Voice Creating — Voice Set

7 Press the [I] (SAVE) button to save your edited Voice (page 67).Editable Parameters in the VOICE SET Displays

The following covers in detail the editable parameters that are set in the displays explained in step 3 of the “Basic Procedure” on page 92. The Voice Set parameters are organized into five different displays. The parameters in each display are described separately, below. These are also treated as part of the Voice Set parameters (page 98), which are automatically called up when the Voice is selected.

COMMON

VOLUME

Adjusts the volume of the current edited Voice.

 

 

TOUCH SENSE

Adjusts the touch sensitivity (velocity sensitivity), or how greatly the

 

volume responds to your playing strength.

 

DEPTH

 

Determines the velocity sensitivity, or how much the level of the

 

voice changes in response to your playing strength (velocity).

 

OFFSET

 

Determines the amount by which received velocities are adjusted

 

for the actual velocity effect.

 

 

PART OCTAVE

Shifts the octave range of the edited Voice up or down in octaves.

 

When the edited Voice is used as any of the RIGHT 1-2 parts, the

 

R1/R2 parameter is available; when the edited Voice is used as the

 

LEFT part, the LEFT parameter is available.

 

 

MONO/POLY

Determines whether the edited Voice is played monophonically or

 

polyphonically. This setting can also be made from the VOICE

 

CONTROL “MONO” button on the panel (page 53).

 

 

PORTAMENTO TIME

Sets the portamento time when the edited Voice is set to “MONO”

 

above.

 

n Portamento Time:

 

The Portamento Time determines the pitch transition time. Portamento is

 

a function that creates a smooth transition in pitch from the first note

 

played on the keyboard to the next.

 

 

CONTROLLERMODULATION

The MODULATION wheel can be used to modulate the parameters below as well as the pitch (vibrato). Here, you can set the degree to which the pedal modulates each of the following parameters.

FILTER

Determines the degree to which the pedal modulates the Filter Cut-

 

off Frequency. For details about the filter, see page 94.

 

 

AMPLITUDE

Determines the degree to which the pedal modulates the amplitude

 

(volume).

 

 

LFO PMOD

Determines the degree to which the pedal modulates the pitch, or

 

the vibrato effect.

 

 

LFO FMOD

Determines the degree to which the pedal modulates the Filter

 

modulation, or the wah effect.

 

 

LFO AMOD

Determines the degree to which the pedal modulates the amplitude,

 

or the tremolo effect.

 

 

The available parameters differ depending on the Voice.

Changes to velocity curve according to Touch sensitivity

TOUCH SENSE DEPTH

Changes to velocity curve according to VelDepth (with Offset set to 64)

Actual Velocity for tone generator

Depth=127

(twice) Depth=64

(normal)

127

 

 

Depth=32

64

 

(half)

 

 

Depth=0

0

64

127

 

Received Velocity (Actual KeyOn speed)

TOUCH SENSE OFFSET

Changes to velocity curve according to VelOffset (with Depth set to 64)

Actual Velocity for tone generator

 

 

Offset=96 (+64)

 

Offset=127

 

 

 

 

 

127

 

 

 

(+127)

 

 

 

 

 

Offset=64

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(normal)

64

 

Depends on

 

 

 

Offset=32

 

offset

 

 

 

 

 

 

 

(-64)

0

 

Depends on

 

 

 

 

 

 

 

 

 

offset

64

127

 

 

 

 

Received

 

 

 

 

Velocity

 

 

 

 

(Actual

 

 

 

 

 

 

 

 

KeyOn speed)

 

 

 

Offset=0 (-127)

 

 

 

 

 

 

 

Voices Editing and Creating Using,

PSR-OR700 Owner’s Manual

93