53
Sound operating mode
Basic: OSC Basic
Advanced
Legato
This parameter is only available when the selected mode is
Mono. It is the same found on the main page of the Sound mode.
See “Legato” on page49 for information on this parameter.
Priority
This parameter is available when the selected mode is Mono. It
specifies which note will be given priority to play when two or
more notes are played simultaneously.
Low Lowest note will take priority.
High Highest note will take priority.
Last Last note will take priority.
Hold
Use this parameter to keep the notes sustained even after releas-
ing the keys.

Legato as OSC Trigger

The parameters included in this section are to be considered
when a note is played ‘legato’, i.e., with no gap with the previous
note. These parameters are valid for the whole Sound (all oscilla-
tors).
Max Time
This delay allows notes to be considered Legato, even if there is a
small gap before them. This is useful to avoid some notes in a
chord are played Legato, and some others Staccato.
1…999 ms Notes played with a small gap are still considered
Legato notes. A value of approx. 15 ms is usually
considered effective when playing chords.
Max Range
This is the range (in semitones) within the Legato is considered.
If you play a wider interval, the note is considered Staccato. This
is typical of some acoustic instruments, where legato is only pos-
sible within a small interval, but not on wider ones.
As an example, please try the Sound “Nylon Guitar DNC”, where
the Max Range is 5 semitones. Play legato with intervals smaller
than 5 semitones, and you will hear how smoother legato notes
will become. Play legato with wider intervals, and legato
smoothing will be lost.
1…127 st Max range in semitones.
Basic: OSC Basic
The multisample(s) on which the Sound will be based can be
selected here for each of the sixteen oscillators. Each oscillator
can use 1 or 2 multisamples, each one assigned to the High or
Low layer.

OSC Multisample

High/Low Bank/Num
Use these parameters to select a different multisample for each of
the High and Low layers. You can use velocity to switch between
the two multisamples. Offset and Level can be adjusted indepen-
dently for the High and Low multisamples.
The High and Low pop-up menus is where you select the bank
(ROM or RAM), while the numeric field under it is for selecting
the multisample inside the selected bank. The Sound name
appears on its right.
The multisample you select for the High layer will be triggered
by velocities higher than the value of the “Velocity Multisample
Switch Low-High” parameter (see page54). If you do not wish to
use velocity switching, set the switch to a value of 001, and select
only the High multisample.
ROM The Factory bank. The Factory are a of the inter-
nal memory contains 829 different multisamples
(preset multisamples), supplied by Korg as stan-
dard.
RAM RAM multisample, read from the RAM. These
are user-loaded or created multisamples.
Note: If you create a new Sound based on a RAM
multisample, the RAM samples must be loaded
from the internal HD or from a connected USB pen
driver.
In case samples are not loaded, no sound will be
heard, even if the Sound can be selected and its
name appears in the display.
Note: Each multisample has an uppe r note range limit, and cannot
produce sound when played above that limit.
Offset
These parameters specify the point where the multisample(s)
will begin to play. For some multisample s this parameter wil l not
be available.
Off The sound will start from the beginning of the
multisample wavefo rm.