3.6 | Dyna Vibrato | ADJUST: Glide |
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Input level triggers a delayed vibrato. The vibrato is created by modulating two pairs of gliding delays. ADJUST controls the offset between the delay pairs. Use it to thicken up the effect. You’ll find parameters to change the modulation depth and add reverb in the Soft Row. A nice effect to sweeten up acoustic guitar, dry sampler or synth tracks, etc.
3.7 VibroVerbADJUST: V-Depth 0–127
In this effect, the reverb is processed to produce a vibrato that wanders slowly between two rates. ADJUST sets the depth of the vibrato. 0 = none, 127 = maximum. Low settings of ADJUST work nicely to open up the space around backing tracks. Higher settings can be used to add character to dry synthesizer tones, guitar and piano. Check out the Soft Row for parameters that you use to change the overall sound of the reverb.
3.8 SweepVerbADJUST: GldResp 0–100
The left and right reverb outputs are detuned in opposite directions by the AR, which is triggered by input level. ADJUST controls the amount of detune. To open up the space around percussive sources, use very low settings of ADJUST. Higher settings will produce radical pitch swoops in the reverb. The Soft Row contains several useful reverb parameters.
3.9 EnveloVerbADJUST: Rt HC0–40
Great on sustained and slowly fading sound sources. The AR generator controls the Reverb output as well as the Reverb time. ADJUST controls the high frequency response of the reverb tail.
4.0 Super Ball!ADJUST: Bounce It 0–1
This preset will let you turn any source into a bouncing ball. Run a track or instrument, click ADJUST to 1 and back to 0 and sit back. The effect captures a stereo sample on the fly, loops it and decreases the loop size as it repeats. (Reverb is added while the loop plays.) When the loop size gets to zero, the effect resets and starts sampling the inputs again. The loop size is tempo controlled. Press Tap to synchronize it with rhythmic material.
4.1 LevlStutterADJUST: Mstr Fbk 0-100
Delays are driven by input level (high level = shorter delays). The delays are also driven by tempo. Works best for deconstructing dialog, but is also interesting with any audio with lots of holes.
4.2 Freeze 2 of 8ADJUST: Feedback 0–100
This stereo preset automatically freezes 2 beats out of every 8. Press Tap to synchronize the effect with the source material. ADJUST lets you set the feedback level when the loop is off. Be sure to try this one with a dance mix, or MIDI drum patterns.
4.3 Freeze 2over3ADJUST: Feedback 0–100
A slightly more diabolical version of Freeze 2 of 8. This preset also loops 2 out of every 8 beats, but the left and right delays are set to different rhythmic values. The result is a 2 against 3 pattern that alternates between the left and right channels. ADJUST sets the feedback for both delays while the loop is off.
4.4 Freeze&SpeedADJUST: Freeze It 0–1
This preset allows you to grab and freeze portions of the source material on the fly. Click ADJUST from 0 to 1 to freeze the loop. It will repeat infinitely, but will grow more diffused as it repeats. Click ADJUST back to 0 to turn the loop off. The loop will speed up for a short time before turning off. The AR Release parameter (found in the Soft Row with other goodies) sets the
The Presets
Processed Reverb Effects (P3 2.9 – P3 3.9) cont'd.
Remix Effects (P3 4.0 – P3 4.9)
