Table
Setting description | Setting options | |
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Edge Control | ● Off turns off both trapping and adaptive halftoning. | |
The Edge Control setting determines the rendering | ● Light sets trapping at a minimal level. Adaptive halftoning is on. | |
of edges. Edge control has two components: | ● Normal sets trapping at a medium level. Adaptive halftoning is | |
adaptive halftoning and trapping. Adaptive | ||
halftoning increases edge sharpness. Trapping | on. | |
reduces the effect of | ● Maximum is the most aggressive trapping setting. Adaptive | |
overlapping the edges of adjacent objects slightly. | ||
halftoning is on. | ||
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Halftone | ● Smooth provides better results for large, | |
Halftone options affect color output clarity and | and enhances photographs by smoothing color gradations. | |
Select this option when uniform and smooth area fills are | ||
resolution. | important. | |
| ● Detail is useful for text and graphics that require sharp | |
| distinctions among lines or colors, or images that contain a | |
| pattern or a high level of detail. Select this option when sharp | |
| edges and small details are important. | |
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Neutral Grays | ● Black Only generates neutral colors (grays and black) by using | |
The Neutral Grays setting determines the method | only black toner. This guarantees neutral colors without a color | |
cast. This setting is best for documents and grayscale | ||
for creating gray colors used in text, graphics, and | viewgraphs. | |
photographs. |
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| ● | |
| all four toner colors. This method produces smoother gradients | |
| and transitions to other colors, and it produces the darkest black. | |
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142 Chapter 9 Color | ENWW |