03: Multiband Limiter

03: Multiband Limiter

This effect applies the Limiter to the low range, mid range, and high range of the input signal. You can control dynamics for each range to adjust the sound pressure of the low range, mid range, and high range in a different way from the EQ.

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

 

Left

 

 

Wet / Dry

 

Band-Pass Filters

 

 

 

 

 

Low

Limiter

 

 

 

 

 

 

Envelope - Control

 

+

Mid

Low Offset

 

Limiter

 

 

 

 

 

Envelope - Control

Gain Adjust

 

High

Mid Offset

 

 

 

Limiter

 

 

 

Envelope - Control

 

Right

 

High Offset

 

 

 

Wet / Dry

 

 

 

a

Ratio

1.0:1…

50.0:1, Inf:1

Sets the signal compression ratio. P.15

 

 

 

 

 

 

b

Threshold [dB]

–40…

0dB

Sets the level above which the compression is applied.

P.15

 

 

 

 

 

 

 

 

 

 

c

Attack

1…

100

Sets the attack time. P.16

 

 

 

 

 

d

Release

1…

100

Sets the release time. P.16

 

 

 

 

 

e

Low Offset [dB]

–40…

0dB

Gain of the low-range trigger signal P.50

 

 

 

 

 

f

Mid Offset [dB]

–40…

0dB

Gain of the mid-range trigger signal P.50

 

 

 

 

 

g

High Offset [dB]

–40…

0dB

Gain of the high-range trigger signal P.50

 

 

 

 

 

h

Gain Adjust [dB]

–16…

+24dB

Sets the output gain. P.15

 

 

 

 

 

Wet/Dry

Dry, 1:99… 99:1, Wet

Sets the balance between the effect and dry sounds.

 

 

 

 

i

Src

None… Tempo

Modulation source of effect balance

 

 

 

 

 

 

Amt

–100…

+100

Modulation amount of effect balance

 

 

 

 

 

 

e:Low Offset [dB]

f:Mid Offset [dB]

g:High Offset [dB]

These parameters set the input gain of the trigger signal.

For example, if you do not want to apply compression to the high range, reduce the High Offset value down below the Threshold level. In this way, the high range limiter will not respond, and compression will not be applied.

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Korg Trinity ProX, Trinity Plus manual Multiband Limiter, Low Offset dB Mid Offset dB High Offset dB