Using the MD8 with Another Mixer 85
Using the MD8 with Another Mixer
In this system, the MD8 is used in conjunction with another mixer, in this case, a Yamaha 03D Digital Mixing Console. Track signals are fed to the 03D via the MD8’s DIRECT OUTs. The 03D offers
MIDI OUT
MIDI IN
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| PHONES |
1 | 2 | 3 | 4 | 5 | 6 |
| 7 |
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| 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | ST IN | MONITOR | PHONES | ||
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| OUT |
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PAD |
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26dB | 26dB | 26dB | 26dB | 26dB | 26dB |
| 26dB |
| 26dB |
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GAIN | GAIN | GAIN | GAIN | GAIN | GAIN |
| GAIN |
| GAIN |
| GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN |
| LEVEL |
| LEVEL |
| SETUP |
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| SCENE MEMORY |
| SOLO | |||
SCENE |
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| MIDI |
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| UNDO/ |
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MEMORY | UTILITY | MIDI | REMOTE |
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| REDO | SOLO | ||
DIO | GROUP/PAIR | SOLO SETUP | AUTOMIX |
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| STORE | RECALL |
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CHANNEL CONTROL |
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| SCENE MEMORY | USER DEFINE |
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| USER DEFINE |
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DELAY/Ø | DYNAMICS PAN/ROUTING | VIEW |
| FUNCTION |
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| SEL CH |
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| 1 | 2 |
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| L STEREO R |
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EQ LOW | HIGH |
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| PARAMETER | ||||
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| 3 | 4 |
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| FADER MODE |
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AUX 1 | AUX 2 | AUX 3 | AUX 4 |
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| ENTER |
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FADER |
| EFFECT 1 | EFFECT 2 |
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| FADER |
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| CURSOR |
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| STATUS |
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| MIXING LAYER |
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| FADER | ST IN | EFFECT RTN |
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| 1 | 2 |
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1 | 2 | 3 | 4 | 5 | 6 |
| 7 | 8 |
| 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 | ST IN | EFFECT | ST OUT | ||
17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | AUX1 |
| AUX2 | AUX3 | AUX4 | BUS1 | BUS2 | BUS3 | BUS4 | RETURN | |||||
SEL | SEL | SEL | SEL | SEL | SEL |
| SEL | SEL |
| SEL |
| SEL | SEL | SEL | SEL | SEL | SEL | SEL | SEL |
| SEL |
| SEL |
ON | ON | ON | ON | ON | ON |
| ON | ON |
| ON |
| ON | ON | ON | ON | ON | ON | ON | ON |
| ON |
| ON |
6 | 6 | 6 | 6 | 6 | 6 | 6 | 6 |
| 6 |
| 6 | 6 | 6 |
| 6 | 6 | 6 | 6 | 6 | 6 |
| 6 |
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0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| 0 |
| 0 | 0 | 0 |
| 0 | 0 | 0 | 0 | 0 | 0 |
| 0 |
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5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 |
| 5 |
| 5 | 5 | 5 |
| 5 | 5 | 5 | 5 | 5 | 5 |
| 5 |
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10 | 10 | 10 | 10 | 10 | 10 | 10 | 10 |
| 10 |
| 10 | 10 | 10 |
| 10 | 10 | 10 | 10 | 10 | 10 |
| 10 |
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20 | 20 | 20 | 20 | 20 | 20 | 20 | 20 |
| 20 |
| 20 | 20 | 20 |
| 20 | 20 | 20 | 20 | 20 | 20 |
| 20 |
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40 | 40 | 40 | 40 | 40 | 40 | 40 | 40 |
| 40 |
| 40 | 40 | 40 |
| 40 | 40 | 40 | 40 | 40 | 40 |
| 40 |
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60 | 60 | 60 | 60 | 60 | 60 | 60 | 60 |
| 60 |
| 60 | 60 | 60 |
| 60 | 60 | 60 | 60 | 60 | 60 |
| 60 |
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00 | 00 | 00 | 00 | 00 | 00 | 00 | 00 |
| 00 |
| 00 | 00 | 00 |
| 00 | 00 | 00 | 00 | 00 | 00 |
| 00 |
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1 | 2 | 3 | 4 | 5 | 6 |
| 7 | 8 |
| 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 | ST IN | EFFECT | ST OUT | ||
17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | AUX1 | AUX2 | AUX3 | AUX4 | BUS1 | BUS2 | BUS3 | BUS4 | RETURN |
Headphones
INPUT 1–8
AUX SEND |
| 12 | LINE INPUT |
| 9 | 8 | 7 | 6 | ||
2 | 1 |
| 11 | 10 |
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MONITOR OUT | STEREO OUT | 2TR IN |
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| TRACK DIRECT OUT | |||
R | L | R | L | R | L | 8 | 7 | 6 | 5 | 4 |
POWER
AC IN | ON OFF | THRU | OUT | IN |
MID
5 | MIC/LINE INPUT |
| 2 |
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| 1 | |
4 | 3 | INSERT I/O | INSERT I/O | ||||
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| MIC/LINE |
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3 | 2 | 1 | 2 |
| IN (BAL) |
| 1 |
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| 2 | 1 | 2 | 1 |
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| 3 |
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| 3 |
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| ON OFF | 1: GMD 2: HOT 3: COLD DC48V | |||
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| PHANTOM |
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| MAX. 7mA |
Track transfer
MD8 tracks can be transferred to a larger multitrack recorder as shown below.
AUX SEND |
| 12 | LINE INPUT |
| 9 | 8 | 7 | 6 | ||
2 | 1 |
| 11 | 10 |
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MONITOR OUT | STEREO OUT | 2TR IN |
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| TRACK DIRECT OUT | |||
R | L | R | L | R | L | 8 | 7 | 6 | 5 | 4 |
POWER
AC IN | ON OFF | THRU | OUT | IN |
MID
5 | MIC/LINE INPUT | 2 |
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| 1 | ||
4 | 3 | INSERT I/O | INSERT I/O | ||||
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| MIC/LINE |
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3 | 2 | 1 | 2 |
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| IN (BAL) | 1 |
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| 2 | 1 | 2 | 1 |
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| 3 |
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| 3 |
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| ON OFF | 1: GMD 2: HOT 3: COLD DC48V | |||
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| PHANTOM |
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| MAX. 7mA |