Roland RD-700SX 51: SHUFFLE DLY (SHUFFLE DELAY), 52: 3D DELAY,

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Effect/Parameter List
51: SHUFFLE DLY (SHUFFLE DELAY)
Adds a shuffle to the delay sound, giving the sound a bouncy delay
effect with a swing feel.
52: 3D DELAY
This applies a 3D effect to the delay sound. The delay sound will be
positioned 90 degrees left and 90 degrees right.
Rev Dly
HFDmp
200–8000 Hz,
BYPASS
Frequency at which the high-frequency
content of the reverse-delayed sound
will be cut (BYPASS: no cut)
Rev Dly Pan L64–63R Panning of the reverse delay sound
Rev Dly Level 0–127 Volume of the reverse delay sound
Delay1 Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay1 (ms) 1–1300 ms Delay time from when sound is input
into the tap delay until the delay sound
is heard (Hz)
Delay1 ( ) note (*1) Delay time from when sound is input
into the tap delay until the delay sound
is heard (note)
Delay2 Mode ms, note Settings of the Delay 2
The parameters are the same as for the
Delay 1.
Delay2 (ms) 1–1300 ms
Delay2 ( ) note (*1)
Delay3 Mode ms, note Settings of the Delay 3
The parameters are the same as for the
Delay 1.
Delay3 (ms) 1–1300 ms
Delay3 ( ) note (*1)
Delay3
Feedback
-98– +98% Proportion of the delay sound that is to
be returned to the input of the tap delay
(negative values invert the phase)
Delay HF
Damp
200–8000 Hz,
BYPASS
Frequency at which the low-frequency
content of the tap delay sound will be
cut (BYPASS: no cut)
Delay1 Pan L64–63R Panning of the tap delay sounds
Delay2 Pan
Delay1 Level 0–127 Volume of the tap delay sounds
Delay2 Level
Low Gain -15– +15 dB Amount of boost/cut for the low-
frequency range
High Gain -15– +15 dB Amount of boost/cut for the high-
frequency range
Balance D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
Level 0–127 Output volume
Assignable Parameters
MFX Control Balance, Delay, Shuffle Rate
Parameter Value Description
Delay Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay (ms) 1–2600 ms Adjusts the time until the delay sound is
heard. (Hz)
Delay ( ) note (*1) Adjusts the time until the delay sound is
heard. (note)
Shuffle Rate 0–100 % Adjusts the ratio (as a percentage) of the
time that elapses before Delay B sounds
relative to the time that elapses before
the Delay A sounds.
When set to 100%, the delay times are
the same.
Acceleration 0–15 Adjusts the time over which the Delay
Time changes from the current setting to
its specified new setting.
Feedback -98– +98 % Adjusts the amount of the delay that’s
fed back into the effect. Negative (-)
settings invert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Parameter Value Description
Pan A L64–63R Stereo location of Delay A/B
Pan B
Level A 0–127 Volume of delay A/B
Level B
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output level
Assignable Parameters
MFX Control Balance, Delay C, Delay L, Delay R
Parameter Value Description
Delay L Mode ms, note When this is set to “note,” the effect is
synchronized with the tempo.
Delay L (ms) 1–2600 ms Adjusts the delay time from the direct
sound until the delay sound is heard.
(Hz)
Delay L ( ) note (*1) Adjusts the delay time from the direct
sound until the delay sound is heard.
(note)
Delay R Mode ms, note Settings of the Delay R
The parameters are the same as for the
Delay 1.
Delay R (ms) 1–2600 ms
Delay R ( ) note (*1)
Delay C Mode ms, note Settings of the Delay C
The parameters are the same as for the
Delay 1.
Delay C (ms) 1–2600 ms
Delay C ( ) note (*1)
Center
Feedback
-98– +98 % Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect will be cut.
If you do not want to cut the high
frequencies, set this parameter to
BYPASS.
Left Level 0–127 Output level of the delay sound
Right Level
Center Level
Output Mode SPEAKER,
PHONES
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select SPEAKER
when using speakers, or PHONES when
using headphones.
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Balance D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output Level
Parameter Value Description
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