Chapter 3. Performance
Changing the Tuning
You can play classical styles such as Baroque using historic temperaments (tuning methods).
Most modern songs are composed for and played in equal temperament, the most common tuning in use today. But at one time, there were a wide variety of other tuning systems in existence. By playing in the temperament that was in use when a composition was created, you can experience the sonorities of chords originally intended for that song.
1 Press the [Function] (Exit) button, getting its indicator to light.
2 Press the [Song] (Select
fig.
3 Press the [Song] (Select
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4 | Press the [ |
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| temperament. |
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| Display |
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| Qualities |
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| Equal |
| In this tuning, each octave is divided into twelve equal |
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| steps. Every interval produces about the same amount of |
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| slight dissonance. |
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| Just(Maj) |
| This tuning eliminates ambiguities in the fifths and thirds. |
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| It is unsuited to playing melodies and cannot be |
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| transposed, but is capable of beautiful sonorities. |
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| Just(min) |
| The Just tunings differ from major and minor keys. You |
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| can get the same effect with the minor scale as with the |
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| major scale. |
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| Kirnberger |
| This is an improvement of the Mean Tone and Just tunings |
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| that provides a high degree of freedom of modulation. |
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| Performances are possible in all keys (III). |
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| This tuning, devised by the philosopher Pythagoras, |
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| Pythagorean |
| eliminates dissonance in fourths and fifths. Dissonance is |
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| produced by |
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| euphonious. |
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| Mean Tone |
| This scale makes some compromises in just intonation, |
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| enabling transposition to other keys. |
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You can save this setting in the
Memory Backup function (p.
72).
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