Dynacord 1600, CMS 1000, 2200 owner manual Master OUT, Master Inserts, Footswitch, Lamp XLR

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MASTER

57. 2TRACK to MASTER

This control is used to add the 2TRACK signal to the main mix; post fader of the master controls. Caution: When setting the level of the device that is connected to the 2TRACK RETURNS – e. g. CD player, tape deck, etc. – always begin with the 2TRACK to MASTER control set at its minimum setting; all the way counterclockwise. Otherwise, depending on the output quality of the connected sound source, the outputted level can instantly “hit the top”.

58. 2TRACK to AUX 3/4

The signal coming from the 2TRACK RETURN is internally summed and can be added to the monitor bus using the 2TRACK to AUX3/4 control.

59. MASTER OUT

The mixer’s electronically balanced main outputs carrying the post master fader L/R signals for connection of the main PA. The MASTER outputs are switched via output relay with a delay of approx. two seconds after the mixer has been powered on, which prevents power- on noise when switching the mixer on or off.

Please also refer to the chapter “Setting up a standard PA system”.

60. MASTER INSERTS

Stereo phone jacks for left and right channels with breaker function. The low impedance output is assigned to the tip (send) and the high impedance input (return) is assigned to the ring of the connector. This jack allows incorporating external third octave band or octave band EQs, compressors, limiters, de-noisers, etc. into the master’s signal path. The insertion point is pre master faders. As well as with the inserts of the monaural input channels, different DIRECT OUT functions can be accomplished. Please, also refer to the corresponding paragraph in the description of the MONO INPUT.

61. FOOTSWITCH

Phone jack for the connection of an optionally available DYNACORD FS11 (110 693) footswitch to switch the effect mode of the internal FX units on or off. To accomplish this function, the FX1 and FX2 ON switches have to be engaged. To remotely control the effects units using only a single footswitch, the FS11 has to be connected to the FX1/GLOBAL connector. Both FX units are simultaneously switched. This function is useful for example when switching from vocal performance to announcer. When remotely controlling the FX units using two footswitches, one FS11 needs to be connected to the FX1/Global and the other to the FX2 connector. Now, the two effects units can be switched independently, which is mostly used to switch between different effects settings during a performance.

62. LAMP XLR

This XLR-type socket provides a DC voltage of 12V/5 watts

and is meant for the connection of a gooseneck lamp (litlite). The output is protected against short-circuit and overload. Please make sure that the illuminant used complies with the here mentioned specifications and pin assignment

of the XLR-type connector. We recommend using the

gooseneck lamp (112 850) and the replacement illuminant (350 278), both available from the DYNACORD accessory assortment. For further information, please consult your local dealer.

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Contents CMS 1000/1600/2200 Inhaltsverzeichnis ContentsTable DES Matières Important Safety Instructions Installation and Connections Unpacking and WarrantyDescriptions MIC Input MonoLine Insert Setting InstructionsGain Voicing Filter LO CUT 80 HzEQ Section AUX 3/4 AUX / FX 1/2Mute Signal / Peak IndicatorVolume PANGain MIC Input Stereo15.MIC Stereo Input L/MONO REQ Section Line TrimAUX / FX 1/2 AUX3/4 BAL SIGNAL/PEAK 27/28. AUX1/2 Send Effects 1/2FX1/FX2 Changing FX Start ProgramsEffect Return Display30. UP/DOWN Peak LEDAUX3/4 Post AUX3&4 / MasterAUX3/4 OUT AUX3/4 InsertsPower Anzeige AUX3/4 VolumeBand Equalizer PFL Master MasterMaster LED-DISPLAY StandbyRecord Send L/R Mono OutputMono OUT Level & PRE/POST Phones LevelLamp XLR FootswitchMaster OUT Master InsertsRear Panel PowerUnbalanced CablingCabling LF-Cables Balanced or Unbalanced?Sound Check Setting UP a STANDARD-PA SystemMonitor Mix Main MixOptional Subwoofer Monitoring Setup ExamplesSetup Examples Setup Examples Wichtige Sicherheitshinweise Auspacken und Garantie BeschreibungLine Gain Klangregelung Einstellhinweis Signal / PEAK- Anzeige Input Stereo +20 +15 +10 100 200 500 10k 20k AUX / FX Umstellung der Effekt-Startprogramme Effekt 1/2Effekt Return EinstellhinweiseAUX3/4 +20 +15 +10 100 200 500 10k Master LED-DISPLAY Phones Mono OUT LevelMaster OUT Rückseite Verkabelung Aufbau Einer STANDARD-PASoundcheck AufbauMonitormix HauptmixAufbau Beispiele Aufbaubeispiele Aufbaubeispiele Instructions DE Sécurité Importantes Déballage et garantie Installation et BranchementsLine Ligne Entrée MonoConseils de réglage Insert InsertionVoicing Filter Filtre de Voix LO CUT 80 Hz Filtre coupe-basEQ Section Égaliseur AUX/FX 1/2 Auxiliaires/Effets Instructions de réglageIndicateur SIGNAL/PEAK Entrée Stéréo BAL ance Section EQAUX/FX 1/2 21.AUX3/4SIGNAL/PEAK Changer les effets de démarrage Effets 1/2Effect Return Retour D’EFFET Afficheur31/32. FX1/2 à AUX3/4 Temoin PeakAUX3&4 / Master 44. Égaliseur 7 Bandes 45. Témoin PowerMaster L+R 46. Échelle DE LED MasterEQ to Affectation de l‘EQ Track Return L/R Retour 2 Pistes Mono OUTNiveau Mono OUT ET PRE/POST Phones Sortie casquesMaster Inserts Insertions principales Master OUT Sortie généralePanneau Arrière Câblage CablageCâbles basse fréquence Symétrisés ou non symétrisés ? Installation D‘UN Système DE Sonorisation Mixage des retours Monitor Mixage principalExemples D‘INSTALLATION Exemples D‘INSTALLATION Exemples D‘INSTALLATION Specifications Block Diagram Dimensions / Abmessungen Effect presets Effekt Presets Programmes Effets
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