Lexicon PCM 80 manual EQ Effects P2 0.0 – P2 1.0 contd, Spatial Effects P2 1.1 - P2

PCM 80 User Guide Lexicon

EQ Effects

(P2 0.0 – P2 1.0) cont'd.

Spatial Effects (P2 1.1 – P2 2.4)

0.8 BandReject 4 ADJUST: FX Mix 0–100

Three independent modulators are used to sweep filters and pan the outputs of this preset. The result is an effect with constantly changing tonal and spatial characteristics. A touch of reverb adds some overall ambience. Use ADJUST to set the mix of filters and reverb.

0.9 WaaPedalEkoADJUST: FeedBack 0–10

Wah-wah with echoes. Foot pedal is patched to filter cutoff. ADJUST controls echo feedback.

1.0 RotorWaaADJUST: Rate0–10

A tempo controlled wah-wah effect. ADJUST controls the rhythm of the modulator.

1.1 Movable EchoADJUST: Position 0-127

This preset is designed for use with either stereo or Surround mixes. It is a dual delay effect that can be positioned anywhere between the center, side and rear channels. ADJUST sets the position. 0 = center, 64 = side channels, 127 = rear channel.

1.2 Movable HallADJUST: Position 0–127

Like Movable Echo, this preset is designed for use with either stereo or Surround mixes. It is a concert hall reverb effect that can be positioned anywhere between the center, side and rear channels. ADJUST sets the position. 0 = center, 64 = side channels, 127 = rear channel.

1.3 Go Away ADJUST: How Far? 0–127

Use this preset to take a stereo source and move it anywhere from in your face to far, far away. Use ADJUST to move the source away from you. 0 = unprocessed stereo, 127 = far away. As ADJUST is increased, EQ, reverb and stereo width are all changed to produce the composite effect. This effect is compatible with stereo and Surround mixes.

1.4 Circular PanADJUST: Rate0–100

Similar to Go Away, this preset sums the inputs to mono and uses the LFO to control EQ, reverb and stereo width to pan the sound through a circular orbit. From right through center,to left through rear, to right. As the sound approaches the center, it grows brighter, louder and dryer. As it recedes towards the rear, it grows darker, softer and more reverberant. In a Surround mix, the center and rear positions of the orbit will feed only the center and rear channels of the mix. ADJUST controls the rate of the pan.

1.5 Spatial HallADJUST: Position 0–35

A multi-dimensional preset which changes as you increase or decrease the ADJUST knob value. This preset is not mono compatible.

1.6 Rear of HallADJUST: Decay0–60

This is a really huge space and you’re in the back of it. ADJUST changes the reverberation characteristics, making it boomier.

1.7 BackstageADJUST: How Far? 0–127

Remember what the concert sounded like from the green room? If you need to re-create that ambience, this preset will take you there and let you wander around. Turn up ADJUST to travel further from the stage until, finally, you’re out in the parking lot. The Soft Row provides reverb parameters that will let you fine tune the the hall to fit your needs.

1.8 Steered RearADJUST: Decay0–10

The Width parameter steers this plate effect from front to back after the AR releases based on input level. ADJUST controls reverb decay. Due to the strong spatial positioning at the end of the decay, this preset is not mono compatible.

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