Select Combination A086 SciFi Chase Scene | Korg Musical Instrument

TRITON Training Guide

4.Press the MENU key, then press P7: Edit - Arpeggiator. Take a close look at timbres 4 and 8. They are both set to trigger the A Arpeggiator in the Arpeggiator Assign field of the display. None of the other timbres are assigned to trigger either Arpeggiator A or B. In fact, the B Arpeggiator is un-checked in the Arpeggiator Run field - only the A Arpeggiator box is checked to run in this Combination.

The A Arpeggiator is being triggered by timbres 4 and 8, and timbre 4 is set to a different MIDI channel than the other timbres in the Combination. Timbre 8's status is turned Off (it's a "dummy" timbre). You hear the arpeggio pattern trigger because timbre 8 is assigned to trigger the A Arpeggiator, and because it's on the Global MIDI channel!

Let's look at another Combination that uses both Arpeggiators in this way:

5.Select Combination A086: SciFi Chase Scene.

6.Play in the range above Middle-C…no arpeggio patterns assigned to this zone …

7.Now play and hold a note (s) in the lower range - both Arpeggiators trigger (unlatched) along with the motion pad, and you can get "scary" in the upper range…

Now to tour the Arpeggiator Setup and Zoning pages:

8.Press the Arpegg. A tab button at the bottom of the Play page display. You'll see that both Arpeggiators are set to run, and the table to the right shows you which timbres are running the A and B Arpeggiators. You also see which pattern has been assigned to Arpeggiator A, as well as a group of functions - they'll be familiar to you - we covered them previ ously in the Arpeggiator section of this guide.

9.Press the Arpegg. B tab button and you'll see the same functions - assigned to work independently for the pattern assigned to Arpeggiator B.

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Korg Musical Instrument Now to tour the Arpeggiator Setup and Zoning pages, Select Combination A086 SciFi Chase Scene

Contents

User Guide Page Program Mode Features and Benefits Overview Connections Disk ModeArpeggiator Mode Combination Mode Triton Features and Benefits Track sequencer Highly desirable for sampling users Expressive controllers World-Class Effects Quick and Powerful SamplingTriton Highlights Incredible Sound Dual Polyphonic Arpeggiators Easy and Creative SequencingTouchview Graphic Interface Ultimate Control of your sounds Great-feeling Keyboard Actions User-Installable, Affordable OptionsEasy-routing Audio Outputs Loading the Preload Disks Disk ModeConnections Loading the Factory Demos and Sounds Playing the demo Cue list Playing the Factory demos Headphone Jack Disk Drive Basic NavigationFront Panel Overview Page Selecting Programs Program ModeAbout the Touchview Graphic Interface Select-By-Category Menu key and Jump pages Select Program A001 Acoustic Piano Performance EditingCheck out the Performance Editor AMS and Effect Dynamic Modulation Real-time Control Knobs Try another Program Check out AMS and Effect Dynamic Modulation About TRITONs Program Edit pages Theres soooooooooo many sounds Arpeggiator ModeVery Cool Programs Working with the Arpeggiator in Program mode Try out a different Program / Pattern Take a tour of Program A034s arpeggio setup Check out the Sort function Now to work with another Program / PatternCheck out the Key Sync function Check out the Keyboard function Triton Training Guide Selecting Combinations Combination Mode Select-By-Category Working with a Combination Check out a few more great Combinations and features Hot Tip Triton Combinations Rule Work with the Solo Function P1 Edit -Prog / Mixer Quick Tour of the Combination Edit PagesP2 Edit -Trk Param P3 Edit -MIDI Filter P8 Edit -Insert-FX and P9 Edit -Master FX P4 Edit -Zone / CtrlP7 Edit -Arpeggiator Insert and Master Effects Very Cool Combinations Sampling mode Highlighting just a few of TRITONs many Effect FeaturesTour of Insert and Master Effects in Program mode Program, Combination and Song modes Work with an Insert effect Press the Menu key, then press P8 Edit Insert Effect More examples of Dynamic ModulationApply a new Insert effect Write the edited Program to a new location Copy an insert effect from another Program Work with the Master Effects Rename the edited Program, then write it Copy a Master effect from a source Program Work with the gain levels and Update the ProgramWorking with the Master EQ Work with the EQ parameters Working with the Effects and EQ in Combination modeWork with a Combinations Insert Effects Independent control of insert and master effect routing Copying Insert effects in Combination mode Connect the microphone and set the input level Word About Output BussingWorking with the Audio Inputs and Effects Work with the Vocoder effect Working with the Audio Inputs and Vocoder Effect More sampling terms to come…for now, lets get started Sampling ModeJust a bit of Korg sampling terminology… Recording Tab Input Setup TabRecording One -Shot Vocal Samples Heres what happened Preference TabRecord the samples Lets continue on from the previous steps Sampling Through an Insert Effect Rename the Multi-sample Naming Your Samples and Multi-samples Converting a Multi-sound to a Program Using the Multi-sample you just recordedWorking with Grooves, Loops and Tempo Lets get started Work with the Sample Edit Work with the Loop Edit Lets fix the loop Triton Training Guide Load a Template Song Sequencer ModeLots of features ! Where do we start? Select a Preset Pattern and Put it to a track Rehearse and record the Bass track Now to set a Play Loop for Track Ready to record the Guitar track? Now for something totally outrageous About the Locate Key Solo / Mute FunctionsRecord a couple more tracks Lets see how this works with the current song Lets get started… Creating a Cue ListCreate a new song and copy your current song to it Introducing the Cue List Chorus Make changes to the tracks in each song Lets review whats just been done to get to this point Time to review…Now to create the Cue List Converting Cue Lists to Songs Playback the demo song Rppr Real-time Pattern Play RecordLoad Fever from the TNFD-00PUS factory disk Assign patterns to keys and work with the Rppr functions Now to create a new song using RpprLoad the Template Song Recording with Rppr Set up and record the patterns Lets Do It Using Combis and the Arpeggiators in a Sequence Assign an Insert effect to the track Add a new solo track to the song Advanced Arpeggiator Tour Editing the Arpeggiator in Program modeCheck out the Gate function Now to work with the Velocity function Set the Scan and Velocity Zones for the pattern Adjust the Swing function Work with a User Pattern Editing a User Arpeggio pattern in Global modeBefore we go any further in the Pattern Setup tab Now to discover why this pattern is sooooooooo funky Arpeggio Pattern Setup Arpeggio Tone Mode Now back to the Pattern Setup TabNow to show you just how cool these functions can be Wait a minute! Whats going on here? Triton Training Guide Heres why it works this way Tips On Using the Arpeggiators in Combination Mode Now to tour the Arpeggiator Setup and Zoning pages Recording Combinations with Arpeggiation Triton Touch Copy From Combi Tutorial Tutorial Touch Arpeggiator Touch Track Param Output Routing Demonstrate output routing in Sequencer modeOutput Routing for Individual Sounds Set Track 12s Bass BUS Select to 1, from the popup menu Triton Training Guide There are three types of option boards available for Triton User Installable Option Boards / Memory EXB Scsi Installing Option Boards / Simm Modules Song Play Mode Save and Load ProceduresGlobal Mode Additional Information OM ReferencesPage Very Cool Triton Programs Very Cool Triton Combinations Triton Training Guide Iii