42 Recording & Mixing Techniques

Track 8

Track 7

Track 6

Track 5

Track 4

Track 3

Track 2

Track 1

Source

Tracks

 

1

 

2

 

3

 

4

 

5

 

6

 

7

8

 

 

GAIN

 

GAIN

 

GAIN

 

GAIN

 

GAIN

 

GAIN

 

GAIN

 

GAIN

 

 

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

LINE

MIC

 

PB

MIC/

PB

MIC/

PB

MIC/

PB

MIC/

PB

MIC/

PB

MIC/

PB

MIC/

PB

MIC/

 

 

LINE

 

LINE

 

LINE

 

LINE

 

LINE

 

LINE

 

LINE

 

LINE

 

 

FLIP

 

FLIP

 

FLIP

 

FLIP

 

FLIP

 

FLIP

 

FLIP

FLIP

 

 

CUE

 

CUE

 

CUE

 

CUE

 

CUE

 

CUE

 

CUE

 

CUE

 

 

 

P

 

P

 

P

 

P

 

P

 

P

 

P

 

P

 

 

NA

 

NA

 

NA

 

NA

 

NA

 

NA

 

NA

 

NA

 

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

 

 

L

 

L

 

L

 

L

 

L

 

L

 

L

 

L

 

 

VE

 

VE

 

VE

 

VE

 

VE

 

VE

 

VE

 

VE

 

 

E

 

E

 

E

 

E

 

E

 

E

 

E

 

E

 

 

L

 

L

 

L

 

L

 

L

 

L

 

L

 

L

 

0

10

0

10

0

10

0

10

0

10

0

10

0

10

0

10

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

HIGH

 

 

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

 

MID

 

MID

 

MID

 

MID

 

MID

 

MID

 

MID

 

MID

 

 

F

 

F

 

F

 

F

 

F

 

F

 

F

 

F

 

 

250

5k

250

5k

250

5k

250

5k

250

5k

250

5k

250

5k

250

5k

 

G

 

G

 

G

 

G

 

G

 

G

 

G

 

G

 

 

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

LOW

 

 

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

–15

+15

 

AUX

 

AUX

 

AUX

 

AUX

 

AUX

 

AUX

 

AUX

 

AUX

 

 

1

 

1

 

1

 

1

 

1

 

1

 

1

 

1

 

 

0

10

0

10

0

10

0

10

0

10

0

10

0

10

0

10

 

2

 

2

 

2

 

2

 

2

 

2

 

2

 

2

 

 

0

10

0

10

0

10

0

10

0

10

0

10

0

10

0

10

 

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

 

GROUP ASSIGN

GROUP ASSIGN

GROUP ASSIGN

GROUP ASSIGN

GROUP ASSIGN

GROUP ASSIGN

GROUP ASSIGN

GROUP ASSIGN

 

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

 

 

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

 

ODD

EVEN

ODD

EVEN

ODD

EVEN

ODD

EVEN

ODD

EVEN

ODD

EVEN

ODD

EVEN

ODD

EVEN

 

10

 

10

 

10

 

10

 

10

 

10

 

10

 

10

 

 

9

 

9

 

9

 

9

 

9

 

9

 

9

 

9

 

 

8

 

8

 

8

 

8

 

8

 

8

 

8

 

8

 

 

7

 

7

 

7

 

7

 

7

 

7

 

7

 

7

 

 

6

 

6

 

6

 

6

 

6

 

6

 

6

 

6

 

 

5

 

5

 

5

 

5

 

5

 

5

 

5

 

5

 

 

4

 

4

 

4

 

4

 

4

 

4

 

4

 

4

 

Track 4

3

 

3

 

3

 

3

 

3

 

3

 

3

 

3

 

0

 

0

 

0

 

0

 

0

 

0

 

0

 

0

 

2

 

2

 

2

 

2

 

2

 

2

 

2

 

2

 

 

1

 

1

 

1

 

1

 

1

 

1

 

1

 

1

 

 

 

1

 

2

 

3

 

4

 

5

 

6

 

7

8

 

Track 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track 4

 

Destination Track

Track 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Track 1

Preparing for Ping-Pong

1.Press the [] SONG SEARCH button to locate the beginning of the song.

2.Set the [FLIP] switches on the source track channels to PB.

This sets the disc playback (track) signal as the source for the channels.

3.Set the faders on the source channels to the 7–8 mark.

4.Use the GROUP ASSIGN switches and PAN controls on the source track channels to assign the signals to the destination track.

See GRP Method on page 18 for information about using the GROUP ASSIGN switches and PAN controls to assign signals to tracks.

5.Hold down [GROUP] while pressing the [REC SELECT] button of the des- tination track.

A dot flashes above the corresponding track indicator. Using the GRP recording mode is nec- essary because the source tracks need to be connected internally to the destination track. Ping-Pong does not yield the desired result in DIR mode (direct connection between the inputs and tracks).

6.Press the MONITOR SELECT [GROUP] switch for the destination track.

This sets the monitor source to the destination track.

7.Set the MONITOR LEVEL control as required.

MD8—Owner’s Manual

Page 50
Image 50
Yamaha MD8 owner manual Preparing for Ping-Pong, Set the faders on the source channels to the 7-8 mark, Source Tracks