Touch Copy From Combi, Touch Track Param | Korg Musical Instrument

TRITON Training Guide

Now, we're ready to record:

1.Press the MENU button.

2.Press the EXIT button. This will take you out to the first Sequencer Screen.

3.Touch the "Pref." Tab at the bottom right hand side of the screen.

4.Touch the box next to "Multi REC" so that it is checked.

5.Press the Arpeggiator "On/Off" button so that it is lit.

6.Touch the arrow next to "Track 01".

7.Touch "Track 03". Track 3 is the first track in the Combination that is on Channel 1. Multi-channel recording must start with MIDI channel 1 to work, so always start recording on whichever is the first track set to MIDI channel 1.

Now, record using the normal method:

8.Press the "REC/WRITE" button.

9.Press the "START/STOP" button. You'll get two measures counted in to get ready.

10.Record. When done, press the "START/STOP" button to finish recording, then the "LOCATE" to rewind back to the start.

That’s all there is to it. Once you have finished recording you can undo the status of the Dummy tracks and reuse them to play regular parts. You could even reassign the Arpeggiators to other tracks using this same method and record multiple arpeggiated “passes” – just remember to keep the MIDI channels separate from all other parts!

How to determine which Tutorial to use for a Combination:

1.Press the SEQ. button to enter the Sequencer Mode.

2.Touch the arrow on the top right hand side of the screen.

3.Touch "Copy From Combi".

4.Using the value wheel, slider or buttons, select the Combination you wish to use.

5.Touch "O.K."

6.Press the MENU button.

7.Touch "Track Param."

Look at the MIDI channels for the first 8 tracks. If there is one or more tracks that use a channel other than 1, use Scenario 1. Again, a hidden drum rhythm is a sure sign of type of Combination. If all tracks are on channel 1, use Scenario 2.

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Korg Musical Instrument manual Touch Copy From Combi, Touch Track Param

Contents

User Guide Page Arpeggiator Mode Features and Benefits Overview Connections Disk ModeProgram Mode Combination Mode Triton Features and Benefits Track sequencer Expressive controllers Highly desirable for sampling users Triton Highlights Incredible Sound Quick and Powerful SamplingWorld-Class Effects Touchview Graphic Interface Easy and Creative SequencingDual Polyphonic Arpeggiators Ultimate Control of your sounds Easy-routing Audio Outputs User-Installable, Affordable OptionsGreat-feeling Keyboard Actions Connections Disk ModeLoading the Preload Disks Loading the Factory Demos and Sounds Playing the Factory demos Playing the demo Cue list Front Panel Overview Basic NavigationHeadphone Jack Disk Drive Page About the Touchview Graphic Interface Program ModeSelecting Programs Select-By-Category Menu key and Jump pages Check out the Performance Editor Performance EditingSelect Program A001 Acoustic Piano Real-time Control Knobs AMS and Effect Dynamic Modulation Check out AMS and Effect Dynamic Modulation Try another Program About TRITONs Program Edit pages Very Cool Programs Arpeggiator ModeTheres soooooooooo many sounds Working with the Arpeggiator in Program mode Try out a different Program / Pattern Take a tour of Program A034s arpeggio setup Check out the Key Sync function Now to work with another Program / PatternCheck out the Sort function Check out the Keyboard function Triton Training Guide Combination Mode Selecting Combinations Select-By-Category Working with a Combination Check out a few more great Combinations and features Work with the Solo Function Hot Tip Triton Combinations Rule P2 Edit -Trk Param Quick Tour of the Combination Edit PagesP1 Edit -Prog / Mixer P3 Edit -MIDI Filter P7 Edit -Arpeggiator P4 Edit -Zone / CtrlP8 Edit -Insert-FX and P9 Edit -Master FX Very Cool Combinations Insert and Master Effects Tour of Insert and Master Effects in Program mode Highlighting just a few of TRITONs many Effect FeaturesSampling mode Program, Combination and Song modes Work with an Insert effect Apply a new Insert effect More examples of Dynamic ModulationPress the Menu key, then press P8 Edit Insert Effect Copy an insert effect from another Program Write the edited Program to a new location Rename the edited Program, then write it Work with the Master Effects Working with the Master EQ Work with the gain levels and Update the ProgramCopy a Master effect from a source Program Work with a Combinations Insert Effects Working with the Effects and EQ in Combination modeWork with the EQ parameters Independent control of insert and master effect routing Copying Insert effects in Combination mode Working with the Audio Inputs and Effects Word About Output BussingConnect the microphone and set the input level Working with the Audio Inputs and Vocoder Effect Work with the Vocoder effect Just a bit of Korg sampling terminology… Sampling ModeMore sampling terms to come…for now, lets get started Recording One -Shot Vocal Samples Input Setup TabRecording Tab Record the samples Preference TabHeres what happened Sampling Through an Insert Effect Lets continue on from the previous steps Naming Your Samples and Multi-samples Rename the Multi-sample Working with Grooves, Loops and Tempo Using the Multi-sample you just recordedConverting a Multi-sound to a Program Lets get started Work with the Sample Edit Work with the Loop Edit Lets fix the loop Triton Training Guide Lots of features ! Where do we start? Sequencer ModeLoad a Template Song Select a Preset Pattern and Put it to a track Now to set a Play Loop for Track Rehearse and record the Bass track Now for something totally outrageous Ready to record the Guitar track? Record a couple more tracks Solo / Mute FunctionsAbout the Locate Key Lets see how this works with the current song Create a new song and copy your current song to it Creating a Cue ListLets get started… Introducing the Cue List Make changes to the tracks in each song Chorus Now to create the Cue List Time to review…Lets review whats just been done to get to this point Converting Cue Lists to Songs Load Fever from the TNFD-00PUS factory disk Rppr Real-time Pattern Play RecordPlayback the demo song Load the Template Song Now to create a new song using RpprAssign patterns to keys and work with the Rppr functions Set up and record the patterns Recording with Rppr Using Combis and the Arpeggiators in a Sequence Lets Do It Add a new solo track to the song Assign an Insert effect to the track Check out the Gate function Editing the Arpeggiator in Program modeAdvanced Arpeggiator Tour Now to work with the Velocity function Adjust the Swing function Set the Scan and Velocity Zones for the pattern Before we go any further in the Pattern Setup tab Editing a User Arpeggio pattern in Global modeWork with a User Pattern Now to discover why this pattern is sooooooooo funky Now to show you just how cool these functions can be Now back to the Pattern Setup TabArpeggio Pattern Setup Arpeggio Tone Mode Wait a minute! Whats going on here? Triton Training Guide Tips On Using the Arpeggiators in Combination Mode Heres why it works this way Now to tour the Arpeggiator Setup and Zoning pages Recording Combinations with Arpeggiation Triton Tutorial Touch Copy From Combi Tutorial Touch Arpeggiator Touch Track Param Output Routing for Individual Sounds Demonstrate output routing in Sequencer modeOutput Routing Set Track 12s Bass BUS Select to 1, from the popup menu Triton Training Guide User Installable Option Boards / Memory There are three types of option boards available for Triton Installing Option Boards / Simm Modules EXB Scsi Global Mode Save and Load ProceduresSong Play Mode Additional Information OM ReferencesPage Very Cool Triton Programs Very Cool Triton Combinations Triton Training Guide Iii