Axiom Pro User Guide | 36 | ||
|
|
|
|
| Velocity Settings | Description 7 |
|
| (Pads) |
|
|
| Low | These options gradually vary the sensitivity of the pads from “Low” to “High.” “Low” is the least sensitive setting (i.e., you have to strike | |
|
| the keys with more force to achieve the highest MIDI velocities). In contrast, “High” is the most sensitive setting (i.e., you don’t have to | |
| Normal | strike the keys with as much force to achieve the highest MIDI velocities). “Normal” is the default setting of Axiom Pro. |
|
| High | These three settings allow you to access the entire dynamic range of MIDI velocities |
|
| (i.e. from 0 through 127). |
|
Low | Normal | High |
4 Steps | The “4 steps,” “3 steps,” and “2 steps” settings give the pads four, three, and two discreet velocity levels respectively (as shown below). | ||||||||||||||
| These settings allow you to play rhythmic parts in “levels” (i.e., this makes it easier to perform with a consistent velocity level, while giving | ||||||||||||||
3 Steps | the option to add louder or softer accents). | ||||||||||||||
2 Steps |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 4 Steps |
|
| 3 Steps | 2 Steps | |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Low Range | These “Range” settings limit the MIDI velocity range of the pads at the lowest and/or highest velocities. This has the effect of | ||||||||||||
| compressing the MIDI velocities of your performances and can “even out” the dynamics of a MIDI performance. This is a useful feature | ||||||||||||
Mid Range | for players requiring more control over their velocities. |
|
|
|
| ||||||||
High Range | The “Low Range” setting lets you access velocities | ||||||||||||
you access velocities | |||||||||||||
| and average playing will yield values of |
|
|
|
| ||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Low Range | Mid Range | Hi Range |
|
| ||
Fixed 64 | When “Fixed 64,” “Fixed 100,” and “Fixed 127” are selected, Axiom Pro keys always generate MIDI velocities of 64, 100, or 127, | ||
regardless of how much force is used to strike the keys. |
| ||
|
|
Fixed 100
Fixed 127
Fixed 64 | Fixed 100 | Fixed 127 |
7All of the graphs in this table feature strike force along the horizontal axis (minimum on the left, maximum on the right) and
MIDI output velocity on the vertical axis (minimum on the bottom, maximum on the top). Appendix C includes more detailed graphs of each velocity curve.