TRITON Training Guide

Tip: As you work with and learn TRITON's sequencer functions and more about RPPR, you'll discover that you can select new tracks with different Programs, create patterns based on the Programs in each track, and Multi-record them to the internal (or external) sequencer with their assigned RPPR patterns! You can overdub on any recorded tracks, as well as adding real-time solo lines, etc. over the RPPR patterns! The RPPR patterns are recorded as note data, so you can save your completed songs as TRITON - based sequences - or as Standard MIDI Files!

Using Combis and the Arpeggiators in a Sequence

Those wild, wacky, luscious, evolving Combinations aren't just for live performance! You can copy them to TRITON's sequencer, with or without effects, and create songs - easily!

Let's Do It:

1.In the P0: Play /REC page of Sequence mode, press the popup button to the left of the song name field, and select the next - available empty song. Press OK from the Are You Sure? dialog box - to create a new song.

2.Press the Page menu button, then select Copy From Combi from the popup menu. A popup menu appears - using the Numeric keys, enter 67, then press the ENTER key, to select Combination A067 Steely Keys. Then press to check the with Effects checkbox, and press OK.

3.The Combination will be copied to S00X: NEW SONG, and will sound exactly as it does in Combination Play mode - including ready-to-record, linked Arpeggiators!

4.Press the Preference tab at the lower right of the display, then press to check the Multi REC checkbox. Press the Prog. 1-8tab at the lower left of the display.

5.Press REC/WRITE, then press START/STOP, and after 2 bars of metronome pre-count (hang in there - the tempo's set to 53 BPM!), you can start recording…Get "Steely" with it!!! Press START/STOP when you've finished recording, then press START/STOP to playback the new song. Remember, if you want to re -record, just press START/STOP, LOCATE, then COMPARE, and re - record.

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Korg Musical Instrument manual Using Combis and the Arpeggiators in a Sequence, Lets Do It