4.8

2WayTunnel

ADJUST: Speed

1–100

This is a variation of IntoTunnel. The source approaches and enters the tunnel, then turns around and comes back. Use ADJUST to control the speed.

4.9 FinishLineADJUST: Speed 1–100

This preset adds two pairs of stereo delays to the basic drive-by effect to simulate the 1st, 2nd, and 3rd place cars crossing the finish line. ADJUST controls the speed. Be sure to try this and the other drive-by effects with different types of source material. Almost any continuous source will produce interesting spatial sound effects. Low, buzzy synthesizer tones work particularly well.

The Presets

Ambience Effects

(P1 3.7 – P1 4.9) cont'd.

0.0

StereoLoPass

ADJUST: CutOff

0–127

This effect is a combination of a stereo low pass filter and a stereo reverb, with the two effects in parallel. Use ADJUST to set the cut off frequency of the filter. The reverb mix is turned all the way down — you can add reverb by changing the FX Mix parameter in the Soft Row, where you’ll also find additional parameters for delay voices, and image.

0.1 Low Pass HiQADJUST: Cutoff 0–127

The same basic effect as StereoLoPass, but with feedback adjusted to produce a more resonant filter. ADJUST sets the cutoff frequency of the filter.

0.2 Low Pass LFOADJUST: Depth 0–127

The cutoff of the stereo low pass filter is swept with a rhythmic LFO sine wave. Press Tap to synchronize the sweep with rhythmic material. ADJUST controls the low frequency limit of the sweep.

0.3 StereoHiPassADJUST: Cutoff 0–127

A combination of a stereo high pass filter and a stereo reverb, with the two effects in parallel. Use ADJUST to set the cutoff frequency of the filter. The reverb mix is turned all the way down — you can add reverb by changing the FX Mix parameter in the Soft Row, where you’ll also find additional parameters for delay voices, and image.

0.4 StereoB-PassADJUST: Center 0–127

A combination of a stereo band pass filter and a stereo reverb, with the two effects in parallel. Use ADJUST to set the center frequency of the filter. The reverb mix is turned all the way down — you can add reverb by changing the FX Mix parameter in the Soft Row, where you’ll also find additional parameters for delay voices, and image.

0.5 Stereo NotchADJUST: Center 0–127

A variation of StereoB-Pass which combines a phase inverted output of the band pass filter with unprocessed signal to create a notch filter. ADJUST sets the center frequency of the notch.

0.6 SweptNotchesADJUST: Rate0–100

This preset produces vowel-like sounds by sweeping two pairs of notches with two independent time switches. This effect will produce very unusual tonal variations from broad band sources (rich pads, drums, industrial sound effects, etc.) It also generates a good deal of spatial movement within a stereo or Surround mix. ADJUST controls the rate of the sweeps.

0.7 Env NotchesADJUST: Release 0–100

This preset will produce vocalization effects from dynamic sources. The inputs are summed to mono, and the notch filters which are tuned to vocal formants are swept by the resulting input envelope. ADJUST controls the release rate of the input envelope.

Program Bank 2 (P2)

EQ Effects

(P2 0.0 – P2 1.0)

4-11

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Lexicon PCM 80 manual Program Bank 2 P2, Ambience Effects P1 3.7 P1 4.9 contd, EQ Effects P2 0.0 P2