Korg Trinity Plus, Trinity ProX manual Master Effects, Grouping

Overview

When you want to preserve the stereo image of a Double mode Program, use Insert Effects of size 2 or 4.

Stereo In
	Size
	4
Stereo In
Size		Size
2		2
Mono In
Size	Size	Size
1	1	2

Grouping

You can use the grouping function in the Combination and Sequencer modes to use the Insert Effects effi- ciently. The effect grouping function places the Timbres/Tracks into one group so that the same Insert Effects will be applied to all of them.

Note the following when you are trying to place Timbres/Tracks that use Single or Double mode Pro- grams, and Timbres/Tracks that use Drum mode Programs into a group:

•When you are adding Timbres/Tracks that use Single or Double mode Programs to a group of Tim- bres/Tracks that use Drum mode Programs:

The Timbres/Tracks will be grouped (input) to Insert Effect inst1 of the Timbres/Tracks that use Drum mode Programs.

•When you are adding Timbres/Tracks that use Drum mode Programs to a group of Timbres/Tracks that use Single or Double mode Programs:

Only DrumKit sounds that have been assigned to inst1 in P5 of Global mode will be grouped (input) to the Insert Effects of the Timbres/Tracks that use Single or Double mode Programs.

Master Effects

Master Effects use a send and return routing regardless of the modes, and consist of two types of effects: modulation and reverberation/delay, both mono-in/stereo-out. These fourteen effects can be used to pro- vide overall ambience. It is possible to route the modulation effects and reverb/delay effects in series.

Send levels are set for each oscillator, or after the Insert Effects are applied. In the Combination and Sequencer modes, you can set the send levels for each Timbre/Track, allowing you to use the unit as a mixer to create a spacious effect for entire Programs, Combinations, or Songs.

A Low/High-type shelving EQ is located before the output connectors 1/L/MONO and 2/R, and allows you to “fine-tune” the tone of your sound.

The Master Effect parameters are set for each Program, Combination, and Song. (Use P8 in each mode.)

The Effect 4 Control message (Controller #94) will turn the modulation effects on/off, and the Effect 5 control message (Controller #95) will turn the reverb/delay effects on/off. Both control messages are sent on the Global MIDI Channel. With a control value of 0, the effect is turned off, and with a value of 1–127, the effect is turned on.

The Effect 3 Level message (Controller #93) will adjust the send level of the modulation effects, and the Effect 1 Level message (Controller #91) will adjust the send level of the reverb/delay effects. The control messages for Programs are sent on the Global MIDI Channel, and control messages for Combinations and Sequences are sent on the MIDI Channels specified for each Timbre and Track.

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