Korg V2 manual Tone Adjust Parameters, Destination and Value, 123456a Tone Adjust 1-Tone Adjust

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Tone Adjust Parameters

Tone Adjust pages have been added to Sequencer P5: Track Edit (☞PG p.68).

5–3: Tone1.2 1–8 (Tone1/2 T01–08)

5–4: Tone1.2 9–16 (Tone1/2 T09–16)

5–5: Tone3.4 1–8 (Tone3/4 T01–08)

5–6: Tone3.4 9–16 (Tone3/4 T09–16)

5–7: Tone5.6 1–8 (Tone5/6 T01–08)

5–8: Tone5.6 9–16 (Tone5/6 T09–16)

In the Tone Adjust pages you can make adjustments to the sound of the program assigned to each track. While creating a song, you can make adjustments to the sounds without having to return to Program mode. For example, you might make the bass slightly mellower, or sharpen the attack of the strings to better suit the song. The sound is changed only in the song; the original program memory remains unchanged.

You can also record and play back exclusive events (☞p.34) using these parameters to modify sounds in realtime as the song plays.

A total of 25 parameters are available, and up to six (e.g., fil- ter cutoff, resonance, filter EQ, amp EG) may be assigned to each track.

5–1a

5–1(2)(3)(4)(5)(6)a: Tone Adjust 1–Tone Adjust 6

Destination

[LPF Cutoff...Reverse]

Assigns a parameter to each of the Tone Adjust controls.

Value

[–99...

+99, –199

...+199, –12.00...

+12.00,

 

 

 

–1200...+1200, Off...On]

Specifies the value of the parameter selected in “Destina- tion.” If this is set to +00 or PRG, the value specified by the program will be used.

Normally you would not select the same parameter for more than one “Destination” in the same track. How- ever if you do, the results will be as follows.

For parameters other than Hold and Reverse

If the same parameter is selected for more than one “Destination” on an single track, the “Value” will be summed. However, the “Value” of the “Destination” parameter can not exceed the range of possible values. For example if you have made three assignments for Detune 1 on the same track, and the settings of these three are +1000, +1000, and +1000, the Detune 1 param- eter will actually be at +1200. (The total is +3000 but the

result is limited to the Detune 1 parameter’s maximum value of +1200.) If the three settings are +1000, +1000, and –1000, the Detune 1 parameter will have an actual value of +1000.

Hold and Reverse

The most recently made settings will apply.

“Destination” and “Value”

You can choose any of the following parameters as a “Desti- nation,” and the value can be set within the ranges listed below.

LPF Fc (LPF Cutoff)

[–99...+00...+99]

Adjusts the OSC 1/2 low pass filter cutoff frequency. Adjust- ing this will vary the brightness of the sound. This controls the same parameter as when CC#74 is received. (☞PG p.256, INT-F bank: EM p.10)

Reso HPF (Resonance/HPF Cutoff) [–99...+00...+99]

Adjusts the OSC 1/2 low pass filter resonance level or high pass filter cutoff frequency. The setting that will actually be controlled will depend on the filter type specified by the program. This controls the same parameter as when CC#71 is received. (☞PG p.256, INT-F bank: EM p.10)

F EG Int (Filter EG Intensity)

[–99...+00...+99]

Adjusts the program OSC 1/2 filter EG intensity (the depth to which the filter EG is applied). This controls the same parameter as when CC#79 is received. (☞PG p.257, INT-F bank: EM p.10)

Amp Vel I (Amp Velocity Intensity) [–99...+00...+99]

Adjusts the program OSC 1/2 amp velocity intensity (the depth to which velocity will affect the amp). This controls the Amp Modulation “Velocity Intensity” (4–2b ☞PG p.22)

For an INT-F bank program, this controls the Amp EG Level Modulation “Velocity Control” (☞EM p.42)

F/A EG A (Filter/Amp EG Attack) [–99...+00...+99]

Adjusts the program OSC 1/2 filter EG and amp EG attack times. In order to maximize the effect of the adjustment, the amp EG start level, attack level, start level modulation, and attack time modulation will also be adjusted simultaneously. This controls the same parameter as when CC#73 is received. (☞PG p.256, INT-F bank: EM p.10)

F/A EG D (Filter/Amp EG Decay)

[–99...+00...+99]

Adjusts the program OSC 1/2 filter EG and amp EG decay times. This controls the same parameter as when CC#75 is received. (☞PG p.256, INT-F bank: EM p.10)

F/A EG S (Filter/Amp EG Sustain) [–99...+00...+99]

Adjusts the program OSC 1/2 filter EG and amp EG sustain levels. This controls the same parameter as when CC#70 is received. (☞PG p.256, INT-F bank: EM p.10)

F/A EG R (Filter/Amp EG Release) [–99...+00...+99]

Adjusts the program OSC 1/2 filter EG and amp EG release times. This controls the same parameter as when CC#72 is received. (☞PG p.256, INT-F bank: EM p.10)

Sequencer

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Contents Update guide Table of Contents Combination mode Global modeSampling mode Program modeHow this manual is organized About this manualConventions in this manual Page Introduction Sequencer modeNew functions in version Other new functions Installing the system Updating the Triton Studio operating systemPage HD Audio Recording Sequencer modeAbout the HD Audio Track function About the audio tracks Audio Track 1&2 Erase Measure Preparing to record an audio track Specify the location where the Wave file will be savedRecording an audio track Create a directory in which to save the filesRecord the audio track SetupConnect your guitar Record Set the recording levelPress the Sequencer REC/WRITE key Punch In checked Punch In Mode Auto Using punch-in recordingCheck the recorded content Press the Sequencer START/STOP key to stop recordingCompare the recorded content Performing bounce recordingWhen you have finished setting your levels, stop play- back Track Select Menu commandsSequencer P0 Play/REC 1D Delete Song7b Ctrl Control Sampling/HD Audio7a Input COMBI, PROG, SEQ, S.PLAY, Disk 7c Recording Level dBAuditioning the contents of a Wave file Menu Command7B Sel Dir/WAVE Audio Track 7C Auto Sampling/HD Audio Setup 7D Bounce All Tracks To SongPunch Off, On Punch In Mode Manual, AutoPreference Bounce Off, OnChanges to the page menu commands Sequencer P1 Cue ListTrack and Map New page menu commandsSequencer P5 Track Edit 1R Put Wave1T Volume Ramp 1S Normalize/Level Normalize/Level Adjust1U Erase Punch Noise Index To execute the Time Stretch command, press the OK but- ton1V Time Stretch Start End1W Transfer Wave Transfer Wave To Midi Track Stereo file1D Copy Track 1E Bounce Track 1C Erase TrackIf executing with Track Select set to a Midi track Track Dialog box when executing Erase Measure 1J Copy Measure 1K Move Measure 1Q Set Song Length Resample SEQ Play Auto Sampling/HD Audio SetupInitialize ResamplePerforming in-track sampling In-Track SamplingListen to the sampled data Resampling a completed song to create a Wave file 2ch Mix to DiskHD Audio Track REC Listen to the Wave file that you createdCheck the audio tracks that you recorded Bounce Audio TrackRecording on the audio tracks Perform bounce-recordingAutomatically-set parameters and their values Parameter Initialize Resample SEQ Play In-Track SamplingDisk Recording and playing exclusive events Support for exclusive eventsRecording internal parameter changes Recording exclusive messages received from the TRITON-Rack Exclusive messages that can be realtime-recordedMidi system exclusive parameter changes Put Effect Setting to Track Effect IFX3Choose Put Effect Setting to Track to open the dialog box Beat.Tick1B Event Edit Sequencer P6 Pattern/RPPR1F Erase Measure 1C Put Effect Setting to Track Added page menu command1D Put Effect Setting to Track Sequencer P8 Insert Effect123456a Tone Adjust 1-Tone Adjust Tone Adjust ParametersDestination and Value LFO1 P Int LFO1 Pitch Intensity -12.00...+00.00...+12.00 LFO1 Dly LFO1 Delay 99...+00...+99LFO1 Spd LFO1 Speed 199...+00...+199 LFO1 Fade 99...+00...+991L Copy From Program Copy From ProgramSwing Quantize Parameter 1N Quantize Swing 300%...+300%Compare function Auto Song Setup functionOther updates ImprovementsDisk mode Edit Wave6b Wave Parameter 6E Copy 6K Volume Ramp6D Clear 6F InsertAdvanced Conversion Load Load Akai Program File Load Akai VolumeLoad Akai Program File Load PCG RAM and Samples 1D Load PCG RAM and SamplesLoad Standard Midi File Content that will be loaded from the .PCG fileContent loaded from the .SNG file Exclusive Off, OnOptimize Medium Save Song as Standard Midi File3J Optimize Medium Create a directory on the copy-destination media Collect Audio Track file3K Collect Audio Track file Collect the song file and Wave file into a single directoryGlobal Loading Karma Music Workstation or Triton Le .PCG SNG files Global mode parametersRate Convert Karma functionData compatibility Scsi Mode Target Global modeScsi Mode Initiator, Target Scsi Mode/SCSI IDFoot Switch Assign Scsi Mode Initiator1O Auto Sampling Setup Sampling modeAuto Sampling Setup REC Audio InputCheck the resampled data Auto Resample through IFXSampling Use the radio buttons to select Auto Resample through IFXIFX Copying data from a Wave file, and inserting it in a sample Menu commands Insert Mix, PasteFrom, select Disk Page Resample Combination Play Combination mode5E Auto Sampling Setup Use the radio buttons to select Resample Combination PlayStart playing the combination that uses the arpeggiator etc Source Audio*2 Input1 Level 127 Pan L000 BUS Select 1C Copy From Program 3E Auto Sampling Setup Program modeResample Program Play Start playing the program that uses the arpeggiator etc Initialize Resample Program Play REC Audio Input Various messages Other functionalityTap tempo control Changed messagesAdded messages Korg INC
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