Preparations 2 Chapter
Notes
•For more information on setting the resolution/clock phase and format, see “Setting the RGB Output Signal Format” (page 162)
•To reduce the effects of external noise, use a cable with an attached ferrite core.
Connecting an AmplifierAudio cable
To Line input connectors or Microphone/line input connectors
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| AUDIO IN |
| PUSH | MIC/LINE | PUSH |
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| VIDEO IN |
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| LINE |
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| MIC/LINE |
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8 | 7 | 6 | 5 | 4 | 3 |
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| S VIDEO COMPOSITE |
| S VIDEO COMPOSITE | SD |
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| I.LINK |
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| OFF | ON |
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| ON | |||
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| MIX L |
| AUX 1 |
| PGML |
| S400 |
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AC IN |
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| R | 2 | R | RGB | COMPOSITE |
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| HEADPHONES | MONI |
| INTERCOM | RGB | PGM S VIDEO | RGB |
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| L |
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| AUDIO OUT |
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| VIOEO OUT |
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Use the cable clip as necessary to secure cables and prevent accidental disconnection.
1 Using a flat head screwdriver, open the lever compartment as illustrated below.
2 Pass the cables through the cable clip.
Allow some slack when routing the cables to prevent them from bending sharply.
54 Connections