (Bass Tube Amp Model + Cabinet)
This simulates a bass amp (with gain and drive) and speaker cab- inet.
D
a: Amp Type i: Cabinet Type Recommended Combinations of Bass Amp Models and Cabi- nets:
129: St. Mic + PreAmp (Stereo Mic Modeling + PreAmp)
131: St. Pitch Shifter (Stereo Pitch Shifter)
a: L/R Pitch
132: St. PitchShift BPM (Stereo Pitch Shifter BPM)
This stereo pitch shifter enables you to set the del ay time to match the song tempo.
133: Rotary SpeakerOD (Rotary Speaker Overdrive)
a: Sw
Overdrive will be switched on/off each time the value of the modulation source exceeds 64.
134: L/C/R Long Delay
135: St/Cross Long Delay (Stereo/Cross Long Delay)
136: Hold Delay
137: LCR BPM Long Dly
The L/C/R delay enables you to match the delay time with the
a: Time Over?
You can set the delay time up to 10,920msec. If the delay time
138: St. BPM Long Dly (Stereo BPM Long Delay)
Vocod er
140: Vocoder
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Styles
Fact ory da ta
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Style Elements
Style and Player controls
Single Touch Settings (STS)
Sounds (Bank order)
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Sounds (Program Change order)
The following table lists all Pa3X Factor y Sounds in order of Bank Select-Program Change number.
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Drum Kits
Drum Kits
The following table lists all Pa3X Factory Drum Kits in order of Bank Select-Program Change number.
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Multisamples
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Drum Samples
The following table lists all Pa3X Factory Drum Samples.
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Pads
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Effects
Effects
Effects
MIDI Setup
MIDI Setup
List of Assignable Footswitch / Pedal functions
List of Assignable Footswitch / Pedal functions
The following functions can be assigned to a footswitch or a con- tinuous pedal.
Assignable parameters
List of Assignable Footswitch / Pedal functions
List of Assignable Slider functions
List of Assignable Slider functions
The following functions can be assigned to the Assignable Slid- ers.
List of Assignable Switch functions
The following functions can be assigned to the Assignable Switches.
List of EC5 functions
List of EC5 functions
The following functions can be assigned to a Korg EC5s switch pedal.
List of EC5 functions
Scales
MIDI Data
MIDI Controllers
MIDI Controllers
(*) The following NRPN messages are recognized by Pa3X in Song Play and Sequencer mode only:
MIDI Data
Recognized chords
Recognized chords
Major
Dominant 7th 5
Major 6th
Major 7th
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