X2 X2 manual Creating a Dependable Mix, To create a dependable mix

Applications

tape deck’s left and right inputs. For more information on interfacing the X2 with a mixdown deck, see page 27.

Assign all Channels, Monitors, Stereo Aux Returns and Groups being used to the L- R MASTER FADERS, by making sure the L-R buttons for each is down. Then create a mix using the Faders for the selected channels.

If there are any channels, monitors or aux returns you are not using, make sure their L-R switches are up, to keep the noise floor to a minimum.

Creating a Dependable Mix

Creating a mix is easy; creating a great mix (one that jumps off the tape) is a lot harder. There are those engineers who are in demand just for mixing because of their sense of balance between instruments causes the mix to come alive with excitement. Although outboard effects and tonal adjustments are important, you’d be surprised at how good a dry (meaning no EQ or effects) mix can be if the balances between parts are right. When you add effects and EQ, it will sound that much better.

Since much of the art of mixing is totally subjective and up to the taste of the engineer, a basic balance between instruments is necessary first before any tonal or effect enhancements can really become effective. We’ve included a method to help you quickly create a “dependable” mix; one that sounds good no matter what speakers you mix or play back on. Although our example involves mixing the instruments found in popular music, this method can be applied to any type of music regardless of the instruments being used.

To create a dependable mix:

Note: This is only a reference or starting point. Each song is unique and calls for different balances.

1Begin with all the Channel FADERS in the “-•” (down) position. Set the Stereo Master FADERS to the “-10” point on their travel (about 75%).

2Set the Meter Bridge to Tape Return mode by holding ALL/ALT and pressing DISPLAY. This way, when you roll tape, the meters will light up (for those tracks with audio) regardless of where the Channel Faders are.

3Raise the Kick Drum Channel FADER until the LED meters read “-2.”

4Mute the Kick Drum Channel by switching the MUTE button to the “On” (down) position, so that the Kick can no longer be heard. DO NOT MOVE THE FADER! Just mute the Kick Channel.

5Raise the Snare Drum Channel FADER until the LED meter reads “0.” Mute the Snare Drum Channel, the same as the Kick.

6Raise the Hi-Hat Channel FADER until it reads “-15” on the LED meter. If any cymbals (ride or crashes) occur in the song, set those Channels to “-15.” Mute the Hi-hat and Cymbals Channels.

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