Alesis ADAT-XT WHY S-VHS?

Appendix A: Digital Recording Concepts

74 ADAT XT Reference Manual

Digital audio requires lots of numbers to represent an analog version of the same

sound. Analog signals may require at least 20kHz frequency response to reproduce

audio faithfully. Digital signals for the same 20 kHz audio requires a frequency

response of several million Hertz. Due to the way individual numbers are transmitted,

digital audio requires a wide bandwidth recording medium2.

WHY S-VHS?

S-VHS recording technology offers more than enough bandwidth to record eight

tracks of digital audio. S-VHS tapes are built to higher standards than standard VHS

tapes, and can take the tape shuttling required by professional audio applications. S-

VHS tape cassettes are also inexpensive compared to reel-to-reel tape, readily

available, compact, and easy to transport and store.

2.Bandwidth is a measure of the lowest to highest frequency a signal path can handle.

Contents

Main I H OW T O U SE T HIS M C Page I HOW TO USE THIS MANUAL Page C 1: SETTING UP7 2: YOUR FIRST SESSION WITH THE ADAT XT 13 3: CONNECTIONS 23 4: BASIC OPERATIONS 29 5: MULTIPLE ADAT-XT OPERATION 55 6: APPLICATIONS 67 APPENDIX A: DIGITAL RECORDING CONCEPTS 73 APPENDIX B: TROUBLESHOOTING 75 Page CHAPTER 1 SETTING UP any UNPACKING AND INSPECTION AC POWER H OOKUP AVOIDING GROUND LOOPS Page LINE CONDITIONERS AND PROTECTORS ABOUT AUDIO CABLES BASIC AUDIO HOOKUP INPUT NORMALING THREADED VS. UNTHREADED bandwidth Making Backups premium quality, name brand A WORD ON ADATS S-VHS CASSETTE TAPE OPERATING ENVIRONMENT THERMAL CONSIDERATIONS IN RACK MOUNTING MOUNTING ON A SHELF OR NON-R ACK ENCLOSURE AVOIDING ELECTROMAGNETIC INTERFERENCE YOUR FIRST SESSION WITH THE ADAT-XT FORMATTING A TAPE A MUST! SAMPLE RATE SELECTION F ORMATTING A N RECORDING WHILE FORMATTING MAKING A RECORDING TRACK SELECTION AND SETTING LEVELS TIME COUNTER TRANSPORT BUTTONS R P REVIEWING AND CUEING L Page CREATING A LOOP D AUTOMATED RECORDING D R 1 70. 0 mS D TRACK COPY DISPLAY BRIGHTNESS C ANALOG AUDIO UNBALANCED INPUTS ANALOG AUDIO UNBALANCED OUTPUTS ANALOG AUDIO BALANCED INPUTS AND OUTPUTS Larger Key Notch Note: INPUTS OUTPUTS ANALOG AUDIO INPUT MODE SYNC IN/OUT DIGITAL AUDIO IN/OUT F THE XT REMOTE CHAPTER 4 BASIC OPERATIONS T APE F J FORMATTING CONSIDERATIONS COMPLETE FORMAT RECORDING WHILE FORMATTING FORMAT EXTEND WRITE PROTECT OVERRIDE READING THE DISPLAY DISPLAY ICONS format extend Page TIME COUNTER & ABS/REL BUTTON The Locate Points addresses are displayed in the format of the display mode youve selected. 0 : 03 : 28 : 15 Autolocation minutes seconds 100ths-of-seconds BASIC EDITING EDIT V Examples: s AND t BUTTONS ENTERING NUMERIC VALUES INPUT SELECT ANALOG INPUT TRACK COPY Digital In/Out DIGITAL INPUT Page INPUT MONITOR AUTO INPUT MONITOR ALL INPUT MONITOR Transport Function Auto = Off All = Off Auto = On All = Off Auto = Off/On M PEAK MODE B UTTON PEAK CLEAR BUTTON FINE METER MODE RECORDING A B ENCHMARK TAPE RECORD ENABLE Transport Controls SETTING LEVELS Be sure the output level of your mixer matches the inputs connected to the XT (+4 or -10). TRANSPORT CONTROLS E The button will not operate while recording or formatting to avoid interrupting these processes. REWIND/R EVIEW RECORD/PUNCH IN OR OUT S SAMPLE RATE (CLOCK) before , and , Each time the DISPLAYING FRAMES VS. 100THS/SECONDS PITCH CONTROL The icon should be off. Note: This is not possible while recording. TRACK DELAY D Repeat steps through D AUTOLOCATION CONTROLS Each Locate Points address can be displayed and set using either Absolute or Relative Time. ABSOLUTE (ABS) TIME VS. R ELATIVE TIME LOCATE 0 SETTING LOCATE POINTS L AUTO LOOPING AUTO RETURN only AUTO PLAY LOOP LIMIT AUTO RECORD LOOPED RECORDING R FOOTSWITCH CONTROLS FOOTSWITCH CONTROLLED PUNCHING FOOTSWITCH CONTROLLED AUTOLOCATING USING THE XT REMOTE CHAPTER 5 M O O SYNCHRONIZING MACHINES Combining XTs and ADATs Sync In/Out MASTER/SLAVE INTERACTION but do not have any master tracks record-enabled A CHIEVING L INDEPENDENT SLAVE MODE F ORMATTING MULTIPLE T MASTER FORMAT ENABLED, COMPLETE FORMAT MASTER FORMAT ENABLED, FORMAT EXTEND MASTER FORMAT DISABLED MASTER FORMAT DISABLED, FORMAT EXTEND RECORDING DIGITAL AUDIO B MAKING DIGITAL BACKUPS is selected and there is no optical input, the If RECORDING DIGITAL AUDIO FROM OTHER SOURCES clock DIGITAL CLOCK CONSIDERATIONS TAPE OFFSET D COMBINING XTS AND ADATS XT T after S INPUT MONITORING POLARITY DIFFERENCES Possible problem: C Here are some possible solutions: Page Page CHAPTER 6 A O COMBINED MULTITRACK/M ASTERING DECK LIVE/LONG-TERM RECORDING continuous recording Note: and , LOCKING TO VIDEO: CODE ONLY MASTER C OMPUTER C MIDI SYSTEMS: VIRTUAL TRACKING MIDI MACHINE CONTROL: VIRTUAL REMOTE CONTROL LIBRARIES AND ARCHIVES MODULAR RECORDING USING TRACK COPY AS A DIGITAL ROUTER CALCULATING TAPE OFFSET USING THE LOCATES D APPENDIX A D IGITAL R ECORDING C ANALOG RECORDING BASICS DIGITAL RECORDING BASICS A/D WHY S-VHS? APPENDIX B T TROUBLE-S HOOTING INDEX Symptom Cause Solution RE-INITIALIZING CHECKING SOFTWARE VERSION E RROR RATE D error rate The TIME counter will briefly read: ADAT HEAD MAINTENANCE D RUM TIME D The number of drum hours will briefly appear in the TIME counter. TAPE MAINTENANCE: SAFE TAPE MAINTENANCE/SERVICE C M R EFER ALL SERVICING TO A OBTAINING REPAIR SERVICE Page APPENDIX C ERROR CODES Automatic Brake Calibration Procedure STEPS TO TAKE BEFORE CALLING FOR HELP APPENDIX D S Transport Audio Analog Inputs/Outputs Digital Inputs/Outputs General G A B C D Page N O P Q R S Page INDEX