Korg V2 manual LFO1 Spd LFO1 Speed 199...+00...+199, LFO1 Fade 99...+00...+99, Hold Off, PRG, On

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Filtr EG A (Filter EG Attack)

[–99...

+00...

+99]

Filtr EG D (Filter EG Decay)

[–99...

+00...

+99]

Filtr EG S (Filter EG Sustain)

[–99...

+00...

+99]

Filtr EG R (Filter EG Release)

[–99...

+00...

+99]

These respectively adjust only the filter EG parameters of “F/A EG A,” “F/A EG D,” “F/A EG S,” and “F/A EG R”.

Amp EG A (Amp EG Attack)

[–99...

+00...

+99]

Amp EG D (Amp EG Decay)

[–99...

+00...

+99]

Amp EG S (Amp EG Sustain)

[–99...

+00...

+99]

Amp EG R (Amp EG Release)

[–99...

+00...

+99]

These respectively adjust only the amp EG parameters of “F/A EG A,” “F/A EG D,” “F/A EG S,” and “F/A EG R”.

LFO1 Spd (LFO1 Speed)

[–199...+00...+199]

Adjusts the program OSC 1/2 LFO1 speed. This controls the same parameter as when CC#76 is received. (PG p.256, INT-F bank: EM p.10)

LFO1 P Int (LFO1 Pitch Intensity) [–12.00...+00.00...+12.00]

Adjusts the program OSC 1/2 pitch LFO1 intensity (the depth to which LFO1 modulates the pitch). This controls the same parameter as when CC#77 is received. (PG p.257, INT-F bank: EM p.10)

For an INT-F bank program, the range of values will be –99 – +00 – +99, which is different than for other pro- gram banks. The adjustment you specify in the range of –12.00 – +00.00 – +12.00 will be valid, but the pitch may not be accurate due to differences in the resolution.

LFO1 Fade

[–99...+00...+99]

Adjusts the program OSC 1/2 LFO1 “Fade” (the time from when the LFO begins to apply until it reaches the maximum effect; 5–1a PG p.25).

For an INT-F bank program, this adjusts the LFO1, 2, 3, 4 “Fade” parameter (5–1(2)(3)(4)a EM p.44). If LFO1– 4 is selected for Pitch Modulation AMS1 or AMS2 (2– 1(2)b EM p.36) or Common P.Mod AMS (2–4b EM p.37), then this adjustment applies to that LFO.

LFO1 Dly (LFO1 Delay)

[–99...+00...+99]

Adjusts the program OSC1/2 pitch LFO1 delay (the time from note-on until the LFO effect begins to apply). This con- trols the same parameter as when CC#78 is received. (PG p.257, INT-F bank: EM p.10)

Ptch Str. (Pitch Stretch)

[–12...+00...+12]

Simultaneously adjusts the program OSC1/2 Transpose and Tune parameters. This can produce a wide range of tonal variety without destroying the character of the original sound.

This controls the same parameter as the Performance Editor - “Pitch Stretch” (0–1c PG p.2)

This will have no effect on programs in the INT-F bank.

Dtun 1 (Detune 1)

[–1200...+0000...+1200]

Adjusts the tuning of program OSC1. This controls the OSC1 Multisample “Tune” parameter (1–2a PG p.10).

For an INT-F bank program, this controls the OSC Basic “Transpose” and “Tune” parameters (EM p.14).

Dtun 2 (Detune 2)

[–1200...+0000...+1200]

Adjusts the tuning of program OSC2. This controls the OSC2 Multisample “Tune” parameter (1–2a PG p.10).

For an INT-F bank program, this controls the OSC Basic “Transpose” and “Tune” parameters (EM p.14).

This is valid only if the program’s “Oscillator Mode” (1–1a PG p.7) is set to Double.

Hold

[Off, PRG, On]

Controls the program’s Voice Assign - “Hold” setting (1–1b PG p.8). If this is Off, the Amp1 EG/Amp2 EG “Release (Release Time)” parameter is set to 0 in order to maximize the effect.

For an INT-F bank program, this sets the “Release Time” to 0 for the EG that is being used for Amp.

Normally you will be able to use this most effectively on a drum program. If this is turned Off, the key-off timing will affect the sound, allowing you to use key-on/off to control the gate time. You may be able to obtain interesting results by turning this Off for an existing drum track.

Rev (Reverse)

[Off, PRG, On]

Controls the “Rev” parameter (Program 1–2a PG p.9, Glo- bal 5–1b PG p.149) for each Multisample of program OSC1/2 or for each Drumsample. If this is turned On, all multisamples and drum samples will play in reverse. If this is turned Off, all multisamples and drum samples will play normally. If this is set to PRG, the setting of the program (or the drum kit used by the program) will be used. Normally you can make effective use of this on a drum program.

This will have no effect on programs in the INT-F bank.

Add the contents of “Tone Adjust Parameters” to the “Param- eter Guide” Sequencer P5: Track Edit page (PG p.68).

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Contents Update guide Table of Contents Program mode Global modeSampling mode Combination modeConventions in this manual About this manualHow this manual is organized Page New functions in version Sequencer modeIntroduction Other new functions Updating the Triton Studio operating system Installing the systemPage About the HD Audio Track function Sequencer modeHD Audio Recording About the audio tracks Audio Track 1&2 Erase Measure Create a directory in which to save the files Specify the location where the Wave file will be savedRecording an audio track Preparing to record an audio trackConnect your guitar SetupRecord the audio track Press the Sequencer REC/WRITE key Set the recording levelRecord Press the Sequencer START/STOP key to stop recording Using punch-in recordingCheck the recorded content Punch In checked Punch In Mode AutoPerforming bounce recording Compare the recorded contentWhen you have finished setting your levels, stop play- back 1D Delete Song Menu commandsSequencer P0 Play/REC Track Select7c Recording Level dB Sampling/HD Audio7a Input COMBI, PROG, SEQ, S.PLAY, Disk 7b Ctrl Control7B Sel Dir/WAVE Audio Track Menu CommandAuditioning the contents of a Wave file 7D Bounce All Tracks To Song 7C Auto Sampling/HD Audio SetupBounce Off, On Punch In Mode Manual, AutoPreference Punch Off, OnSequencer P1 Cue List Changes to the page menu commands1R Put Wave New page menu commandsSequencer P5 Track Edit Track and Map1U Erase Punch Noise 1S Normalize/Level Normalize/Level Adjust1T Volume Ramp Start End To execute the Time Stretch command, press the OK but- ton1V Time Stretch IndexStereo file 1W Transfer Wave Transfer Wave To Midi TrackIf executing with Track Select set to a Midi track Track 1C Erase Track1D Copy Track 1E Bounce Track Dialog box when executing Erase Measure 1J Copy Measure 1K Move Measure 1Q Set Song Length Resample Auto Sampling/HD Audio SetupInitialize Resample SEQ PlayListen to the sampled data In-Track SamplingPerforming in-track sampling Listen to the Wave file that you created 2ch Mix to DiskHD Audio Track REC Resampling a completed song to create a Wave filePerform bounce-recording Bounce Audio TrackRecording on the audio tracks Check the audio tracks that you recordedParameter Initialize Resample SEQ Play In-Track Sampling Automatically-set parameters and their valuesDisk Recording internal parameter changes Support for exclusive eventsRecording and playing exclusive events Exclusive messages that can be realtime-recorded Recording exclusive messages received from the TRITON-RackMidi system exclusive parameter changes Effect IFX3 Put Effect Setting to TrackBeat.Tick Choose Put Effect Setting to Track to open the dialog box1F Erase Measure Sequencer P6 Pattern/RPPR1B Event Edit Sequencer P8 Insert Effect Added page menu command1D Put Effect Setting to Track 1C Put Effect Setting to TrackDestination and Value Tone Adjust Parameters123456a Tone Adjust 1-Tone Adjust LFO1 Fade 99...+00...+99 LFO1 Dly LFO1 Delay 99...+00...+99LFO1 Spd LFO1 Speed 199...+00...+199 LFO1 P Int LFO1 Pitch Intensity -12.00...+00.00...+12.001N Quantize Swing 300%...+300% Copy From ProgramSwing Quantize Parameter 1L Copy From ProgramImprovements Auto Song Setup functionOther updates Compare functionEdit Wave Disk mode6b Wave Parameter 6F Insert 6K Volume Ramp6D Clear 6E CopyLoad Akai Program File Load Akai VolumeAdvanced Conversion Load Load Akai Program File 1D Load PCG RAM and Samples Load PCG RAM and SamplesExclusive Off, On Content that will be loaded from the .PCG fileContent loaded from the .SNG file Load Standard Midi File3J Optimize Medium Save Song as Standard Midi FileOptimize Medium Collect the song file and Wave file into a single directory Collect Audio Track file3K Collect Audio Track file Create a directory on the copy-destination mediaGlobal Karma function Global mode parametersRate Convert Loading Karma Music Workstation or Triton Le .PCG SNG filesData compatibility Scsi Mode/SCSI ID Global modeScsi Mode Initiator, Target Scsi Mode TargetScsi Mode Initiator Foot Switch AssignREC Audio Input Sampling modeAuto Sampling Setup 1O Auto Sampling SetupUse the radio buttons to select Auto Resample through IFX Auto Resample through IFXSampling Check the resampled dataIFX From, select Disk Menu commands Insert Mix, PasteCopying data from a Wave file, and inserting it in a sample Page Use the radio buttons to select Resample Combination Play Combination mode5E Auto Sampling Setup Resample Combination PlayStart playing the combination that uses the arpeggiator etc Source Audio*2 Input1 Level 127 Pan L000 BUS Select 1C Copy From Program Resample Program Play Program mode3E Auto Sampling Setup Start playing the program that uses the arpeggiator etc Initialize Resample Program Play REC Audio Input Changed messages Other functionalityTap tempo control Various messagesAdded messages Korg INC