Using the MD8 with Another Mixer 85

Using the MD8 with Another Mixer

In this system, the MD8 is used in conjunction with another mixer, in this case, a Yamaha 03D Digital Mixing Console. Track signals are fed to the 03D via the MD8’s DIRECT OUTs. The 03D offers 4-band parametric EQ, two stereo multi-effects processors, scene memories, and mix automation, which can be synchronized to the MTC or MIDI Clock coming from the MD8, for fully automated mixing. In addition, MMC commands can be assigned to the 03D’s USER DEFINE buttons for remote MD8 control.

MIDI OUT

MIDI IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PHONES

1

2

3

4

5

6

 

7

 

8

 

9

10

11

12

13

14

15

16

ST IN

MONITOR

PHONES

 

 

 

 

OUT

 

 

PAD

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

26dB

26dB

26dB

26dB

26dB

26dB

 

26dB

 

26dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

 

GAIN

 

GAIN

 

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

GAIN

 

LEVEL

 

LEVEL

 

SETUP

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SCENE MEMORY

 

SOLO

SCENE

 

 

MIDI

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

UNDO/

 

 

MEMORY

UTILITY

MIDI

REMOTE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REDO

SOLO

DIO

GROUP/PAIR

SOLO SETUP

AUTOMIX

 

 

 

 

 

 

 

 

 

 

 

 

 

STORE

RECALL

 

 

CHANNEL CONTROL

 

 

 

 

SCENE MEMORY

USER DEFINE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

USER DEFINE

 

 

 

 

DELAY/Ø

DYNAMICS PAN/ROUTING

VIEW

 

FUNCTION

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SEL CH

 

 

 

 

 

 

 

 

 

 

 

 

1

2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L STEREO R

 

 

 

 

 

 

 

EQ LOW

LO-MID

HI-MID

HIGH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PARAMETER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

4

 

 

 

 

 

FADER MODE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX 1

AUX 2

AUX 3

AUX 4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ENTER

 

 

 

 

FADER

 

EFFECT 1

EFFECT 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FADER

 

 

 

 

 

 

 

 

 

 

 

CURSOR

 

 

 

 

 

 

 

 

 

 

STATUS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MIXING LAYER

 

 

 

 

FADER 1–8

9–12

13–16

ST IN

EFFECT RTN

 

 

 

 

 

 

 

 

 

 

1–16

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

17–24/MASTER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1

2

 

 

1

2

3

4

5

6

 

7

8

 

9

 

10

11

12

13

14

15

16

ST IN

EFFECT

ST OUT

17

18

19

20

21

22

 

23

24

AUX1

 

AUX2

AUX3

AUX4

BUS1

BUS2

BUS3

BUS4

RETURN

SEL

SEL

SEL

SEL

SEL

SEL

 

SEL

SEL

 

SEL

 

SEL

SEL

SEL

SEL

SEL

SEL

SEL

SEL

 

SEL

 

SEL

ON

ON

ON

ON

ON

ON

 

ON

ON

 

ON

 

ON

ON

ON

ON

ON

ON

ON

ON

 

ON

 

ON

6

6

6

6

6

6

6

6

 

6

 

6

6

6

 

6

6

6

6

6

6

 

6

 

0

0

0

0

0

0

0

0

 

0

 

0

0

0

 

0

0

0

0

0

0

 

0

 

5

5

5

5

5

5

5

5

 

5

 

5

5

5

 

5

5

5

5

5

5

 

5

 

10

10

10

10

10

10

10

10

 

10

 

10

10

10

 

10

10

10

10

10

10

 

10

 

20

20

20

20

20

20

20

20

 

20

 

20

20

20

 

20

20

20

20

20

20

 

20

 

40

40

40

40

40

40

40

40

 

40

 

40

40

40

 

40

40

40

40

40

40

 

40

 

60

60

60

60

60

60

60

60

 

60

 

60

60

60

 

60

60

60

60

60

60

 

60

 

00

00

00

00

00

00

00

00

 

00

 

00

00

00

 

00

00

00

00

00

00

 

00

 

1

2

3

4

5

6

 

7

8

 

9

 

10

11

12

13

14

15

16

ST IN

EFFECT

ST OUT

17

18

19

20

21

22

 

23

24

AUX1

AUX2

AUX3

AUX4

BUS1

BUS2

BUS3

BUS4

RETURN

Headphones

INPUT 1–8

AUX SEND

 

12

LINE INPUT

 

9

8

7

6

2

1

 

11

10

 

MONITOR OUT

STEREO OUT

2TR IN

 

 

 

 

TRACK DIRECT OUT

R

L

R

L

R

L

8

7

6

5

4

POWER

AC IN

ON OFF

THRU

OUT

IN

MID

5

MIC/LINE INPUT

 

2

 

 

1

4

3

INSERT I/O

INSERT I/O

 

 

 

 

 

MIC/LINE

 

 

3

2

1

2

 

IN (BAL)

 

1

 

 

 

 

 

 

 

 

 

2

1

2

1

 

 

 

 

3

 

 

3

 

 

 

ON OFF

1: GMD 2: HOT 3: COLD DC48V

 

 

 

PHANTOM

 

 

 

MAX. 7mA

Track transfer

MD8 tracks can be transferred to a larger multitrack recorder as shown below.

AUX SEND

 

12

LINE INPUT

 

9

8

7

6

2

1

 

11

10

 

MONITOR OUT

STEREO OUT

2TR IN

 

 

 

 

TRACK DIRECT OUT

R

L

R

L

R

L

8

7

6

5

4

POWER

AC IN

ON OFF

THRU

OUT

IN

MID

5

MIC/LINE INPUT

2

 

 

1

4

3

INSERT I/O

INSERT I/O

 

 

 

 

 

MIC/LINE

 

3

2

1

2

 

 

IN (BAL)

1

 

 

 

 

 

 

 

 

 

2

1

2

1

 

 

 

 

3

 

 

3

 

 

 

ON OFF

1: GMD 2: HOT 3: COLD DC48V

 

 

 

PHANTOM

 

 

 

MAX. 7mA

8-track digital multitrack

MD8—Owner’s Manual

Page 93
Image 93
Yamaha owner manual Using the MD8 with Another Mixer, Track transfer