
Parameters and Types Effect
PitD: Pitch Shifter-Delay
This special effect adds a predelay to the pitch shifter, with the repeated sound being gradually shifted in pitch.
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| Parameters | Comment | Values |
PitD PIT= q | TIM=w |
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| q PIT (Pitch) | Controls the pitch shift within | |
q |
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| w |
| ±1 octaves. | |||
FB= e | BAL=r | MIN | 3 | 4 | MIN | MAX |
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| MAX 1 | 2 | w TIM (Time x10ms) |
| 0 – 100 | |||
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| r | Sets the predelay time in | ||
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| MIN | MAX |
| MIN | MAX | e FB (Feedback) | Sets the predelay repeat amount. | 0 – 10 |
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| r BAL (Balance) | Sets the balance between original sound and effect | |
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| sound. Higher values result in more pronounced | 0 – 100 |
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| effect sound. | ||
PitD |
| MIN | MAX 1 | 2 | MIN | MAX |
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| t | 3 | 4 |
| y | t RTM (RTM Destination) Sets the parameter to be controlled by RTM. | PIT, FB, BAL | ||
RTM= t | DIR=y |
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| MIN | MAX |
| MIN | MAX | y DIR (RTM Direction) | Sets the RTM direction. | NML, INV |
HPS: 2-voice Harmonized Pitch Shifter
This is an intelligent pitch shifter which divides the original sound into two components (L and R) and creates diatonic harmonies with different scales for the two sides.
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| Parameters | Comment | Values |
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| q ScL (Scale L) | Sets the harmony interval on the L side. | |
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| The following settings are available: | |
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| +M3 (major third up), |
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| +m3 (minor third up)), | |
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| +4t (perfect fourth up), |
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| +5t (perfect fifth up), |
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| +6t (perfect sixth up), |
HPS | ScL= q | LvL=w | q |
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| w | w LvL (Level L) | Sets the effect sound level on the L side. | 0 – 100 | |||
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| ScR= e | LvR=r |
| MIN | MAX 1 | 2 MIN | MAX |
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| 3 | 4 |
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| e ScR (Scale R) | Sets the harmony interval on the R side. |
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| The following settings are available: | ||||||
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| MIN | MAX | MIN | MAX |
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HPS | DRY= t | KEY= y |
| MIN | MAX 1 | 2 MIN | MAX |
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| 3 | 4 |
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| +M3 (major third up), | |||||
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| RTM= u | DIR=i |
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| +m3 (minor third up)), | ||||||
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| MIN | MAX | MIN | MAX |
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| +4t (perfect fourth up), | |
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| +5t (perfect fifth up), |
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| +6t (perfect sixth up), |
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| r LvR (Level R) | Sets the effect sound level on the R side. | 0 – 100 |
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| t DRY (Dry Level) | Sets the original sound output level. | 0 – 100 |
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| y KEY (Key) | Sets the tonic key of the scale. The following | |
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| settings are available: | C, C#, D, D#, E, F, |
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| F#, G, G#, A, A#, B |
uRTM (RTM Destination) Displays the parameter that is being controlled by RTM. When "WLv" (Wet Level) is selected, "LvA"
| and "LvB" are controlled simultaneously. | LvL, LvR, WLv |
i DIR (RTM Direction) | Sets the RTM direction. | NML, INV |
Examples
KEY=C
Direct
Scale L = + M3
Scale R = – 4t