Using the Pattern Sequencer
Pattern Sequencer Part Parameters
■Table (Chord conversion table)
Recording of each accompaniment pattern is normally performed using C major (root of C, major type).* When playing an Auto Accompaniment, you can use a root other than C and a chord type other than major, if you want. This is accomplished by using a “chord conversion table” to convert the C major recorded data to another root and/or chord type. Regardless of what root or chord type you specify, the currently selected chord table is used to make corrections to suit the instrument parts and the type of music being played in order to ensure musically natural accompaniment.
*Depending on the rec menu “PlayChord” setting. For details, see “To configure pattern rec settings (Rec Menu)” (page
Number | Table Name | Accompaniment | Parts | Description | |
Pattern | |||||
|
|
|
| ||
01 | Bass Basic | *1 | Bass | Normally used for a bass part. | |
|
|
|
|
| |
02 | Bass | *1 | Bass | Variation of number 01. Always makes the first note the root | |
note when changing chords. | |||||
|
|
|
| ||
|
|
|
|
| |
03 | Bass 7th | *1 | Bass | Used for a bass part recorded with a 7th chord. | |
|
|
|
|
| |
04 | Bass 7th | *1 | Bass | Variation of number 03. Always makes the first note the root | |
note when changing chords. | |||||
|
|
|
| ||
|
|
|
|
| |
05 | Chord Basic | *1 | Chord | Normally used for a chord part. | |
|
|
|
|
| |
06 | Chord Var2 | *1 | Chord | Used for a chord part that has a tension chord. | |
|
|
|
|
| |
|
| *1 |
| When a 7th chord is specified while playing, the 5th note is | |
07 | Chord Var3 | Chord | converted to a 7th note. In the case of C7, for example, G | ||
|
|
|
| becomes Bb. | |
|
|
|
|
| |
08 | Chord Var4 | *1 | Chord | Variation of number 05 (Chord Basic). | |
|
|
|
|
| |
09 | Chord 7th | *1 | Chord | Used for a chord part recorded with a 7th chord. | |
|
|
|
|
| |
10 | Chord Minor | *1 | Chord | Used for a chord part recorded with a minor chord. | |
|
|
|
|
| |
11 | Phrase | *1 | Chord | Used for the chord part to which a phrase (such as a major | |
scale) was recorded. | |||||
|
|
|
| ||
|
|
|
|
| |
12 | Chord Minor | *1 | Bass | Used for a bass part recorded with a minor chord. | |
|
|
|
|
| |
13 | Chord Minor | *1 | Bass | Variation of number 12. Always makes the first note the root | |
note when changing chords. | |||||
|
|
|
| ||
|
|
|
|
| |
14 | Penta Phrase | *1 | Chord | Used for a chord part recorded with a pentatonic scale phrase. | |
|
|
|
|
| |
15 | Intro | *2 | Bass/chord | When a minor chord is specified while playing, converts to a | |
| natural minor. | ||||
|
|
|
|
| |
16 | Intro | *2 | Bass/chord | When a minor chord is specified while playing, converts to a | |
| melodic minor (ascending). | ||||
|
|
|
|
| |
17 | Intro | *2 | Bass/chord | When a minor chord is specified while playing, converts to a | |
| harmonic minor. | ||||
|
|
|
|
| |
18 | Intro no Change | *2 | Bass/chord | Recording of original | |
| accordance with chord specified while playing. | ||||
|
|
|
|
| |
19 | Intro dorian | *2 | Bass/chord | When a minor chord is specified while playing, converts to a | |
| dorian scale. | ||||
|
|
|
|
|
*1 For NORMAL, NORMAL
*2 For INTRO and ENDING