(3)
Adjust
the
horizontal
phase of the camera as follows:
- Set the
switches
and
controls
on
the
Speclal
Effects
Generator so that the
Split colour
bar
picture
is
observed
on
the program monitor. Refer
to
the
oper-
ating
instructions
accompanying
the
Speclal
Effects
Generator
-
Connect an
oscilloscope
to
the Program Output
Connector
of
the
Special
Effects Generator
and
check
the
horizontal
blanking
period of
the
Program
Output
SignaI.
-
Adjust
the
Horizontal
Phase so
that
the phase
of
the
horizontal
blanking
of the
Colour
bar
Signal
for
the
camera matches that for the
Special
Effects
Generator
- The
horizontal
phase
of
the camera can be roughly
adjusted
by
observing
the
split
colour bar picture
of
the program
monitor
after
all
swtches
and
controls
have
been
correctly set. Adjust the Horizontal Phase
so that the edges of the colour bar of the camera and
Special Effects Generator roughly match
each
other.
Notes:
1 The
horizontal
phase as
well
as the
subcarrier
phase
explained
in
the
next
paragraph should be
readjusted if
the
connections
or
coaxial cable
length
is
changed
in
the system
2Refer
to
Horizontal
Phase
Adjustment on
page 55
- 5 0 -
(4)
Adjust
the
subcarrier
phase
of
the camera as follows
- Set the
switches
and
controls
on
the
Special
Effects
Generator so that the
split
colour bar
picture
is
observed on
the program
monitor.
Refer
to
the
oper-
ating
instructions
accompanying
the
Speclal
Effects
Generator for
detalls.
- Adjust
the
Subcarrier
Phase
Coarse
and
Subcarrier
Phase
Fine
on
the
initial
set
menu
so that the
colours
of the colour
bars
from the camera are
similar
to
the
colours
of the colour
bars
generated
by the
Special
Effects Generator.
-
For
precise
adjustment,
the use of a vectorscope
is
recommended.
In
this
case,
supply
the Program
Output
signal
from the Special Effects Generator
to
the
vectorscope.
While
observing
the vectorscope,
adjust
the
Subcarrier
Phase
Coarse
and
Subcarrier
Phase Fine
on
the
initial
set
menu
so that the phase of
the colour
bars
from the camera matches that
of
the
bars
generated by the Special Effects Generator
- Refer
to
ADJUSTMENT
on
page 55 for phase
coarse
and phase
fine
adjustment
(5)
Reset
the
Colour
Bar/Night
Eye/Camera
Selection
Switch
(27) from the BAR
to
the CAMERA
position
(6)
Select
the
proper
filter
according
to
the colour
temper-
ature
at the
scene,
uslng
the
Filter
Selection
Wheel
(31)
while
refering
to
the
Table
on
page
58
(7) Set the
black
balance as follows:
Set the Auto
White/Auto
Black Set
Switch
(6)
to
the
ABC
position
momentarily
by
pressing it down. Th
e
lens
iris
is
automattcally
closed
and
the black balance
is
set
automatlcally.
Whle the
black
balance has
been
set, the
lens
iris
autocally
returns
to
its
previous
position.
The Auto
Warning
i
ndicator
blinks
while
the
black balance
is
being
set
and
it
goes off
when
the
black balance has
been
correctly set.
While
the black
balance
is
being
set, ‘ABC’
also
blinks
in
the
viewfind-
et
screen,
and
‘ABC OK’ appears while
the
setting
is
completed.
After
a
few
seconds
‘ABC OK’
disap-
pears
from the
screen
If the Auto
Warning
indicator
remains
lit
and ‘ABC NG’
appears
in
the
viewfinder
screen,
the black balance
adjustment
should be
carried
out
once more.
Refer
to
'
Setting
the
Black
Balance’ on page 56 for
details
(8)
Set the
whlte
balance as follows:
Set the
White
Balance
Selection
Switch
(28)
to
the
AWC A
or
AWC B
position.
While
aiming
the camera at a
whlte
object,
e.g.
white
paper
or
a
white
wall,
set the Auto
White/Auto
Black
Set
Switch
(6) t
o
the AWC position momnetarily by
pressing
it
up. T
he
whtte
balance is
automatically
set.
When the
white
balance has
been
set, the
blinking
Auto
Warning
Indicator
in
the
viewfinder
screen
goes
out
and
the
blinking
‘AWC
A'
or
‘AWC
B’
turns
i
nto
‘AWC A
OK’ or
‘AWC B OK’,
respectively.
This
indica-
tion
disappears
after
a few seconds
.
If
the Auto
Warnlng
i
ndicator
remains
lit
and ‘AWC A
NG’
or
‘AWC B NG’
appears
in the
viewfinder
screen,
the
white
balance
adjustment
should be
carried
out
once more.
However.
before
proceeding
wlth
the
adjustment,
make
sure
the
Filter
Selectlon
Wheel
(31)
is set correctly. Refer
to
‘Setting
the
White
Balance’
on
page 57
for
details.
WHITE
BAL
PRESET
AWC A
AWC
HOLD .
(9)
Confirm
the
flange-back
adjustment
of the
lens
as
fol-
lows:
- Aim
the camera at a dark
object
more than 2m (6
ft)
from the camera
- Zoom
in
(from
wide-angle
to
tele)
with
the
Servo
Zoom
Control (89) and
adjust
the
Iens
focus
with
the
Focus
Ring
(95).
- Zoom
out
(from
tele
to
wide-angle)
and
conflrm
that
the
picture is
in
focus.
If
not,
the
flange-back
of the
lens
should be
adjusted
according
to
the
instructions
of
‘Lens
Flange-back
Adjustment’
on
page 54
(10)
The
system
condition may
be
confrmed
by
pressing
the
Check
Button
(25)
while
a
normal
picture is
being
viewed.
Refer
to
‘Character
Display’
on
page 67 for
details
- 51 -
CHECK
(11)
Zoom
In/out
with
the
Servo
Zoom Control (89)
or
Zoom
Rlng/Lever
(96)
until
the
desired composition is
achieved.
Turn
the
Focus
Rilng
(95)
untl
the
object is in s
harp
focus
by
watching
the
picture
in
the viewfinder
Close-up
(macro)
shooting.
After
setting
the
Servo
Zoom Control (89) to the
WIDE
position on
the
Macro
Ring/Button
(100) to the
macro
range
while
pressing
the
Macro
Ring/Button
(100) in the
macro
mode,
obfects
as
close
as 50 mm
(2’) from the
lens
surface
can be
recorded