Performing bounce recording, Compare the recorded content

If “Overwrite.WAV” is checked, you won’t have to wait as long for the internal processing to be completed when recording begins and ends, but you will not be able to use the [COMPARE] key to compare the new recording with the previous recording. If “Over- write.WAV” is unchecked, you’ll need to wait for somewhere between several seconds and several tens of seconds for processing to occur at the beginning and end of recording, but this option is “safer” since the previously-recorded WAVE ﬁle will remain. Normally, we suggest that you leave this unchecked.

■Record

3Use “Location” to specify the point in the song where playback will begin.

Set this several measures earlier than the region of mea- sures you speciﬁed in “M***-M***”.

4Press the SEQUENCER [REC/WRITE] key. You will enter record-ready mode.

When you press the SEQUENCER [REC/WRITE] key, you will be prevented from using “Track Select” to switch between MIDI tracks and audio tracks.

5Press the SEQUENCER [START/STOP] key. Playback will begin from the measure you speciﬁed in “Location,” and recording will occur in the region of measures you speciﬁed in “M***-M***”. Then playback will continue to the end of the song.

6Press the SEQUENCER [START/STOP] key to stop recording.

■Check the recorded content

7Press the SEQUENCER [START/STOP] key to play back the song.

Specify the output destination of the audio track as described in “2. Record the audio track – Check the recorded content” (☞p.11).

8Press the SEQUENCER [START/STOP] key to stop playback.

■Compare the recorded content

•Press the [COMPARE] key (the [COMPARE] key LED will light) and play back.

You will hear the audio track as it was prior to punch-in recording.

•Press the [COMPARE] key once again (the [COMPARE] key LED will go dark) and play back.

You will hear the audio track that resulted from your punch-in recording operation.

4. Performing bounce recording

“Bounce recording” combines two tracks and records the result onto one track.

In this example, we will bounce-record audio tracks 1 and 2 into audio track 1. Before you continue, you will need to have something recorded on both audio tracks 1 and 2.

To record onto audio track 2, perform the steps described in the preceding pages, but in “2. Record the audio track – Setup” (☞p.9), set the Sequencer P0: Play/REC, Sampling/HD Audio page “Input 1 Pan” setting to R127, and set the Sequencer P0: Play/REC, Preference page “Track Select” setting to Audio Track 2 before you record.

■Setup

1In the Sequencer P0: Play/REC, Sampling/HD Audio page, set “BUS (IFX/Indiv.) Select” to Off, and “Ctrl” to Audio Track.

The lower left of the screen shows the audio track output settings.

2In “AUDIO1” and “AUDIO2,” specify the output to which audio tracks 1 and 2 will be sent.

– AUDIO1 – “Level”: 127 “Pan”: L000 “BUS(IFX/Indiv.) Select”: L/R “S1,” “S2”: 000

“SOLO ON/OFF”: ON

– AUDIO2 – “Level”: 127 “Pan”: L000 “BUS(IFX/Indiv.) Select”: L/R “S1,” “S2”: 000

“SOLO ON/OFF”: ON

Here you will set the AUDIO1 and AUDIO2 “SOLO ON/OFF” setting ON, so that only the audio tracks will be bounce-recorded.

If you want to apply an insert effect to an audio track, set “BUS (IFX/Indiv.) Select” to IFX1–IFX5. Then set the “BUS Select” that follows the insert effect you are using to L/R. (☞p.15)

If you want to apply a master effect to an audio track, use “S1” and/or “S2” to adjust the send level to the master effect(s). If you are using an insert effect, set “Send 1” and “Send 2” (8–3a ☞PG p.84) that follow the insert effect.