Korg V2 manual Support for exclusive events, Recording and playing exclusive events

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Support for exclusive events

Recording and playing exclusive events

Version 2.0 allows exclusive messages to be recorded and played back, and allows you to edit tracks that contain exclusive events.

Exclusive messages (including XG or GS data) received from an external MIDI device, and parameter changes produced by editing track parameters (p.35) can now be recorded in realtime on the desired track. You can also use the page menu command “Put Effect Setting to Track” to place insert effect or master effect parameter settings as exclusive events in the desired location of a track.

Recorded GM, XG, or GS exclusive messages do not affect the TRITON STUDIO when they are played back.

Since the recorded data is embedded in the song data as exclusive events, it can be saved or loaded to/from disk in the same way as before. Exclusive messages can also be saved and loaded as SMF (Standard MIDI File) data (“Load Standard MIDI File,” “Save Song as Standard MIDI File”). This means that you can save recorded exclusive events as SMF data, or convert exclusive messages from an SMF file into song data.

During playback, this data can be transmitted to an external MIDI device, or can be used to control song track parame- ters or effect parameters.

1. Recording internal parameter changes

As an example, here’s how to record internal parameter changes using the preset template song “Acid Jazz.”

In this example, we’ll use an empty track to record parame- ter changes for the insert effects (IFX1, IFX2) assigned to track 1 (drums).

1Use the page menu command “Load Template Song” to load Acid Jazz. In the dialog box, check “Copy Pattern to Track too?”, and create a song of about 16 measures.

(BG p.49 “Creating the basic song – 1. Loading a tem- plate song and copying preset patterns (drum phrases)”)

2Move to Global mode, and in Global P1: MIDI, MIDI Fil- ter, check the “Enable Exclusive” check box.

3Move to Sequencer mode, use “Track Select” to select Track 09, and begin recording.

For this example, select an empty track.

If you want to record onto a track that already contains data, set the “Recording Setup” parameter “Recording Mode” to Over Dub (PG p.57).

4During recording, use the Sequencer P8: Insert Effect, Insert FX page to edit the parameters of IFX1 and IFX2 at the appropriate time.

5Stop recording.

Exclusive messages are always recorded on the current track selected by “Track Select.” In this example, they are recorded on track 9.

6In the Sequencer P5: Track Edit page, select the page menu command “Event Edit.” In the Set Event Filters dialog box, check Exclusive and then press the OK but- ton.

The event edit screen will show the recorded exclusive events and their locations.

Exclusive events are displayed as “EXCL.”

Event indication

Location

Exclusive events cannot be changed to a different type of event. Nor can other events be changed into exclu- sive events.

7When you access the Sequencer P8: Insert Effect screen and play back, the changes you made will be reproduced.

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Contents Update guide Table of Contents Program mode Global modeSampling mode Combination modeAbout this manual How this manual is organizedConventions in this manual Page Sequencer mode IntroductionNew functions in version Other new functions Updating the Triton Studio operating system Installing the systemPage Sequencer mode HD Audio RecordingAbout the HD Audio Track function About the audio tracks Audio Track 1&2 Erase Measure Create a directory in which to save the files Specify the location where the Wave file will be savedRecording an audio track Preparing to record an audio trackSetup Record the audio trackConnect your guitar Set the recording level RecordPress the Sequencer REC/WRITE key Press the Sequencer START/STOP key to stop recording Using punch-in recordingCheck the recorded content Punch In checked Punch In Mode AutoPerforming bounce recording Compare the recorded contentWhen you have finished setting your levels, stop play- back 1D Delete Song Menu commandsSequencer P0 Play/REC Track Select7c Recording Level dB Sampling/HD Audio7a Input COMBI, PROG, SEQ, S.PLAY, Disk 7b Ctrl ControlMenu Command Auditioning the contents of a Wave file7B Sel Dir/WAVE Audio Track 7D Bounce All Tracks To Song 7C Auto Sampling/HD Audio SetupBounce Off, On Punch In Mode Manual, AutoPreference Punch Off, OnSequencer P1 Cue List Changes to the page menu commands1R Put Wave New page menu commandsSequencer P5 Track Edit Track and Map1S Normalize/Level Normalize/Level Adjust 1T Volume Ramp1U Erase Punch Noise Start End To execute the Time Stretch command, press the OK but- ton1V Time Stretch IndexStereo file 1W Transfer Wave Transfer Wave To Midi Track1C Erase Track 1D Copy Track 1E Bounce TrackIf executing with Track Select set to a Midi track Track Dialog box when executing Erase Measure 1J Copy Measure 1K Move Measure 1Q Set Song Length Resample Auto Sampling/HD Audio SetupInitialize Resample SEQ PlayIn-Track Sampling Performing in-track samplingListen to the sampled data Listen to the Wave file that you created 2ch Mix to DiskHD Audio Track REC Resampling a completed song to create a Wave filePerform bounce-recording Bounce Audio TrackRecording on the audio tracks Check the audio tracks that you recordedParameter Initialize Resample SEQ Play In-Track Sampling Automatically-set parameters and their valuesDisk Support for exclusive events Recording and playing exclusive eventsRecording internal parameter changes Exclusive messages that can be realtime-recorded Recording exclusive messages received from the TRITON-RackMidi system exclusive parameter changes Effect IFX3 Put Effect Setting to TrackBeat.Tick Choose Put Effect Setting to Track to open the dialog boxSequencer P6 Pattern/RPPR 1B Event Edit1F Erase Measure Sequencer P8 Insert Effect Added page menu command1D Put Effect Setting to Track 1C Put Effect Setting to TrackTone Adjust Parameters 123456a Tone Adjust 1-Tone AdjustDestination and Value LFO1 Fade 99...+00...+99 LFO1 Dly LFO1 Delay 99...+00...+99LFO1 Spd LFO1 Speed 199...+00...+199 LFO1 P Int LFO1 Pitch Intensity -12.00...+00.00...+12.001N Quantize Swing 300%...+300% Copy From ProgramSwing Quantize Parameter 1L Copy From ProgramImprovements Auto Song Setup functionOther updates Compare functionEdit Wave Disk mode6b Wave Parameter 6F Insert 6K Volume Ramp6D Clear 6E CopyLoad Akai Volume Advanced Conversion Load Load Akai Program FileLoad Akai Program File 1D Load PCG RAM and Samples Load PCG RAM and SamplesExclusive Off, On Content that will be loaded from the .PCG fileContent loaded from the .SNG file Load Standard Midi FileSave Song as Standard Midi File Optimize Medium3J Optimize Medium Collect the song file and Wave file into a single directory Collect Audio Track file3K Collect Audio Track file Create a directory on the copy-destination mediaGlobal Karma function Global mode parametersRate Convert Loading Karma Music Workstation or Triton Le .PCG SNG filesData compatibility Scsi Mode/SCSI ID Global modeScsi Mode Initiator, Target Scsi Mode TargetScsi Mode Initiator Foot Switch AssignREC Audio Input Sampling modeAuto Sampling Setup 1O Auto Sampling SetupUse the radio buttons to select Auto Resample through IFX Auto Resample through IFXSampling Check the resampled dataIFX Menu commands Insert Mix, Paste Copying data from a Wave file, and inserting it in a sampleFrom, select Disk Page Use the radio buttons to select Resample Combination Play Combination mode5E Auto Sampling Setup Resample Combination PlayStart playing the combination that uses the arpeggiator etc Source Audio*2 Input1 Level 127 Pan L000 BUS Select 1C Copy From Program Program mode 3E Auto Sampling SetupResample Program Play Start playing the program that uses the arpeggiator etc Initialize Resample Program Play REC Audio Input Changed messages Other functionalityTap tempo control Various messagesAdded messages Korg INC