Yamaha 01X EQ Parameters

Before UsingBasics SectionAppendix Getting StartedReference

01X Owner’s Manual 117

Parameter Lists

25 Male Vocal 1

PEAKING PEAKING PEAKING PEAKING

G–0.5 dB 0.0 dB +2.0 dB +3.5 dB

F190 Hz 1.00 kHz 2.00 kHz 6.70 kHz

Q0.11 4.5 0.56 0.11

26 Male Vocal 2

PEAKING PEAKING PEAKING H.SHELF

G+2.0 dB –5.0 dB –2.5 dB +4.0 dB

F170 Hz 236 Hz 2.65 kHz 6.70 kHz

Q0.11 10 5.6 —

27 Female Vo. 1

PEAKING PEAKING PEAKING PEAKING

G–1.0 dB +1.0 dB +1.5 dB +2.0 dB

F118 Hz 400 Hz 2.65 kHz 6.00 kHz

Q0.18 0.45 0.56 0.14

28 Female Vo. 2

L.SHELF PEAKING PEAKING H.SHELF

G–7.0 dB +1.5 dB +1.5 dB +2.5 dB

F112 Hz 335 Hz 2.00 kHz 6.70 kHz

Q— 0.16 0.2 —

29 Chorus &

Harmo

PEAKING PEAKING PEAKING PEAKING

G–2.0 dB –1.0 dB +1.5 dB +3.0 dB

F90 Hz 850 Hz 2.12 kHz 4.50 kHz

Q2.8 2 0.7 7

30 Total EQ 1

PEAKING PEAKING PEAKING H.SHELF

G–0.5 dB 0.0 dB +3.0 dB +6.5 dB

F95 Hz 950 Hz 2.12 kHz 16.0 kHz

Q7 2.2 5.6 —

31 Total EQ 2

PEAKING PEAKING PEAKING H.SHELF

G+4.0 dB +1.5 dB +2.0 dB +6.0 dB

F95 Hz 750 Hz 1.80 kHz 18.0 kHz

Q7 2.8 5.6 —

32 Total EQ 3

L.SHELF PEAKING PEAKING H.SHELF

G+1.5 dB +0.5 dB +2.0 dB +4.0 dB

F67 Hz 850 Hz 1.90 kHz 15.0 kHz

Q— 0.28 0.7 —

No. Title Parameter

LOW LOW-MID HIGH-MID HIGH

33 Bass Drum 3

PEAKING PEAKING PEAKING PEAKING

G+3.5 dB –10.0 dB +3.5 dB 0.0 dB

F118 Hz 315 Hz 4.25 kHz 20.0 kHz

Q2100.4 0.4

34 Snare Drum 3

L.SHELF PEAKING PEAKING PEAKING

G0.0 dB +2.0 dB +3.5 dB 0.0 dB

F224 Hz 560 Hz 4.25 kHz 4.00 kHz

Q— 4.5 2.8 0.1

35 Tom-tom 2

L.SHELF PEAKING PEAKING H.SHELF

G–9.0 dB +1.5 dB +2.0 dB 0.0 dB

F90 Hz 212 Hz 5.30 kHz 17.0 kHz

Q— 4.5 1.2 —

36 Piano 3

PEAKING PEAKING PEAKING H.SHELF

G+4.5 dB –13.0 dB +4.5 dB +2.5 dB

F100 Hz 475 Hz 2.36 kHz 10.0 kHz

Q8109—

37 Piano Low

PEAKING PEAKING PEAKING H.SHELF

G–5.5 dB +1.5 dB +6.0 dB 0.0 dB

F190 Hz 400 Hz 6.70 kHz 12.5 kHz

Q10 6.3 2.2 —

38 Piano High

PEAKING PEAKING PEAKING PEAKING

G–5.5 dB +1.5 dB +5.0 dB +3.0 dB

F190 Hz 400 Hz 6.70 kHz 5.60 kHz

Q10 6.3 2.2 0.1

39 Fine-EQ Cass

L.SHELF PEAKING PEAKING H.SHELF

G–1.5 dB 0.0 dB +1.0 dB +3.0 dB

F75 Hz 1.00 kHz 4.00 kHz 12.5 kHz

Q— 4.5 1.8 —

40 Narrator

PEAKING PEAKING PEAKING H.SHELF

G–4.0 dB –1.0 dB +2.0 dB 0.0 dB

F106 Hz 710 Hz 2.50 kHz 10.0 kHz

Q470.63 —

No. Title Parameter

LOW LOW-MID HIGH-MID HIGH

■EQ Parameters

LOW/HPF LOW-MID HIGH-MID HIGH /LPF

Q0.1–10.0 (41 points)

low shelving HPF 0.1–10.0 (41 points) 0.1–10.0 (41 points)

high shelving LPF

F21.2 Hz–20 kHz (1/12 oct step)

G±18 dB (0.1 dB step)

HPF: on/off ±18 dB (0.1 dB step) ±18 dB (0.1 dB step)

LPF: on/off

Contents

Main http://www2.yamaha.co.jp/manual/english/ CANADA U.S.A. NORTH AMERICA CENTRAL & SOUTH AMERICA EUROPE AFRICA MIDDLE EAST ASIA PLEASE KEEP THIS MANUAL SPECIAL MESSAGE SECTION WARNING: SPECIFICATIONS SUBJECT TO CHANGE: NOTICE: FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! 2. IMPORTANT: 3. NOTE: PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING If you notice any abnormality * Please keep this manual in a safe place for future reference. WARNING CAUTION Saving and backing up your data Power supply/AC power adaptor Location Connections Accessories About This Manual Before Using (page 14) Basics Section (page 25) Getting Started (page 43) Reference (page 84) The 01X What it is and what it can do Recording/mixdown console Audio/MIDI interface for computer Remote control surface for computer sequencers and digital audio workstations (DAWs) Powerful software applications Application Index Installation/Normal Settings Accessory software and mLAN related settings. Frequent settings for Recording/Playing back Adjusting the recording level Saving data Protecting data from accidental loss Entering data Resetting parameters (Initializing) mLAN Output Digital In/Out Program Change and MIDI Others Reference materials Table of Contents Before Using Basics Section Getting Started Reference Before Using 01X Terminology Digital Mixing Terms Attenuator (ATT) AUX Remote Control Terms Automation Bank Moving faders Touch-in/Touch-out Controls and Connectors qGain knob wDisplay Top Panel Channel Module/Stereo/Display... Page MODE !6 [REMOTE] button !7 [INTERNAL] button !8 [SCENE] button !9 [UTILITY] button PAGE MIXER/LAYER BANK/FLIP/SHIFT Remote Control Buttons Transport Buttons qMIC/LINE INPUT MIC/LINE INPUT (XLR) jacks 1/2 MIC/LINE INPUT (TRS phone) jacks 3 through 8 (BAL) MIC/LINE INPUT jack 8 (HI-Z) wSTEREO/AUX OUT jacks Rear Panel tmLAN (IEEE 1394) connectors 1/2 yACTIVE lamp uPHANTOM +48V switch iDIGITAL STEREO IN/OUT jack oFOOT SWITCH jacks 1/2 Connections Wordclock Setting Up Power Supply Power-on Procedure Turning on the 01X Basics Section Overview of the 01X Remote Control Mixer Effects Computer Mixer Remote Control Effects USB Mixer ST IN 1(...2) Getting Started (page 61) Input patch Symbol Indications Input channel Stereo input channels 1/2 Digital cascade connection Oscillator Output channel Output patch Monitor output/headphone output Internal effects 1/2 Remote Control mLAN Interface Application examples 1) Recording mixer and monitor mixer Remote control features Recording mixer features Monitor mixer features 2) Digital mixer function 3) Recording mixer, monitor mixer with use of 01X Channel Module software and Studio Manager Memory (Library) Structure Memory (Library) Structure System Backup Monitor settings EQ : 200 Input Patch : 33 Basic Operations Modes [REMOTE] button [INTERNAL] button [SCENE] button [UTILITY] button [MONITOR A/B] button M ons (A) Remote Mode MENU SELECT (H) Library Selected Channel (F) Page Multi Channel (G) Effect Layer selection/Channel selection Entering Characters (Title Edit) Factory Set (Restore Factory Defaults) Getting Started Sound Mixing 101: The Fundamentals Before Recording: After Recording: Page Mixing Tutorial Setting input levels and viewing the meters On the 01X With Studio Manager Applying EQ Mixing Tutorial EQ parameters/ranges EQ Library Using Mute (On/Off) / Solo Mute Solo Using Dynamics applying compression, etc. Mixing Tutorial Compressor parameters/ranges About Compression settings Dynamics Library Pairing channels Panning Using the Internal Effects 1) Effect send routing 2) Effect type and parameters No sound? 3) Return and send levels Page Using external effects Input and Output Patching Routing the digital stereo input to two channel inputs Routing audio to the digital stereo output Routing audio to specic mLAN outputs Storing your custom patch setups Groups Fader Groups Mute Groups Creating and Recalling Scenes Recording/Playback/Remote Control Setting up Install the mLAN driver and connect your com- puter to the 01X Remote control setup MIDI and audio setup Page Page Page Recording/Playback/Remote Control Using multiple mLAN channels 1 2 3 4 5 6 7 1 2 3 4 5 Working in the Project window Using the transport controls Using markers Programming markers Cycle playback Selecting and arming tracks Working in the Mixer window Mixer control using the faders and knobs Using Mute/Solo Working in an Editor window MIDI parts Key Editor window Audio parts Sample Editor window Automation Continuous automation using Auto Read/ Write Page Editing EQ settings Editing Effect settings 1) Setup 2) Adjust the send levels 3) Change the effect settings Other control features Using the Function buttons 6 1 2 3 Undo Saving your song Reference Function Tree/Function List Chart Indications The example below shows and describes the various indications in the Reference chart. INTERNAL MODE [INTERNAL] Page Page Page Page Page Page Page Page Page Page Page Page Page Page Page Page Page Page Remote Function List On the 01X, set Remote Select (page 87) in the Utility mode to GENERAL. Page LOGIC: On the 01X, set Remote Select (page 87) in the Utility mode to LOGIC. Page Cubase/NUENDO: On the 01X, set Remote Select (page 87) in the Utility mode to CUBASE. Page SONAR: On the 01X, set Remote Select (page 87) in the Utility mode to SONAR. Page Digital Performer: On the 01X, set Remote Select (page 87) in the Utility mode to DP. Page Page Appendix Parameter Lists Preset EQ Library Preset EQ Parameters/Values EQ Parameters Preset Dynamics Library Compander (H) COMPAND-H Compander (S) COMPAND-S COMPAND-H Preset Dynamics Parameters/Values (fs=44.1kHz) Page Dynamics Parameters Explanations for Dynamics Parameters Compressor (CMP) parameters: Compressor Expander Expander (EXP) parameters: CompanderH (CPH) and CompanderS (CPS) parameters: Compander Gate (GAT) and Ducking (DUK) parameters: Gate and Ducking Preset Effects Library Reverbs Others Modulation-based Effects Delays Effects Parameters REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output early reections with gate, and early reections with reverse gate. One input, two output hall, room, stage, and plate reverb simulations, all with gates. EARLY REF. MONO DELAY One input, two output basic repeat delay. One input, two output 3-tap delay (left, center, right). STEREO DELAY Two input, two output basic stereo delay. ECHO Two input, two output stereo delay with crossed feedback loop. Two input, two output ange effect. CHORUS Two input, two output chorus effect. SYMPHONIC Two input, two output symphonic effect. Two input, two output tremolo effect. PHASER Two input, two output 16-stage phaser. HQ. PITCH One input, two output high-quality pitch shifter. Two input, two output ring modulator. DUAL PITCH Two input, two output pitch shifter. MOD. FILTER Two input, two output modulation lter. DISTORTION One input, two output distortion effect. AMP SIMULATE DYNA. FLANGE Two input, two output dynamically controlled anger. One input, two output reverb and chorus effects in parallel. DYNA. PHASER Two input, two output dynamically controlled phaser. REV->CHORUS One input, two output reverb and chorus effects in series. One input, two output reverb and anger effects in series. REV+FLANGE One input, two output reverb and anger effects in parallel. REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. REV->SYMPHO. One input, two output reverb and symphonic effects in series. REV->PAN DELAY+ER. One input, two output delay and early reections effects in parallel. One input, two output delay and reverb effects in parallel. DELAY->ER. One input, two output delay and early reections effects in series. DELAY->REV One input, two output delay and reverb effects in series. Two input, two output 3-band multi-lter (24 dB/octave). DIST->DELAY One input, two output distortion and delay effects in series. ST REVERB Two input, two output stereo reverb. M.BAND DYNA. Scene Memory to Program Change Table Input Patch Parameters INPUT PATCH (IN1-8) STEREO INPUT CHANNEL INPUT PATCH (STI1-2) EFFECT PATCH Output Patch Parameters mLAN OUT (Output) D.OUT, ST/AUX OUT (Output) Initial Output Patch Settings DIGITAL STEREO OUT, STEREO/AUX OUT mLAN OUT mLAN DIRECT OUT : When ST-BUS/RECBUS/AUX1-4 is unassigned to mLAN Out. MIDI Data Format 1. Ports 2. Function Outline 3. Data Format 4. Format Details Page Display Messages Display Messages Troubleshooting No sound, or sound is too faint. Sound is distorted. Noise is produced. Sound recorded via the digital input sounds grainy. Signal from the INPUT 8 jack is too loud. Not all tracks will record/play back. Cant save to a library. Page The pitch is wrong. The layer of 17-24 (mLAN9-16) cannot be used. Cannot edit with Studio Manager. The Remote Control or Automation features do not work. Cannot change the wordclock. The mLAN Driver (MIDI/Audio) is not detected from the application (DAW, audio sequencer, etc.). The computer operation is sluggish. (For Windows) The mLAN Manager (mLAN icon in the task bar) has disappeared. Specications Specications General Specications Specications Input/Output Specications Recommended output level Control Others Index Numerics A B C F G H J K N O P R S T U V W Z Block Diagram PHONES mLAN INPUT DIGITAL STEREO IN Mono in X 8 NORTH AMERICA CENTRAL & SOUTH AMERICA EUROPE AFRICA MIDDLE EAST ASIA