Dynacord 1600, CMS 1000, 2200 owner manual AUX3/4 Volume, Band Equalizer, Power Anzeige

Page 16

AUX3&4 / MASTER

42. PFL

Through this button you can route the pre AUX3/4 fader signal to the headphones bus. The signal is outputted for listening via the headphones output. The setting of the AUX3/4 fader is not relevant for the signal’s volume (PRE FADER LISTEN). The meter instrument in the master section is simultaneously switched, so that the left LED-chain indicates the level (in dBu) of the actually chosen AUX channel.

43. AUX3/4 VOLUME

This fader controls the summed audio signal at the AUX3/4 SEND output. When used for monitoring, this fader lets you control the volume of the monitor system.

44. 7-BAND EQUALIZER

The two 7-band equalizers can either be used for the MASTER outputs or for AUX3/4. Please also refer to paragraph 50 “EQ Routing”.

The EQ ON button activates the equalizer. The EQ’s insert point is post master fader and pre main output. The EQ is bypassed when the EQ ON switch is not locked in its “ON” position. Seven frequency bands offering 10 dB amplification/ attenuation and a quality of Q=2 allow shaping the overall sound to optimally

match it to the acoustic conditions

20

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

of different locations.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frequency ranges as well as

15

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

characteristics of the EQ faders

10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

are very praxis-oriented. In case

5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

you want to have a clear and highly

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

intelligible sound, which, as a side

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

effect, provides the cymbals with

-5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

more crisp, you should raise the

-10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

levels of the 12kHz or 6kHz band

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

a bit. If the MIDs are nasal you

-15

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

should attenuate the mid range by

-20

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

some decibels. To provide the kick

20

100

 

 

 

 

 

 

 

1k

 

 

 

 

 

 

10k

20k

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

drum with more punch you have to boost the low frequency range, using the 63Hz or the 125Hz controls. In case the overall sound is undefined with too much bass, lowering the levels of these two frequency bands will solve the problem. However, especially with equalization you should be aware of the fact that in most cases “less is more”. Thus, your first choice should be to establish the mix using only the input channel controls and see if you get a satisfactory result.

If so, you can use the equalizer for the AUX3/4, where in most cases, especially when used for the monitoring, it is more needed.

45. POWER ANZEIGE

The POWER indicator lights when the CMS is operational. If the LED does not light after switching the power on, please make sure that the mains cable is correctly plugged in. If this is the case and the LED is still dimmed, please contact your dealer.

16

Image 16
Contents CMS 1000/1600/2200 Inhaltsverzeichnis ContentsTable DES Matières Important Safety Instructions Installation and Connections Unpacking and WarrantyDescriptions MIC Input MonoLine Insert Setting InstructionsGain Voicing Filter LO CUT 80 HzEQ Section AUX / FX 1/2 AUX 3/4Signal / Peak Indicator VolumePAN MuteInput Stereo 15.MICStereo Input L/MONO R Gain MICEQ Section Line TrimAUX / FX 1/2 AUX3/4 BAL SIGNAL/PEAK Effects 1/2 FX1/FX2Changing FX Start Programs 27/28. AUX1/2 SendDisplay 30. UP/DOWNPeak LED Effect ReturnAUX3&4 / Master AUX3/4 OUTAUX3/4 Inserts AUX3/4 PostPower Anzeige AUX3/4 VolumeBand Equalizer Master Master LED-DISPLAYStandby PFL MasterMono Output Mono OUT Level & PRE/POSTPhones Level Record Send L/RFootswitch Master OUTMaster Inserts Lamp XLRPower Rear PanelCabling CablingLF-Cables Balanced or Unbalanced? UnbalancedSetting UP a STANDARD-PA System Sound CheckMain Mix Monitor MixSetup Examples Optional Subwoofer MonitoringSetup Examples Setup Examples Wichtige Sicherheitshinweise Beschreibung Auspacken und GarantieLine Gain Klangregelung Einstellhinweis Signal / PEAK- Anzeige Input Stereo +20 +15 +10 100 200 500 10k 20k AUX / FX Effekt 1/2 Umstellung der Effekt-StartprogrammeEinstellhinweise Effekt ReturnAUX3/4 +20 +15 +10 100 200 500 10k Master LED-DISPLAY Mono OUT Level PhonesMaster OUT Rückseite Aufbau Einer STANDARD-PA VerkabelungAufbau SoundcheckHauptmix MonitormixAufbau Beispiele Aufbaubeispiele Aufbaubeispiele Instructions DE Sécurité Importantes Installation et Branchements Déballage et garantieEntrée Mono Line LigneInsert Insertion Conseils de réglageVoicing Filter Filtre de Voix LO CUT 80 Hz Filtre coupe-basEQ Section Égaliseur Instructions de réglage AUX/FX 1/2 Auxiliaires/EffetsIndicateur SIGNAL/PEAK Entrée Stéréo Section EQ AUX/FX 1/221.AUX3/4 BAL anceSIGNAL/PEAK Effets 1/2 Changer les effets de démarrageAfficheur 31/32. FX1/2 à AUX3/4Temoin Peak Effect Return Retour D’EFFETAUX3&4 / Master 45. Témoin Power 44. Égaliseur 7 BandesMaster L+R 46. Échelle DE LED MasterEQ to Affectation de l‘EQ Mono OUT Niveau Mono OUT ET PRE/POSTPhones Sortie casques Track Return L/R Retour 2 PistesMaster OUT Sortie générale Master Inserts Insertions principalesPanneau Arrière Câblage CablageCâbles basse fréquence Symétrisés ou non symétrisés ? Installation D‘UN Système DE Sonorisation Mixage principal Mixage des retours MonitorExemples D‘INSTALLATION Exemples D‘INSTALLATION Exemples D‘INSTALLATION Specifications Block Diagram Dimensions / Abmessungen Effect presets Effekt Presets Programmes Effets
Related manuals
Manual 32 pages 46.96 Kb