Korg V2 manual Midi system exclusive parameter changes

The maximum amount of exclusive message that can be recorded at once is approximately 320 Kbytes. This size will decrease if other events exist within the same mea- sure.

You cannot simultaneously record exclusive messages received from an external MIDI device and parameter changes produced by editing.

If you record a parameter assigned to a control change such as “Pan” with the Global mode Global P1: MIDI, MIDI Filter settings “Enable Control Change” and “Enable Exclusive” both checked, edits you make dur- ing recording will be recorded both as control change data and parameter change data. These recorded events may not be reproduced correctly if you rewind or fast- forward during playback. If you want to record such events, check only one of these two “Enable” settings in Global mode MIDI Filter.

MIDI system exclusive parameter changes

Sequencer mode track parameters and effect parameters can be controlled by MIDI system exclusive parameter change messages. When an external sequencer is connected and you use the TRITON STUDIO in Sequencer mode as a 16-track multi-timbral sound module, you can control these parame- ters via MIDI.

The parameters in the table below can be edited individu- ally using system exclusive parameter change messages.

Parameters that can be edited using system exclusive parameter change messages in Sequencer mode

Front panel/Page		Parameter
Front panel	ARPEGGIATOR	[ON/OFF] key, [GATE] knob, [VELOCITY] knob
	REALTIME CONTROLS	[REALTIME CONTROLS] key
	Prog. 1-8/9-16	“Category,” “Program Select,” “PLAY/MUTE/REC,” “SOLO ON/OFF”
P0: Play/REC	Mixer 1-8/9-16	“Pan,” “Volume”
	Sampling/HDAudio	“Pan,” “Volume,” “BUS,” “Send1,” “Send2,” “PLAY/MUTE,” “SOLO ON/OFF”
	MIDI Ch 1-8/9-16	“Status,” “MIDI Channel,” “Bank Select”
P2: Trk Param	OSC 1-8/9-16	“Force OSC Mode,” “OSC Select,” “Portamento”
	Pitch 1-8/9-16	“Transpose,” “Detune,” “Bend Range”
	Other 1-8/9-16	“Delay,” “Use Program’s Scale,” “Type,” “Key,” “Random”
	MIDI 1 1-8/9-16	“Enable Program Change,” “Enable After Touch,” “Enable Damper,” “Enable Portamento SW”
P3: MIDI Filter	MIDI 2 1-8/9-16	“Enable JS X as AMS,” “Enable JS+Y,” “Enable JS-Y,” “Enable Ribbon”
	MIDI 3 1-8/9-16	“Enable Realtime Control Knob1”... “Enable Realtime Control Knob4”
	MIDI 4 1-8/9-16	“Enable SW1,” “Enable SW2,” “Enable Foot Pedal/Switch,” “Other Control Change”
	Key Z 1-8/9-16	“Top Key,” “Top Slope,” “Bottom Slope,” “Bottom Key”
P4: Zone/Ctrl	Vel Z 1-8/9-16	“Top Velocity,” “Top Slope,” “Bottom Slope,” “Bottom Velocity”
	MOSS 1-8/9-16	“Voice Allocation Reserve,” “Reference Track”
	Controller	“SW1,” “SW1 Mode,” “SW2,” “SW2 Mode,” “Knob 1-B”...“Knob 4-B”
	Tone1.2 1-8/9-16
P5: Track Edit	Tone3.4 1-8/9-16	“Destination,” “Value”
	Tone5.6 1-8/9-16
	Setup 1-8/9-16	“Arpeggiator Assign,” “Arpeggiator Run A, B”
P7: Arpeggiator	Arpegg. A/B	“Pattern,” “Octave,” “Resolution,” “Gate,” “Velocity,” “Swing,” “Sort,” “Latch,” “Key Sync.,”	“Keyboard”
	Scan Zone	“Top Key,” “Bottom Key,” “Top Velocity,” “Bottom Velocity”
	Routing 1-8/9-16	“BUS Select,” “Send1,” “Send2”
P8: Insert Effect	Insert FX	“IFX1”...“IFX5,” “IFX1 On/Off”...“IFX5 On/Off,” “Chain,” “Pan,” “BUS Sel.,” “Send1,” “Send2”
	IFX 1/2/3/4/5	All effect parameters
	Master FX	“MFX 1,” “MFX 2,” “MFX1 On/Off,” “MFX2 On/Off,” “Chain,” “Chain Direction,” “Chain Signal,”	“Chain
		Level,” “Return 1, “Return 2,” “Low,” “Mid,” “High”
P9: Master Effect
	MFX 1/2	All effect parameters
	Master EQ	“Low Cutoff,” “Mid Cutoff,” “Q,” “High Cutoff,” “Gain,” “Low Gain Mod-Src,” “High Gain Mod-Src,” “Ctrl
		Ch”

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