TYPES OF EDIT MODES AND ILLUSTRATIONS
■Assemble edit mode
Signals are recorded continuously and successively from the start of usually a new tape (used tapes can also be used). This is the mode commonly used to make master tapes.
Already recorded
Recorder prior to editing
Not recorded
|
|
| P IN point | P OUT point | |||
Player |
|
|
|
|
| ||
|
|
|
|
|
|
|
|
Edited result |
|
|
|
|
|
| |
|
|
| R IN point | R OUT point |
•In order to maintain the continuity of the time codes on the tape in the recorder, set
■Insert edit mode
A different source is recorded on part of a
Four types of
Recorder prior to editing Already recorded
|
|
| P IN point | P OUT point |
| ||
Player |
|
|
|
|
| ||
|
|
|
|
|
|
| |
Edited result |
|
|
|
|
| ||
|
|
| R IN point | R OUT point |
|
•If it is necessary to maintain the continuity of the time codes on the tape in the recorder during TC insertion, set
■Split editing
Split editing involves a technique which offsets the audio edit point from the video edit point or vice versa.
When offsetting the audio IN point with the video IN point serving | When offsetting the video IN point with the audio IN point serving as | ||||||||
as the reference |
|
| the reference |
|
| ||||
| P IN point | P OUT point |
| P IN point | P OUT point | ||||
Player |
|
|
|
| Player |
|
|
|
|
| AUDIO IN point |
| VIDEO IN point |
Edited result | Video |
| Edited result | Video |
|
Audio (CH1/CH2) |
| Audio |
| ||
|
|
|
| ||
| R IN point | R OUT point |
| R IN point | R OUT point |
•Set VIDEO for the
•Alternatively, the audio IN point can be moved ahead of the video IN point.
•Set AUDIO for the
•Alternatively, the video IN point can be moved ahead of the audio IN point.
38