EQ

#

Name

 

 

Parameter

 

 

Description

 

 

 

 

 

 

 

Lo

Lo-Mid

Hi-Mid

Hi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain

-6.5

+5.5

 

+3.5

+10.5

Emphasizes the attack

 

 

 

 

 

 

 

 

and distortion of popular

26

E.Pf

Freq.

22.1

243

 

3.56K

20.2K

 

electric piano’s key

 

 

 

 

 

 

 

 

 

 

Q

L-S

5.0

 

16

H-S

 

 

 

strokes.

 

 

 

 

 

 

 

 

 

 

 

Gain

+3.0

-6.5

 

+1.0

+3.5

Use for a clean electric

 

 

 

 

 

 

 

 

27

Clean_EG

Freq.

216

386

 

1.46K

5.34K

guitar to get a brighter

 

 

 

 

 

 

 

 

sound.

 

 

Q

0.22

10

 

6.3

H-S

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain

+3.0

0.0

 

+3.5

+3.0

Emphasizes the pres-

 

 

 

 

 

 

 

 

ence and adjusts the

28

Crunch_EG

Freq.

140

500

 

2.00K

5.19K

 

tonal quality of a slightly

 

 

 

 

 

 

 

 

 

 

Q

7.9

1.0

 

0.89

7.1

 

 

 

distorted guitar sound.

 

 

 

 

 

 

 

 

 

 

 

Gain

+3.5

+2.0

 

+3.0

0.0

Emphasizes the mid

 

 

 

 

 

 

 

 

range of mellow over-

 

 

Freq.

108

375

 

2.59K

8.00K

29

OverDrvEG

 

drive electric guitar to

 

 

 

 

 

 

 

 

Q

7.9

0.50

 

0.20

H-S

add fatness and rich-

 

 

 

ness.

 

 

 

 

 

 

 

 

 

 

Gain

+5.5

0.0

 

+4.0

0.0

Makes a heavily dis-

 

 

 

 

 

 

 

 

30

Dist.EG

Freq.

364

917

 

3.56K

8.00K

torted guitar sound

 

 

 

 

 

 

 

 

clearer.

 

 

Q

L-S

7.9

 

10

H-S

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain

+6.5

-9.5

 

+5.0

+4.0

 

 

 

 

 

 

 

 

 

Emphasizes the edge of

31

Metal_EG

Freq.

250

1.12K

 

4.49K

12.0K

 

high-gain metal sound.

 

 

 

 

 

 

 

 

 

 

Q

L-S

10

 

4.0

H-S

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain

-3.0

0.0

 

+1.5

+5.5

Emphasizes the bright

 

 

 

 

 

 

 

 

chordal strokes of an

32

Stroke_AG

Freq.

125

794

 

1.94K

7.13K

 

acoustic guitar, reduc-

 

 

 

 

 

 

 

 

 

 

Q

1.0

3.2

 

2.8

H-S

 

 

 

ing the body resonance.

 

 

 

 

 

 

 

 

 

 

 

Gain

-4.0

-3.0

 

0.0

+2.5

Use on a tight elec-

 

 

 

 

 

 

 

 

33

StrokeEAG

Freq.

250

687

 

2.00K

4.49K

tric-acoustic guitar in a

 

 

 

 

 

 

 

 

band context.

 

 

Q

L-S

8.9

 

1.0

H-S

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain

-3.0

-3.0

 

+4.0

+2.5

Corrects and clarifies

 

 

 

 

 

 

 

 

34

Arpeg.GG

Freq.

149

223

 

3.08K

8.00K

the arpeggio technique

 

 

 

 

 

 

 

 

of a gutsy guitar sound.

 

 

Q

L-S

4.0

 

5.6

H-S

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain

-1.5

0.0

 

0.0

+3.0

Adjusts the balance of

 

 

 

 

 

 

 

 

chords & arpeggios of

35

Arpeg.EAG

Freq.

210

1.00K

 

3.78K

9.42K

 

an electric acoustic gui-

 

 

 

 

 

 

 

 

 

 

Q

L-S

4.0

 

4.0

0.10

 

 

 

tar sound.

 

 

 

 

 

 

 

 

 

 

 

Gain

0.0

-6.5

 

0.0

+5.0

Cuts the body resonance

 

 

 

 

 

 

 

 

of an acoustic guitar

36

Arpeg.AG

Freq.

149

530

 

2.52K

4.24K

 

sound and clarifies an

 

 

 

 

 

 

 

 

 

 

Q

L-S

7.1

 

4.5

H-S

 

 

 

arpeggio guitar sound.

 

 

 

 

 

 

 

 

 

 

 

Gain

-2.5

0.0

 

+2.0

+4.0

Adjusts the balance of

 

 

 

 

 

 

 

 

brass section sound

37

Brass_Sec

Freq.

96.4

917

 

2.52K

5.66K

 

(such as trumpets and

 

 

 

 

 

 

 

 

 

 

Q

2.5

1.6

 

0.79

5.0

 

 

 

trombones).

 

 

 

 

 

 

 

 

 

 

 

Gain

+3.0

+4.0

 

0.0

0.0

Emphasizes the rich

 

 

 

 

 

 

 

 

mid-range of wind

38

W.WingSec

Freq.

125

257

 

3.38K

8.00K

 

instruments, such as

 

 

 

 

 

 

 

 

 

 

Q

L-S

2.2

 

2.5

H-S

 

 

 

clarinets and oboes.

 

 

 

 

 

 

 

 

 

94

VM200 User’s Guide

Page 94
Image 94
Fostex VM200 manual Distortion of popular