Dynacord CMS 1000, 1600, 2200 owner manual Cabling, LF-Cables Balanced or Unbalanced?

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CABLING

Cabling

The mains cord comes with the CMS. The quality of all other cables lies in your responsibility. Carefully chosen high quality cables are the best precaution to prevent later problems during live operation. The following wiring alternatives are recommended to provide trouble free operation of your system.

LF-Cables – Balanced or Unbalanced?

For LF-cabling – all the low current wiring – your best choice is the use of balanced cables (2 signal conductors + ground shielding) with XLR-type connectors or stereo phone plugs. The cables should be step-on proof, shielded, and never longer than really needed. Too many too long cables mostly lead to confusion and generate unnecessary problems. Of course, connecting unbalanced cables with monaural phone plugs to the CMS’ in- and outputs is also possible and in most cases no interference will occur because of the mixer’s superb grounding managing system. Generally spoken, balanced LF-cables are always preferable over monaural phone plug cables. Today’s audio equipment – like amplifiers, equalizers, FX units, mixing consoles, and even some keyboards – offers balanced in- and/or outputs. In a balanced signal path the cable screen provides gapless connection of all metal parts, offering efficient shielding against the induction of external noise; mainly humming. Balanced cabling together with the common-mode rejection of the CMS’ input stage effectively eliminates even residual interference. All inputs of the CMS provide balanced audio connection and high common-mode rejection.

MASTER OUT L/R, MONO OUT and AUX OUT 3/4 are electronically balanced with relay-switching to prevent power-on noise. AUX OUT 1/2 are laid out in GND-SENSING technology – a special pin-assignment of the output jacks, offering all advantages of the balanced signal transmission, but lets you also connect monaural phone plugs without a problem. Nevertheless – as mentioned above – when longer cables are involved, using stereo phone plugs and balanced cables are the better alternative. The diagrams below show pin-assignments of plugs and cables that represent the best choice when used with the CMS.

MIC INPUT

All phone jack in/outputs of the CMS

Channel Insert, MAIN Insert or AUX Insert of the CMS

All phone jack in/outputs of the CMS

Channel Insert, MAIN Insert or AUX Insert of the CMS

balanced connection of micro- phones of the CMS

unbalanced

external equipment with XLR- type in/output jacks

balanced

Direct OUT via INSERT, uninterrupted signal path

unbalanced

external equipment with XLR- type in/output jacks

balanced

Y-type cable for the connection of external FX units and signal processors with phone jacks

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Contents CMS 1000/1600/2200 Contents InhaltsverzeichnisTable DES Matières Important Safety Instructions Unpacking and Warranty Installation and ConnectionsDescriptions Input Mono MICLine Setting Instructions InsertGain LO CUT 80 Hz Voicing FilterEQ Section AUX 3/4 AUX / FX 1/2Volume Signal / Peak IndicatorPAN Mute15.MIC Input StereoStereo Input L/MONO R Gain MICLine Trim EQ SectionAUX / FX 1/2 AUX3/4 BAL SIGNAL/PEAK FX1/FX2 Effects 1/2Changing FX Start Programs 27/28. AUX1/2 Send30. UP/DOWN DisplayPeak LED Effect ReturnAUX3/4 OUT AUX3&4 / MasterAUX3/4 Inserts AUX3/4 PostAUX3/4 Volume Power AnzeigeBand Equalizer Master LED-DISPLAY MasterStandby PFL MasterMono OUT Level & PRE/POST Mono OutputPhones Level Record Send L/RMaster OUT FootswitchMaster Inserts Lamp XLRRear Panel PowerCabling CablingLF-Cables Balanced or Unbalanced? UnbalancedSound Check Setting UP a STANDARD-PA SystemMonitor Mix Main MixOptional Subwoofer Monitoring Setup ExamplesSetup Examples Setup Examples Wichtige Sicherheitshinweise Auspacken und Garantie BeschreibungLine Gain Klangregelung Einstellhinweis Signal / PEAK- Anzeige Input Stereo +20 +15 +10 100 200 500 10k 20k AUX / FX Umstellung der Effekt-Startprogramme Effekt 1/2Effekt Return EinstellhinweiseAUX3/4 +20 +15 +10 100 200 500 10k Master LED-DISPLAY Phones Mono OUT LevelMaster OUT Rückseite Verkabelung Aufbau Einer STANDARD-PASoundcheck AufbauMonitormix HauptmixAufbau Beispiele Aufbaubeispiele Aufbaubeispiele Instructions DE Sécurité Importantes Déballage et garantie Installation et BranchementsLine Ligne Entrée MonoConseils de réglage Insert InsertionLO CUT 80 Hz Filtre coupe-bas Voicing Filter Filtre de VoixEQ Section Égaliseur AUX/FX 1/2 Auxiliaires/Effets Instructions de réglageIndicateur SIGNAL/PEAK Entrée Stéréo AUX/FX 1/2 Section EQ21.AUX3/4 BAL anceSIGNAL/PEAK Changer les effets de démarrage Effets 1/231/32. FX1/2 à AUX3/4 AfficheurTemoin Peak Effect Return Retour D’EFFETAUX3&4 / Master 44. Égaliseur 7 Bandes 45. Témoin Power46. Échelle DE LED Master Master L+REQ to Affectation de l‘EQ Niveau Mono OUT ET PRE/POST Mono OUTPhones Sortie casques Track Return L/R Retour 2 PistesMaster Inserts Insertions principales Master OUT Sortie généralePanneau Arrière Cablage CâblageCâbles basse fréquence Symétrisés ou non symétrisés ? Installation D‘UN Système DE Sonorisation Mixage des retours Monitor Mixage principalExemples D‘INSTALLATION Exemples D‘INSTALLATION Exemples D‘INSTALLATION Specifications Block Diagram Dimensions / Abmessungen Effect presets Effekt Presets Programmes Effets
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