AKG Acoustics WMS 61, WMS 81 manual Setting Up

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9. Setting Up

Prior to connecting the receiver to AC power and inserting the bat- teries into the transmitter, set the transmitter and receiver to the same carrier frequency. The carrier frequency tables on the trans- mitter (2h, 3k) and receiver (1k) list the channel number corre- sponding to each carrier frequency.

9.1. Selecting the Carrier Frequency

1.Handheld transmitter: Unscrew the battery compartment

cover and the color code ring (2d or 2j) CCW.

Bodypack transmitter: Open the battery compartment (3h).

All controls are now accessible.

2.Use the supplied screwdriver (1r) to set the CHANNEL control (2g) on the handheld transmitter or (3f) on the bodypack trans- mitter to the desired channel.

3.Set the CHANNEL control (1d) on the receiver to the same channel as the transmitter.

Important: Be sure to switch power to the transmitter OFF every time before changing the carrier frequency. The new carrier fre- quency will not be activated before you switch the transmitter back ON. (If you change the carrier frequency while the trans- mitter is ON, the transmitter will remain tuned to the old carrier frequency.)

9.1.1.Multichannel Systems

1.Be sure to assign a separate carrier frequency to each trans- mission channel (transmitter + receiver).

2.Set the transmitter and receiver to one of the frequencies mark- ed with * in the carrier frequency tables (1k, 2h, 3k).

Note: If reception on the selected carrier frequency is disturbed, set the carrier frequencies for all channels up or down

one or two notches using the respective CHANNEL controls (1d, 2g, 3f) on each transmitter and receiver.

This is necessary to provide the minimum frequency spacing required for intermodulation-free multichannel operation.

Important: Do not operate two or more channels on the same frequency at the same time and location. This would cause unwanted noise due to radio interference.

9.2.Handheld Transmitter

9.2.1.Microphone Element

Prior to switching the transmitter on, screw the microphone element CW onto the thread on the transmitter. All electrical connections will be made automatically.

9.2.2.Inserting, Testing, and Removing Batteries

1.Make sure that the end of the ribbon fixed inside the battery compartment (2f) will stick out of the battery compartment (2f). (The ribbon is needed for removing the batteries.)

2.Insert the supplied batteries into the battery compartment (2f) conforming to the polarity marks.

The transmitter will not function with incorrectly inserted batte- ries.

3.Set the PWR switch to “I” to switch the power to the transmitter on.

The status LED (2b) will flash momentarily. If the batteries are in good condition, the status LED (2b) will continue glowing dimly. When the status LED (2b) illuminates brightly the batteries will be dead within about 90 minutes. Replace the batteries with new ones as soon as possible.

If the status LED (2b) fails to illuminate the batteries are dead. Insert new batteries.

4.Screw the supplied protective ring (2j) and the battery com- partment cover back onto the transmitter CW. You can rotate the protective ring (2j) so that any one of the controls will be accessible and all others covered (B to E) and thus protected

from being misadjusted unintentionally.

Note: For easy channel identification in a multichannel setup, you can install a different-color protective ring included in the optional Color Coding Kit. These protective rings are adjust- able, too.

Note: If you prefer to cover all controls, reinstall the original color code ring (2d) after adjusting the system as described

in section 9.6.

5.Removing batteries: Pull the ribbon outward to release the batteries from the battery compartment (2f) and remove the bat- teries.

9.3.Bodypack Transmitter

1.Insert the supplied batteries into the battery compartment (3h) conforming to the polarity marks.

The transmitter will not function with incorrectly inserted bat- teries.

2.Close the battery compartment (3h). The GAIN control (3j) remains accessible through an opening in the battery compart- ment cover.

3.Connect your microphone -- or your instrument using an option- al MKG/L guitar cable -- to the audio input (3d).

4.Rotate the security cover (3m) CW to uncover the switches.

5.Set the POWER switch (3a) to “I” to switch the power to the transmitter on.

The status LED (3c) will flash momentarily. If the batteries are in good condition, the status LED (3c) will continue glowing dimly. When the status LED (3c) illuminates brightly the batteries will be dead within about 90 minutes. Replace the batteries with new ones as soon as possible.

If the status LED (3c) fails to illuminate the batteries are dead. Insert new batteries.

6.Snap the security cover (3m) back over the switches CCW. You can wear the transmitter inside a shirt or jacket pocket, fix it to your belt with the belt clip (3g), or attach it to your body with adhesive bandage.

Important: Make sure the antenna will hang down freely, with- out being covered by the body.

Note: For easy channel identification in a multichannel setup, you can replace the snap fitted color code platelet (3e) with a dif- ferent-color platelet included in the optional Color Coding Kit.

9.4. Replacing Transmitter Batteries

In order to ensure proper functioning of the BATTERY status display on the receiver, make sure to

-use 2 new batteries of the same type and make only;

-check that the batteries were not used for at least two hours prior to inserting them; and

-do not remove batteries before they are dead (the BATTERY

LO LED on the receiver will flash).

If you use rechargeable batteries, be sure to use only high qua- lity branded batteries, e.g., from SANYO. Note that the discharge curve of any rechargeable battery will change over time. Therefore, the BATTERY display on the receiver may oper- ate less accurately with older rechargeable batteries.

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Contents WMS 61 WMS Inhalt Sicherheitshinweise EinleitungLieferumfang Empfänger2. Rückseite HandsenderEmpfohlenes Zubehör Farbcode-Set BedienelementeFrequenzen TaschensenderMehrkanalanlagen InbetriebnahmeMehrkanalanlagen Trägerfrequenz einstellenHandsender Mikrofonkopf Batterien einsetzen, testen und herausnehmenMontage in einem 19-Rack Einen Empfänger montieren Empfänger AufstellungsortZwei Empfänger nebeneinander montieren AudioanschlussReinigung WMS Technische Daten12.1 WMS Set DK Set UK1 Set AT FrequenzlistenSet EUS7 Set EUS8a Set EUS8b Set EUS9 Set EUS10 Set EUS11Tabelle Set Antennensegmente Set EUS12 Set EUS13 Set RSUS1a US1b EUS8a EUS8bSet US54 Set US55 Set US58 Set US59 Set EU58 Set EU59Set EU60 Set EU62 Set EU63 1n 1p 1m 1k/1l2d/2j 2d/2j 2h/2i 2a 2b 2c3k/3l 3m3iUser Instructions Contents FCC Statement PrecautionsIntroduction WMS 61 and WMS 81 SystemsHandheld Transmitter Optional Accessories Color Coding KitControls Front Panel Rear PanelBodypack Transmitter FrequenciesMultichannel Systems Setting Up Connecting Antennas Receiver PlacementSystem Adjustments Rack Mounting Mounting a Single ReceiverCleaning Specifications Frequency Lists Set Antenna sections Set US54 Set US55 Set US58 Wireless Microphone Systems 2a 2b 2c PT 61 / PT Mode d’emploi Table des Matières Consignes de sécurité Equipement fourniRécepteur Commandes Accessoires recommandés Jeu de codes couleursAccessoires recommandés Emetteur à mainEmetteur de poche FréquencesSystèmes multicanaux Mise en service Montage dans un rack 19 Pour monter un récepteur Récepteur Lieu d’installationPour monter deux récepteurs l’un à côté de l’autre Raccordement audioNettoyage Caractéristiques techniques Listes des fréquences Tableau Set Sections d’antenne Set US54 Set US55 Set US58 WMS 61 / WMS 2a 2b 2c PT 61 / PT Istruzioni d’uso Indice Indicazioni per la sicurezza IntroduzioneDotazione RicevitoreTrasmettitore a mano Accessori raccomandati Set codice a coloriLato posteriore Elementi di comandoTrasmettitore da tasca FrequenzeImpianti pluricanale Messa in esercizio Montaggio in un rack da 19 Montaggio di un ricevitore Ricevitore PosizionamentoMontaggio di due ricevitori in parallelo Collegamento audioPulizia Dati tecnici Liste delle frequenze Tabella Set Sezioni d’antenna Set US54 Set US55 Set US58 WMS 61 / WMS 2a 2b 2c PT 61 / PT Modo de empleo Indice Introducción Volumen de suministroIndicaciones de seguridad ReceptorTransmisor manual Frecuencias Transmisor de bolsilloSistemas multicanales Puesta en funcionamientoSistemas multicanales Ajuste de la frecuencia portadoraTransmisor manual Cabeza de micrófono Colocar las pilas, ensayarlas y retirarlasMontaje de dos receptores contiguos Montaje en un bastidor de Montaje de un receptorConexión audio Conectar las antenasLimpieza Datos técnicos 11.1 WMS11.2 WMS Listas de frecuencias Cuadro Set Secciones de antena Set US54 Set US55 Set US58 WMS 61 / WMS 2a 2b 2c PT 61 / PT WMS Por favor leia o manual antes de ligar o equipamento ÍndiceIntrodução ConfiguraçõesAvisos de segurança Acessórios recomendadosTransmissor de bolso PT Transmissor de mão HTFreqüências Instalações multicanaisOperação Transmissor de mão HT Cabeça de microfone Mudar as freqüências portadorasColocar as pilhas, testá-las e removê-las Receptor SR Lugar de instalaçãoLigação à rede Conexão de áudioAntenas Ajustar a instalaçãoDados técnicos LimpezaSet UK69A UKSpot Set UK69B UKSpot 786.400MHz 813.000MHz 834.000MHz Set EU60 Set NZ1 Set NZ21o1q 1n 1p 1m WMS2a 2b 2c 2h/2i III Iiiiv

WMS 61, WMS 81 specifications

AKG Acoustics is renowned for its excellence in audio equipment, and their wireless microphone systems, particularly the WMS 81 and WMS 61, are prime examples of their commitment to quality and innovation. Both models offer a range of features designed to meet the needs of performers and audio professionals alike.

The AKG WMS 81 is a high-end wireless microphone system that excels in versatility and sound quality. It operates in the UHF frequency range, ensuring minimal interference and reliable signal transmission over long distances. One of its standout features is the adaptive diversity receiver, which helps eliminate dropouts and ensures a clear, consistent sound. The WMS 81 also incorporates automatic frequency selection, allowing for quick setup and optimal performance in any environment.

An important characteristic of the WMS 81 is its exceptional audio quality. The system utilizes advanced audio processing technologies, which include high-frequency response and low noise levels. This results in clearer and more articulate sound reproduction, whether for live performances or professional presentations. The microphone capsules are designed to capture a wide dynamic range, making them suitable for vocalists and instrumentalists alike.

On the other hand, the AKG WMS 61 is designed with simplicity and reliability in focus. It offers a more cost-effective solution while still incorporating quality features. Like the WMS 81, it operates in the UHF range and supports automatic frequency pairing, simplifying the setup process. The WMS 61 is known for its lightweight and ergonomic design, making it comfortable for extended use.

In terms of power management, both systems come equipped with innovative battery life indicators. The WMS 61 features a robust rechargeable battery option, ensuring extended performance without the need for frequent replacements. The WMS 81 can accommodate various power options, including alkaline and rechargeable batteries.

Both models also feature a robust metal chassis, ensuring durability in challenging environments, from stages to corporate events. The user-friendly interface provides easy access to essential controls, enabling users to navigate settings effectively.

In summary, the AKG WMS 81 and WMS 61 wireless microphone systems represent a significant advancement in audio technology, combining exceptional sound quality, efficient frequency management, and robust design. Whether you're a professional performer or a corporate presenter, these systems offer reliable solutions that enhance the overall audio experience. With AKG's commitment to quality, both models are sure to meet the demands of any audio environment.