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Listening Mode | Description | Input | Speaker | ||
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| Source | Layout |
With this mode you can enjoy a virtual | A | ZXC | |||
Dimensional) | surround sound even with only two or | S | N | ||
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| three speakers. This works by | D |
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| T – D |
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| controlling how sounds reach the |
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| listener’s left and right ears. Good |
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| results may not be possible if there’s too | G |
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| much reverb, so we recommend that | H |
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| you use this mode in an environment |
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| with little or no natural reverb. |
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■ Listening Modes
Listening Mode | Description | Input | Speaker | |||
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| Source | Layout |
Pure Audio*1 | In this mode, the display and video | A | ZXC | |||
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| circuitry are turned off, minimizing | S | N*2 |
| P u r e A A u d i o |
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| possible noise sources for the ultimate in | D |
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| analog video circuitry is turned off, only |
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| video signals input through HDMI IN can | G |
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| be output from the HDMI output.) | H |
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Direct | In this mode, audio from the input source |
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| is output without |
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| D i r e c t |
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| processing. The speaker configuration |
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| (presence of speakers) and speaker |
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| distance settings are enabled, but much |
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| of the processing set via the audio setup |
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| is disabled. See |
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| more details (➔ page 56). |
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Stereo | Sound is output from the front left and |
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| right speakers and subwoofer. |
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Mono | Use this mode when watching an old |
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| movie with a mono soundtrack, or use it |
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| M o n o |
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| with the foreign language soundtracks |
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| recorded in the left and right channels of |
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| some movies. It can also be used with |
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| DVDs or other sources containing |
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| multiplexed audio, such as karaoke |
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| DVDs. |
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Multichannel | This mode is for use with PCM | D | XCN | |||
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| multichannel sources. | F |
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| M u l t i c h |
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| Playback | |
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Listening Mode | Description | Input | Speaker | ||||
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| Source | Layout | |
DSD*3 | In this mode, audio from the input source | D | XCN | ||||
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| is output without |
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| processing. The speaker configuration |
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Dolby Digital | (presence of speakers), crossover |
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| frequency, speaker distance, A/V Sync |
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| and much of the processing set via the |
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Dolby Digital Plus*4 |
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audio setup are enabled. See “On- | D | XCN | |||||
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| screen Setup” for more details | F | XCN*2 | |
| D o l b y D + |
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| (➔ page 56). | ||||
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Dolby TrueHD | D | XCN | |||||
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| D o l b y T r u e H D |
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DTS |
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| D T S |
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Resolution Audio |
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| D T S – H D H R |
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Audio |
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| D T S – H D M S T R |
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DTS Express |
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| D T S E x p r e s s |
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DTS 96/24*5 | This mode is for use with DTS 96/24 | D | XCN | ||||
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| sources. This is |
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| D T S 9 6 / 2 4 |
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| with a 96 kHz sampling rate and |
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| resolution, providing superior fidelity. |
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| Use it with DVDs that bear the DTS |
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| 96/24 logo. |
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| This mode is for use with | G | V | ||||
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| Discrete soundtracks, which use a |
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| E S D i s c r e t e |
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| discrete surround back channel for true |
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| totally separate audio channels provide |
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| better spatial imaging and |
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| sound localization, perfect for sounds |
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| that pan across the surround channels. |
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| Use it with DVDs that bear the |
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| logo, especially those with a |
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| Discrete soundtrack. |
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