AUTO

When this mode is selected, the unit determines whether the digital input signal is Dolby Digital, Dolby Digital Surround EX, Dolby Digital Plus, Dolby TrueHD, DTS-HD, DTS, DTS-ES, DTS 96/24 or PCM audio.

Surround EX & DTS-ES will operate for multichannel sources that have a Dolby Digital Surround EX or DTS-ES auto trigger flag in the digital signal.

When a Dolby Digital or DTS signal is input, the number of channels for which the corresponding signal is encoded will be played.

Inputting a Dolby Digital two channel signal with Dolby surround status automatically subjects that signal to Pro Logic IIx movie processing before play.

PCM 96 kHz source material can be played in this mode.

Notes

•When you use this mode with certain DVD and CD players, performing operations such as skip or stop may momentarily interrupt the output.

•When the signal is not decoded, the mode is changed to AUTO mode automatically. See page 83 to confirm the available decoding modes.

SOURCE DIRECT

In the Source Direct mode, the tone control circuit Acoustic EQ. and bass management configuration are bypassed for full-range frequency response and the purist audio reproduction.

Notes

•Speaker size is set to Front L/R = Large, Center

=Large, Surround L/R = Large and Subwoofer

=Yes automatically. Tone controls, equalizer and additional processing are deactivated.

•When you use this mode with certain DVD and CD players, performing operations such as skip or stop may momentarily interrupt the output.

•In SOURCE DIRECT mode, ACOUSTIC EQ and M-DAX are not available.

PURE DIRECT

The Pure Direct mode further reduces sources of noise in addition to effect of the Source Direct mode, by blocking output from the video jacks (VIDEO, S-VIDEO, COMPONENT VIDEO and HDMI) and turning the FL display off.

Note

•In PURE DIRECT mode, ACOUSTIC EQ and M- DAX are not available.

EX/ES

This mode provides 6.1 channel surround for Dolby Digital EX, and DTS-ES-encoded source material such as DVD.

This mode cannot be used when an analog input has been selected.

Dolby Digital EX

In a movie theater, film soundtracks that have been encoded with Dolby Digital Surround EX technology are able to reproduce an extra channel which has been added during the mixing of the program.

This channel, called surround back, places sounds behind the listener in addition to the currently available front left, front center, front right, surround right, surround left and subwoofer channels.

This additional channel provides the opportunity for more detailed imaging behind the listener and brings more depth, spacious ambience and sound localization than ever before.

Dolby Digital EX is not available in systems that do not have without surround back speaker(s).

DTS-ES (Discrete 6.1, Matrix 6.1)

DTS-ES adds the surround center channel audio to the DTS 5.1 channel format to improve the acoustic positioning, and makes acoustic image movement more natural with the 6.1 channel reproduction.

This unit incorporates a DTS-ES-decoder, which can handle DTS-ES Discrete-encoded and DTS-ES Matrix-encoded program sources from DVD, etc.

DTS-ES Discrete 6.1 features digital discrete recording of all channels, including the surround back channel(s), and higher quality audio reproduction.

DTS-ES is not available in systems that do not have surround back speakers.

2MODE

(Dolby Digital, Pro Logic IIx MOVIE, Pro Logic IIx MUSIC, Pro Logic IIx GAME)

This mode is used with source materials encoded in Dolby Digital and Dolby Surround.

DOLBY DIGITAL

This mode is enabled when playing source materials encoded in Dolby Digital.

Playing multichannel-encoded 5.1 channel Dolby Digital sources provides 5 main audio channels (left, center, right, surround left and surround right) and a Low Frequency Effect channel.

Dolby Digital EX decoding is not available in this mode.

Dolby Pro Logic IIx has 5 modes:

Pro Logic IIx MOVIE

This mode provides 6.1 or 7.1 channel surround sound from Dolby Surround, encoded stereo movie soundtracks.

Pro Logic IIx MUSIC

This mode provides 6.1 or 7.1 channel surround sound from conventional stereo sources (analog or digital), such as CD, tape, FM, TV, stereo VCR, etc.

Pro Logic IIx GAME

This mode restores the impact low-frequency surround effects by routing them to the system’s subwoofer.

5.1ch + Pro Logic IIx Movie

This mode provides 7.1 channel surround sound from 5.1 channel sources movie soundtracks.

5.1ch + Pro Logic IIx Music

Thismodeprovides6.1or7.1channelsurroundsound from 5.1 channel sources music soundtracks.

Notes

•Pro Logic IIx mode will decode as Pro Logic II mode when the Surr. B is set to “None” from SPEAKER SETUP menu. (See page 28)

•Pro Logic IIx mode is available for a 2 channel input signal which is encoded in Dolby Digital, HDCD or PCM format.

ENGLISH

OTHERS

Pro Logic IIz Height

Dolby Pro Logic IIz Height is designed to more effectively use existing program material when height channel speaker outputs are present. Dolby Pro Logic IIz Height can be used to upmix a variety of sources from movies and music, but are particularly well-suited to upmix game content.

dts

dts, Neo:6 Cinema, Neo:6 Music

This mode is for DTS-encoded source materials such as laserdisc, CD and DVD. Neo:6 is for some 2 channel sources.

dts

This mode is enabled when playing source materials encoded in dts multichannel.

Playing multichannel encoded-5.1 channel dts sources provides five main audio channels (left, center, right, surround left and surround right) and a Low Frequency Effects channel.

dts-ES decoding is not available in this mode.

The DTS mode cannot be used when an analog input has been selected.

Neo:6 Cinema, Neo:6 Music

This mode decodes 2 channel signals into 6 channel signals using high-accuracy digital matrix technology. The DTS Neo:6 decoder has near-discrete properties in the frequency characteristics of the channels as well as in channel separation.

According to the signals to be played back, DTS Neo:6 uses either the Neo:6 Cinema mode optimized for movie playback or the Neo:6 Music mode optimized for music playback.

Note

•The Neo:6 mode is available for 2 channel input signals which are encoded in Dolby Digital, HDCD or PCM format.

NAMES AND

FUNCTIONS

BASIC

CONNECTIONS

BASIC

OPERATION

ADVANCED

CONNECTIONS

SETUP

ADVANCED

OPERATION

TROUBLESHOOTING

OTHERS

85

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Marantz SR6004, SR5004 manual Auto, Source Direct, Ex/Es, Mode, Dts
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SR6004, SR5004 specifications

The Marantz SR5004 and SR6004 are distinguished models in the world of home theater receivers, offering a perfect blend of high-quality audio performance and advanced technology. Both of these receivers are designed to cater to audiophiles and home theater enthusiasts alike, providing a solid foundation for an immersive audio experience.

The Marantz SR5004 is built on core features that focus on the highest quality audio. It boasts a power output of 100 watts per channel, enabling it to drive a wide range of speakers with ease. One of its signature technologies is the inclusion of Marantz's proprietary HDAM (High Definition Amplifier Modules), which significantly enhances the amplifier performance. This results in lower noise levels and higher dynamic range, allowing for clearer and more detailed sound reproduction.

The receiver supports multiple audio formats and is equipped with five HDMI inputs and one output, making it versatile for connecting various devices like Blu-ray players and gaming consoles. Additionally, it features 7.1 channel surround sound, ensuring a full, immersive audio experience for home theater setups. Another important aspect of the SR5004 is its robust video processing capabilities, which support 1080p video upscaling, thereby enhancing the visual performance of standard-definition content.

The SR6004, on the other hand, takes performance a step further. With an impressive power output of 110 watts per channel, it can handle more demanding speaker configurations. The SR6004 also features Marantz's proprietary Audyssey MultEQ technology, which automatically calibrates your speakers to the acoustics of your room, optimizing sound distribution across all seating positions. It is particularly beneficial for larger rooms where audio performance can vary significantly.

Both models support advanced networking capabilities, featuring Ethernet ports that allow streaming of music from various online platforms. The SR6004 goes further with its compatibility with DLNA streaming, offering a seamless way to access digital music files from a home network.

In terms of connectivity, both receivers offer a range of inputs and outputs, including component, composite, and optical audio connections, providing flexibility for any setup.

With sleek designs and intuitive interfaces, the Marantz SR5004 and SR6004 are user-friendly, making them accessible for both novices and seasoned enthusiasts. Whether for a movie night or a rich listening session, these receivers match audio quality with modern technology, making them a sound investment for any home theater system.
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