Roland XP-30 Quadruple-Tap-Delay, Time-Control-Delay, 101, Delay Delay time #, Accel Acceleration

Level (Output Level)

Adjust the output level.

20: QUADRUPLE-TAP-DELAY

The Quadruple Tap Delay has four delays. Each of the Delay Time parameters can be specified as a note length of the selected tempo.

	Balance D
L in	L out
Delay 1	Balance W
Feedback
Delay 2
Quadruple Tap Delay
Delay 3
Delay 4	Balance W
R in	R out
	Balance D

The stereo location of each delay sound is as follows.

2	3
1	4

LR

Delay 1 (Delay Time 1)

Delay 2 (Delay Time 2)

Delay 3 (Delay Time 3)

Delay 4 (Delay Time 4)

Adjust the time delay from the direct sound until when each delay sound is heard. These parameters can be set as a note- value of a specified tempo. In this case, specify the value of the desired note.

When Step Rate is Set as a Note Value

As the specified tempo, you may use either the Patch Tempo, Performance Tempo, or the tempo clock of the XP-30’s system.

If you want to use a fixed tempo in Patch mode (Tempo parameter setting), set the Source parameter (PATCH/ COMMON/PATCH CLOCK) to PATCH and set the desired tempo.

If you want to use the system’s tempo clock in Patch mode, set the Source parameter (PATCH/COMMON/ PATCH CLOCK) to SYSTEM.

If you want to use a fixed tempo in Performance mode (Tempo parameter setting), set the Source parameter (PERFORM/COMMON/PERFORM CLOCK) to PERFORM and set the desired tempo.

If you want to use the system’s tempo clock in Performance mode, set the Source parameter (PERFORM/COMMON/PERFORM CLOCK) to

SYSTEM.

Chapter 3. Creating Your Own Sounds

Level 1

Level 2

Level 3

Level 4

Adjust the volume of each delay sound.

Fbk (Feedback Level) #

Adjust the proportion (%) of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

HF Damp

Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.

Balance (Effect Balance) #

Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output.

Level (Output Level)

Adjust the output level.					3
21: TIME-CONTROL-DELAY					Chapter
This effect allows you to use a specified controller (the
controller selected in EFX Control Source) to control the
delay time and pitch in realtime. Lengthening the delay will
lower the pitch, and shortening it will raise the pitch.
	L in		2-Band	L out
		Balance D	EQ
			Balance W
		Time Control Delay	Balance W
		Feedback
	R in		2-Band	R out
		Balance D	EQ

Delay (Delay time) #

Adjust the time delay from the direct sound until when each delay sound is heard.

Accel (Acceleration)

This parameter adjusts the time over which the Delay Time will change from the current setting to a newly specified setting. The rate of change for the Delay Time directly affects the rate of pitch change.

Fbk (Feedback Level) #

Adjust the proportion (%) of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

HF Damp

Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.

Pan (Output Pan)

Adjust the stereo location of the delay sound. L64 is far left, 0 is center, and 63R is far right.

101