Each of the 4-Voice algorithms share a common set of controls and parameters built around one of five stereo reverb effects: Concert Hall, Plate, Chamber, Inverse and Infinite. The diagram below shows these common controls and parameters as they are structured around a reverb effect. We call this structure the Reverb Shell. (Individual reverb effects are described on the following pages.)
In the 4-Voice algorithms, input levels and pans determine the signal flow to left and right pairs of delay voices, and also to the reverb effect. Each delay voice has individually adjustable level, delay, feedback, and pan controls, as well as master controls for all of the voices. These algorithms can be used to create a wide variety of stereo delay and modulation effects in parallel with studio quality stereo reverberation.
The two delays after the reverb effect are referred to as post delays. The PstDly Mix control determines how much post delay is actually heard. The Rvb Width control affects only the output of the reverb portion of the effect.
The delays and the output of the reverb effect are summed at the FX Mix control. This control allows you to blend the relative amounts of delay and reverb.
FX Width controls the spatial characteristics of the composite reverb and delay effect.
The Hi-Cutparameter provides high end rolloff, while FX Adjust determines the output volume of the entire processed signal.
