Yamaha QY700 About Utility mode

288 Chapter 6. UTILITY MODE

About Utility mode

About Utility mode

• Utility mode is where you can make system settings and

MIDI settings.

• Utility mode does not have a “top” page which will always

appear when the MODE key is pressed. (The last-selected

page will appear.)

• Utility mode has six sub-modes, and these are accessed by

pressing the 1 – 6 function keys.

Pressing 1 (System) will access the System page.

(→ p.289)

Pressing 2 (MIDI) will access the MIDI page.

(→ p.291)

Pressing 3 (MIDI Fltr) will access the MIDI filter

page. (→ p.293)

Pressing 4 (Seqencr) will access the sequencer page.

(→ p.295)

Pressing 5 (Click) will access the click page.

(→ p.297)

Pressing 6 (FngZone) will access the fingered chord

zone page. (→ p.299)

• The settings made in Utility mode are backed up by the

internal battery, and will not disappear when the power is

turned off.

1ÊSystem

2ÊMIDI

3ÊMIDI filter

4ÊSequencer

5ÊClick

6ÊFingered chord zone

Contents

Main Page Page Page Features of the QY700 Page 6 How to use the manuals How to use the manuals Owners Manual: Reference (this manual) Owners Manual: QY700 Reference Listings Printing conventions in this manual s Page Finding the information that you need Table of contents Introduction SETUP Chapter 1. BASIC CONCEPTS Chapter 2. SONG MODE Chapter 3. VOICE MODE Chapter 4. EFFECT MODE Chapter 5. PATTERN MODE Chapter 6. UTILITY MODE Chapter 7. DISK MODE APPENDIX 12 1. Front and rear panels Top panel 1. PITCH wheel 2. ASSIGNABLE wheel 3. Mode keys Page - 19. Locate keys 20. Track keys 24. Enter key26. Microkeyboard25. Octave keys 25. Octave keys 16. Sequencer keys 18. JOB key 14 Page Rear panel Floppy disk drive 2. Connections Power supply connections 19 Audio equipment connections ST RST ST To output the sound of the QY700, connect an amp or mixer to the output jacks. Connection to powered speakers Connection to a mixer Connecting a foot switch FC4 or FC5 Connecting external MIDI devices Connecting a MIDI keyboard Connecting a tone generator module Connecting an MTR (multi-track recorder) Connecting two or more devices 3. Using the Style and Demonstration disk Contents of the disk Listening to the demo playback Restoring the factory settings Page Chapter 1. BASIC CONCEPTS 26 1. Mode structure About modes Modes and sub-modes Page Page Page Page Page Page Page 2. Function tree Song mode Voice mode Effect mode Pattern mode Utility mode Disk mode 36 3. How the QY700 is organized Four blocks Sequencer block ( p.37) Tone generator block ( p.43) Controller block ( p.46) 4. Sequencer block 1. About the sequencer block 2. Auto-Accompaniment 38 3. Phrases Instrument category Beat Number 4. How chord conversion works 5. Patterns 40 Track structure within each pattern Playback channel of each track 6. Songs Track structure of a song 41 Sequence track playback channels 42 7. Chord input methods Using Chord Root and Chord Type to input chords Using the Fingered Chord function to input chords Turning the Fingered Chord Zone on/off 43 5. The tone generator block About the tone generator block Voices Voice Category, Program Number, and Bank Number Voice Category 44 Program number Bank number Selecting voices via MIDI Maximum polyphony Connections between the sequencer block and the tone generator block 6. Controller block About the controller block Relationship to other blocks 47 7. Effect block About the effect block Pattern setup Reverb effect 48 How the effects work Variation mode = Insertion 49 Variation mode = System Page 51 8. Basic operation Selecting sub-modes Selecting pages 1. Moving the cursor 2. Moving to modes, submodes, and pages 3. Menu selections 4. Inputting numbers 5. On/off selections 6. Inputting characters 7. Used Memory display 8. Drum Map display 9. Undo/Redo 10. Initialization 11. Other key operations 9. Song creation procedure Track 1 Melody Track 2 Organ Create patterns Pattern creation procedure Page Editing a pattern Pattern voice mixer settings Play Effect Groove Quantize settings TRACK 12345678 REVERB *0*0**** PAN * *88*5078*50 VOLUME 115 * * * 90 90 * 115 Pattern track recording Recording the Song mode Pattern track Chord track recording Recording the Song mode Chord track Realtime record of track 2 Voice settings 63 Changing the tempo Changing the Click Beat, Click Mode, and Count Step recording of track 1 64 Deleting a mistakenly-entered note Using Jobs Editing tracks 1 and 2 Quantize Play Effect Groove Quantize settings Modifying the voice of track 1 Save to floppy disk Page Chapter 2. SONG MODE 70 Chapter 2. SONG MODE SONG MODE Overview Track Configuration SONG MODE Overview 71Chapter 2. SONG MODE Track Output Channels SONG MODE Overview 72 Chapter 2. SONG MODE 1. SONG PLAY 4. Track status 7. Fingered-chord switch 5. Style number, style name, section, pattern name 8. Keyboard image 1. Song number and name 2. Pattern setup 74 Chapter 2. SONG MODE 3. Track numbers; keyboard-track setting To deselect To select a track for SOLO play To release a mute To mute the track 5. Style number, style name, section, and pattern name 6. Chord root and type 76 Chapter 2. SONG MODE To set an original bass To set an on-bass 7. Fingered-chord switch 77Chapter 2. SONG MODE 8. Keyboard image 9. Measure and beat 78 Chapter 2. SONG MODE 10. Loop switch; locations 1 and 2 11. Tempo and meter 12. Click mode, click beat, and count 79Chapter 2. SONG MODE 13. Transposition 2. Play Effects 81Chapter 2. SONG MODE Groove Quantizing 82 Chapter 2. SONG MODE 83Chapter 2. SONG MODE 84 Chapter 2. SONG MODE Setting the Groove Quantize Parameters Viewing or Creating a Groove Template 1. Track numbers, track name, and keyboard-track setting 85Chapter 2. SONG MODE 2. Measure and beat 3. Voice program 4. Play-effects THRU setting 86 Chapter 2. SONG MODE 5. Groove template 6. Quantizing value (Accessible only on user templates) 7. Strength 87Chapter 2. SONG MODE 8. Groove timing 9. Groove gate time 88 Chapter 2. SONG MODE 10. Groove velocity 11. Grid 12. Clock shift 89Chapter 2. SONG MODE 13. Gate-time multiplier Copy 5 14. Velocity offset (CopyTmp) Clock Shift, Gate Time, and Velocity SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 90 Chapter 2. SONG MODE 91Chapter 2. SONG MODE 15. Clock shift 16. Gate-time modifier 92 Chapter 2. SONG MODE 17. Velocity rate 93Chapter 2. SONG MODE 18. Velocity offset 94 Chapter 2. SONG MODE Transposition Drum-Table Edit s SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT Play-effects THRU setting 19. Drum table 96 Chapter 2. SONG MODE 20. Transposition Drum Table Edit SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 97Chapter 2. SONG MODE sSONG PLAY 1Play Effects 3Transpose 4Drum-Table Edit 98 Chapter 2. SONG MODE 21. Replacement List 22. Velocity rate 99Chapter 2. SONG MODE 1 (Clear) 2 (Default) 100 Chapter 2. SONG MODE 3. Track View 3. Track View 101Chapter 2. SONG MODE 1. Track numbers, track name, and key- board track To deselect SOLO play To select the track for SOLO play 2. Track status (data, SOLO, MUTE) 3. Track View 3. Voice program 4. Measure 5. Tempo 6. Meter 4. Output Channels 103Chapter 2. SONG MODE SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT sSONG PLAY 3Output Channels 104 Chapter 2. SONG MODE 1. Track numbers, track name, and key- board track 2. Measure and beat 105Chapter 2. SONG MODE 3. TO TG channel setup 4. MIDI OUT-A and MIDI OUT-B channel setup 106 Chapter 2. SONG MODE 5. Song Recording Recording Songs on the QY700 If using auto-accompaniment: 107Chapter 2. SONG MODE If not using auto-accompaniment: 108 Chapter 2. SONG MODE Recording Standby SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT e 109Chapter 2. SONG MODE 1. Recording mode 110 Chapter 2. SONG MODE 2. Multitrack switch 5. Recor ding Trac k 111Chapter 2. SONG MODE 11. Meter 112 Chapter 2. SONG MODE Realtime Recording: Sequence Tracks (TR1,...,TR32) e 113Chapter 2. SONG MODE Realtime Recording: PATTERN Track 114 Chapter 2. SONG MODE 115Chapter 2. SONG MODE Realtime Recording: CHORD Track 116 Chapter 2. SONG MODE Syncopation (eighth) Syncopation (sixteenth) Realtime Recording: TEMPO Track e 117Chapter 2. SONG MODE Punch Recording 118 Chapter 2. SONG MODE Punch-In Point Punch-Out Point 119Chapter 2. SONG MODE Step Recording: Sequence Tracks (TR1,...,TR32) 120 Chapter 2. SONG MODE 121Chapter 2. SONG MODE Beat Graph eqq exxe Location Pointer Piano Roll 122 Chapter 2. SONG MODE Location Step Time 123Chapter 2. SONG MODE Velocity Gate Time 124 Chapter 2. SONG MODE 5 (BkDelete) m/REST s/TIE Back delete Step Recording: PATTERN track Location Page 127Chapter 2. SONG MODE Step Recording: CHORD track 128 Chapter 2. SONG MODE Chord Root and Chord Type Syncopation (eighth) Syncopation(sixteenth) On-Bass Original Bass 6. Song Editing 130 Chapter 2. SONG MODE 1. Track number and name 3. Measure, Beat, and Clock count 4. Event name and parameter values 132 Chapter 2. SONG MODE 5. View Filter mark 6. XG Viewer mark 7. MUTE and SOLO marks 3 (TrName) 2 (XGView) XG Viewer ON/OFF Track Name 4 (ViwFiltr) View Filter 5 (Delete) 6 (Insert) 134 Chapter 2. SONG MODE Graphic screen 1 (Graphic) 136 Chapter 2. SONG MODE 1. Beat Graph eqq exxe 2. Piano Roll 3. Point Graph 4. Event Line 5. Velocity 6. Pitch Bend 7. Control Change Page Song Job Purpose See page 140 Chapter 2. SONG MODE JOB 00 UNDO/REDO 1. Undo/Redo indication 2. UNDO/REDO target 142 Chapter 2. SONG MODE JOB 01 QUANTIZE 3. Quantizing value 4. Strength 5. Sensitivity 144 Chapter 2. SONG MODE 6. Swing rate 7. Swing Gate Time 8. Swing velocity JOB 02 MODIFY VELOCITY 146 Chapter 2. SONG MODE JOB 03 MODIFY GATE TIME 148 Chapter 2. SONG MODE JOB 04 CRESCENDO 3. Range JOB 05 TRANSPOSE 3. Transposition amount 150 Chapter 2. SONG MODE JOB 06 SHIFT NOTE 3. Source pitch 4. Destination pitch 2. Segment and notes (M) JOB 07 SHIFT CLOCK JOB 08 CHORD SORT 3. Type JOB 09 CHORD SEPARATE 152 Chapter 2. SONG MODE JOB 10 SHIFT EVENT 4. Destination event 3. Source event JOB 11 COPY EVENT 154 Chapter 2. SONG MODE 4. Destination song 5. Destination track 6. Start point of destination segment JOB 12 ERASE EVENT JOB 13 EXTRACT EVENT 156 Chapter 2. SONG MODE 1. Source track 2. Source segment 3. Spot clock 5. Event 6. Argument range JOB 14 THIN OUT 3. Event 158 Chapter 2. SONG MODE JOB 15 TIME STRETCH 3. Time JOB 16 CREATE MEASURE 1. Insertion point 2. Meter JOB 17 DELETE MEASURE 1. Range JOB 18 COPY TRACK 160 Chapter 2. SONG MODE 5. Data type JOB 19 MIX TRACKS 5. Play Effect and Voice source 2. Source track (Track a) 4. Destination track (Track b) 162 Chapter 2. SONG MODE JOB 20 CLEAR TRACK 2. Data type JOB 21 EXPAND BACKING JOB 22 NORMALIZE PLAY EFFECTS 164 Chapter 2. SONG MODE JOB 23 COPY SONG 2. Destination song JOB 24 CLEAR SONG 1. Song JOB 25 SONG NAME 1. Song name Page Chapter 3. VOICE MODE 168 Chapter 3. VOICE MODE About voice mode About voice mode Page 1. Mixer 170 Chapter 3. VOICE MODE 3. Part number 4. Velocity meter 172 Chapter 3. VOICE MODE 5. Voice category 6. Program number 7. Bank number 8. Reverb send 9. Chorus send 10. Variation switch / Variation send 11. Pan 2. Tune 175 2. Tune 8. Detune 9. Note shift 10. Transpose 3. Voice edit 176 Chapter 3. VOICE MODE 4. Mono/Poly 5. Element reserve 178 Chapter 3. VOICE MODE 6. Velocity sensitivity depth, Velocity sensitivity offset 7. Portamento switch, Portamento time 9. Filter cutoff, Filter cutoff resonance 180 Chapter 3. VOICE MODE 10. EG attack time, EG decay time, EG release time 11. Vibrato rate, Vibrato depth, Vibrato delay 12. Pitch bend control 13. Dry level 182 Chapter 3. VOICE MODE 4. Drum Setup Edit 11.Pitch coarse 16.EG attack / EG decay 1 / EG decay 2 15.Filter cutoff / Filter resonance 3.Note name 4.Drum kit 5.Reverb send 6.Chorus send 7.Variation send 8.Pan 9.Level Page 184 Chapter 3. VOICE MODE 3. Note name 4. Drum kit 5. Reverb send 6. Chorus send 7. Variation send 11. Pitch coarse 12. Alternate group 13. Key assign 14. Receive note off 15. Filter cutoff, Filter resonance 186 Chapter 3. VOICE MODE Chapter 4. EFFECT MODE About effect mode 188 Chapter 4. EFFECT MODE About effect mode 189Chapter 4. EFFECT MODE About effect mode Although this structure gives you more freedom, it is slightly more complex. thick line indicates a stereo signal part 32 1. Connection 190 Chapter 4. EFFECT MODE 191Chapter 4. EFFECT MODE 2. Variation mode 3. Reverb type 4. Reverb return 5. Reverb pan 6. Chorus type 7. Chorus return 8. Chorus pan 9. Send chorus to reverb 10. Variation type 11. Variation return Page 194 Chapter 4. EFFECT MODE 2. Reverb edit, Chorus edit, Variation edit 1. Effect type 195Chapter 4. EFFECT MODE 2. Reverb edit, Chorus edit, Variation edit 2. Effect parameters 3. Dry/Wet (only for Variation edit) 4. Control (only for Variation edit) 5. AC1 control (only for Variation edit) Page Chapter 5. PATTERN MODE 198 Chapter 5. PATTERN MODE PATTERN MODE Overview PATTERN MODE Overview 199Chapter 5. PATTERN MODE Track Output Channels PATTERN MODE Overview 200 Chapter 5. PATTERN MODE 1. PATCH SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 201Chapter 5. PATTERN MODE To select and play a pattern To create a pattern 202 Chapter 5. PATTERN MODE 1. Style number and name 2. Section, and pattern name 3. Section connection 203Chapter 5. PATTERN MODE 4. Chord root and type If you do not want to use fingered chording If you want to use fingered chording Be sure that all the keys you press are within the fin- gered-chord zone 204 Chapter 5. PATTERN MODE 5. Fingered-chord switch 6. Current measure; pattern length pattern length (in measures) 7. Tempo and meter 205Chapter 5. PATTERN MODE 8. Click beat, click mode, and count 9. Data display 10. Track number 11. Measure 206 Chapter 5. PATTERN MODE 12. Track status To deselect SOLO To set the track to SOLO 13. Scale time 207Chapter 5. PATTERN MODE 14. Beat shift 3 3/4 beat 16 beats 15. Phrase number and name 5 (Rest) 6 (Clear) 4 (PhrSolo) Phrase Table 4. Retrigger 7. Voice category, program number, and bank number 3. Phrase type SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 1. Phrase number and name 2. Phrase length 3. Phrase type 4. Retrigger 5. Low and high limits 6. High key 7. Voice category, program number, bank number, and voice name 8. Source chord 2. Play Effects 213Chapter 5. PATTERN MODE 214 Chapter 5. PATTERN MODE Groove Quantizing 11. Grid position 12. Clock shift SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 11. Grid 12. Clock shift 13. Gate-time multiplier 14. Velocity offset 215Chapter 5. PATTERN MODE Page 217Chapter 5. PATTERN MODE Clock Shift, Gate Time, and Velocity 1Play Effects SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT pPATCH 2Clock Shift, Gate Time, and Velocity 218 Chapter 5. PATTERN MODE 15. Clock shift 16. Gate-time modifier 17. Velocity rate 18. Velocity offset 219Chapter 5. PATTERN MODE Transposition SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 220 Chapter 5. PATTERN MODE 19. Drum table 20. Transposition 21. Inversion transposition 221Chapter 5. PATTERN MODE 22. Open harmony 222 Chapter 5. PATTERN MODE Drum Table Edit SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 223Chapter 5. PATTERN MODE 23. Replacement List 224 Chapter 5. PATTERN MODE 24. Velocity rate 1 (Clear) 2 (Default) 225Chapter 5. PATTERN MODE 3. Pattern Voice submode Page 227Chapter 5. PATTERN MODE Mixer SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 1Mixer 2Voice Edit 3Drum Setup-3 Edit pPATCH 2Voice 228 Chapter 5. PATTERN MODE 3. Track number 4. Track status 229Chapter 5. PATTERN MODE To set the track to SOLO To deselect SOLO 5. Voice select 6. Voice category 230 Chapter 5. PATTERN MODE 7. Program number 8. Bank Number 9. Reverb send level 10. Chorus send level 11. Variation switch/variation send level 13. Volume 232 Chapter 5. PATTERN MODE Voice Edit SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 233Chapter 5. PATTERN MODE 4. Filter cutoff, and filter resonance 234 Chapter 5. PATTERN MODE 5. EG attack, decay, and release times 235Chapter 5. PATTERN MODE Drum-Setup Edit 1Mixer 2Voice Edit 3Drum Setup-3 Edit pPATCH 2Voice 236 Chapter 5. PATTERN MODE 3. Note 237Chapter 5. PATTERN MODE 4. Drum kit 5. Reverb send level 6. Chorus send level 7.Variation send level 8. Pan 12. Filter cutoff, and filter resonance 13. EG attack, EG decay-1, and EG decay-2 239Chapter 5. PATTERN MODE 4. Pattern Effects 240 Chapter 5. PATTERN MODE Where variation mode = Insertion: part 32 part 32 PAN Connection 241Chapter 5. PATTERN MODE 3Pattern Effects 1Effect Connection Setup 2Reverb Edit 3Chorus Edit 4Variation Edit pPATCH 242 Chapter 5. PATTERN MODE 2. Variation mode 3. Reverb type 4. Reverb return 5. Reverb pan 6. Chorus Type Page Reverb Edit, Chorus Edit, and Variation Edit 244 Chapter 5. PATTERN MODE 245Chapter 5. PATTERN MODE 2. Effect type 3. Effect parameters 4. Dry/wet balance 5. Controllable parameter 246 Chapter 5. PATTERN MODE 6. AC1 control depth 247Chapter 5. PATTERN MODE 5. Phrase Recording 248 Chapter 5. PATTERN MODE Recording Standby e 4 (REPLACE), 5 6 249Chapter 5. PATTERN MODE 1. Phrase number; phrase name 2. Length 3. Phrase type 4. Retrigger 250 Chapter 5. PATTERN MODE 5. Low and high limits 6. High key 7. Voice category, program number, bank number, and voice name 8. Source chord 251Chapter 5. PATTERN MODE 9. Recording mode Realtime Recording 252 Chapter 5. PATTERN MODE 253Chapter 5. PATTERN MODE Step Recording 254 Chapter 5. PATTERN MODE 6. Phrase Editing SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 6. Phrase Editing 2. Location 3. Measure: Beat: Clock count 1. View Filter mark 4. Event name 5. Event parameters 255Chapter 5. PATTERN MODE 6. Phrase Editing Page 257Chapter 5. PATTERN MODE Pattern Job Purpose See page 258 Chapter 5. PATTERN MODE all Job 00 Undo/Redo 259Chapter 5. PATTERN MODE 2. UNDO/REDO target 1. Undo/Redo indication Job 01 Quantize 260 Chapter 5. PATTERN MODE 3. Quantizing value 4. Strength 5. Sensitivity Job 02 Modify Velocity 262 Chapter 5. PATTERN MODE Job 03 Modify Gate Time 263Chapter 5. PATTERN MODE Job 04 Crescendo 3. Range Job 05 Transpose 264 Chapter 5. PATTERN MODE 3. Transposition amount Job 06 Shift Note 2. Segment and notes (M) 3. Source pitch 4. Destination pitch 265Chapter 5. PATTERN MODE Job 07 Shift Clock Job 08 Chord Sort 266 Chapter 5. PATTERN MODE 3. Type Job 09 Chord Separate 267Chapter 5. PATTERN MODE 4. Destination event Job 10 Shift Event 3. Source event Job 11 Copy Event 268 Chapter 5. PATTERN MODE 1. Style 2. Phrase 3. Source segment Job 12 Erase Event Job 13 Extract Event 1. Source phrase 270 Chapter 5. PATTERN MODE 2. Source segment 3. Spot clock 4. Destination phrase 5. Event 6. Argument range Job 14 Thin Out 271Chapter 5. PATTERN MODE 1. Phrase 3. Event 272 Chapter 5. PATTERN MODE Job 15 Time Stretch 3. Time 1. Phrase Job 16 Copy Phrase 273Chapter 5. PATTERN MODE 4. Destination phrase 5. Data type 274 Chapter 5. PATTERN MODE 5. Phrase Table source Job 17 Mix Phrase 2. Source phrase (Phrase a) 4. Destination phrase (Phrase b) 275Chapter 5. PATTERN MODE 5. Phrase Table source Job 18 Append Phrase 2. Source phrase (Phrase a) 276 Chapter 5. PATTERN MODE 4. Destination style source-phrase length Job 19 Split Phrase 3. Split point 277Chapter 5. PATTERN MODE 4. Destination style 5. Destination phrase Job 20 Get Phrase 3. Segment > = 278 Chapter 5. PATTERN MODE Job 21 Put Phrase 5. Track location 279Chapter 5. PATTERN MODE Job 22 Clear Phrase Job 23 Phrase Name 280 Chapter 5. PATTERN MODE 2. Phrase name Job 24 Clear Track 2. Data type 281Chapter 5. PATTERN MODE 3. Data type Job 25 Copy Pattern 1. Source style, section, and track 2. Destination style, section, and track Job 26 Append Pattern 282 Chapter 5. PATTERN MODE 4. Pattern Voice selection 1. Source pattern (pattern a) 2. Destination pattern (pattern b) Job 27 Split Pattern 1. Source pattern 2. Split point Job 28 Clear Pattern 284 Chapter 5. PATTERN MODE 1. Style and section Job 29 Pattern Name 285Chapter 5. PATTERN MODE Job 30 Style Icon Page Chapter 6. UTILITY MODE About Utility mode 288 Chapter 6. UTILITY MODE About Utility mode 289Chapter 6. UTILITY MODE 1. System 2. Backlite saver 1. System 1. Master tune 290 Chapter 6. UTILITY MODE 3. Footswitch 4. Pitch bend wheel, Assignable wheel 291Chapter 6. UTILITY MODE 2. MIDI 2. MIDI 1. MIDI sync 292 Chapter 6. UTILITY MODE 2. MIDI 2. MIDI control in/out 3. XG parameter out 4. MIDI echo back In-A/In-B 5. MTC start offset 3. MIDI filter 293Chapter 6. UTILITY MODE 3. MIDI filter 1. Note 2. Pitch Bend Page 295Chapter 6. UTILITY MODE 2. Event chase 4. Sequencer 1. Mute tracks level 4. Sequencer 296 Chapter 6. UTILITY MODE 4. Sequencer 3. Interval time 297Chapter 6. UTILITY MODE 5. Click 5. Click 1. Channel 298 Chapter 6. UTILITY MODE 5. Click 2. Accent note/level 3. Normal note/level 299Chapter 6. UTILITY MODE 6. Fingered chord zone 6. Fingered chord zone 1. Fingered chord 2. Zone low/high 3. MIDI port/channel Chapter 7. DISK MODE 302 Chapter 7. DISK MODE About floppy disks About floppy disks Removing a floppy disk Regular cleaning of the disk drive heads Floppy disk handling and storage Types of floppy disk Preventing accidental erasure Data backup 304 Chapter 7. DISK MODE About Disk mode Types of file used by the QY700 1. All Data 305Chapter 7. DISK MODE 2. Style 3. Song 4. Song ESEQ 5. Song SMF XG header Data filename extensions 307Chapter 7. DISK MODE 1. Save 1. Save 1Save 2Load 4Rename 5Delete 6Format d Type of data Screen display Setting items 308 Chapter 7. DISK MODE 1. Save Page 2. Load 310 Chapter 7. DISK MODE 2. Load Type of data Screen display Setting items 311Chapter 7. DISK MODE 2. Load Preplay function 312 Chapter 7. DISK MODE 3. Rename 3. Rename 313Chapter 7. DISK MODE 3. Rename 314 Chapter 7. DISK MODE 4. Delete 4. Delete Page 316 Chapter 7. DISK MODE 5. Format 5. Format Page 318 APPENDIX 1. Specifications 1. Specifications 319APPENDIX 1. Specifications 320 APPENDIX 2. Troubleshooting 2. Troubleshooting 321APPENDIX 2. Troubleshooting 322 APPENDIX 3. Error messages 3. Error messages Monitor MIDI Disk 323APPENDIX System Messages other than error messages 324 APPENDIX 4. Glossary D 4. Glossary A B C 325APPENDIX 4. Glossary F G H 326 APPENDIX 4. Glossary4. Glossary O P Q 327APPENDIX 4. Glossary4. Glossary T U V 5. Index A B C D 329APPENDIX F G H I 330 APPENDIX N O P Q 331APPENDIX T U V