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Effect/Parameter List
48: 4TP PAN DLY (4TAP PAN DELAY)

This effect has four delays.

Stereo location of each delay

49: MULTTAP DLY (MULTI TAP DELAY)

This effect provides four delays. Each of the Delay Time parameters

can be set to a note length based on the selected tempo. You can also

set the panning and level of each delay sound.

50: REVERSE DLY (REVERSE DELAY)

This is a reverse delay that adds a reversed and delayed sound to the

input sound. A tap delay is connected immediately after the reverse

delay.

Right Level 0–127 Volume of each delay
Center Level 0–127 Volume of each delay
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Delay3, Delay4

Parameter Value Description

Delay1 Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay1 (ms) 1–2600 ms Adjusts the time until the delay sound is
heard. (Hz)
Delay1 ( ) note (*1) Adjusts the time until the delay sound is
heard. (note)
Delay2 Mode ms, note Settings of the Delay 2
The parameters are the same as for the
Delay 1.
Delay2 (ms) 1–2600 ms
Delay2 ( ) note (*1)
Delay3 Mode ms, note Settings of the Delay 3
The parameters are the same as for the
Delay 1.
Delay3 (ms) 1–2600 ms
Delay3 ( ) note (*1)
Delay4 Mode ms, note Settings of the Delay 4
The parameters are the same as for the
Delay 1.
Delay4 (ms) 1–2600 ms
Delay4 ( ) note (*1)
Delay1
Feedback
-98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Delay1 Level 0–127 Volume of each delay
Delay2 Level
Delay3 Level
Delay4 Level
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output level

Parameter Value Description

1

23

4

LR

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Delay3, Delay4

Parameter Value Description

Delay1 Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay1 (ms) 1–2600 ms Adjusts the time until the delay sound is
heard. (Hz)
Delay1 ( ) note (*1) Adjusts the time until the delay sound is
heard. (note)
Delay2 Mode ms, note Settings of the Delay 2
The parameters are the same as for the
Delay 1.
Delay2 (ms) 1–2600 ms
Delay2 ( ) note (*1)
Delay3 Mode ms, note Settings of the Delay 3
The parameters are the same as for the
Delay 1.
Delay3 (ms) 1–2600 ms
Delay3 ( ) note (*1)
Delay4 Mode ms, note Settings of the Delay 4
The parameters are the same as for the
Delay 1.
Delay4 (ms) 1–2600 ms
Delay4 ( ) note (*1)
Delay1
Feedback
-98– +98 % Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
the high frequencies, set this parameter
to BYPASS.
Delay1 Pan L64–63R Stereo location
Delay2 Pan L64–63R
Delay3 Pan L64–63R
Delay4 Pan L64–63R
Delay1 Level 0–127 Output level of Delays 1
Delay2 Level 0–127 Output level of Delays 2
Delay3 Level 0–127 Output level of Delays 3
Delay4 Level 0–127 Output level of Delays 4
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level

Assignable Parameters

MFX Control Balance, Rev Dly, Rev Dly Pan

Parameter Value Description

Threshold 0–127 Volume at which the reverse delay will
begin to be applied
Rev Dly Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Rev Dly (ms) 1–1300 ms Delay time from when sound is input
into the reverse delay until the delay
sound is heard (Hz)
Rev Dly ( ) note (*1) Delay time from when sound is input
into the reverse delay until the delay
sound is heard (note)
Rev Dly Fbk -98– +98% Proportion of the delay sound that is to
be returned to the input of the reverse
delay (negative values invert the phase)
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