The Effects and Parameters

Blue Comp

 

 

 

 

 

 

Blue Comp is a recreation of

 

 

 

 

 

another popular

compression

 

 

 

 

 

pedal, the CS-3. Like the CS-3 it

 

 

 

 

 

has variable Sustain (Sense),

 

 

 

 

 

Threshold (Thrsh),

Gain, Attack

 

 

 

 

 

(ATime) and Release (RTime) pa-

 

 

 

 

 

rameters. These versatile controls

 

 

 

 

 

make it flexible enough to be used

 

 

 

 

 

with many different styles and any

 

 

 

 

 

type of guitar (including acoustic

 

Mix

0-100%

Dry/Wet ratio

 

and bass). Blue Comp is useful in

 

Level

0ff, -89dB to +6dB

Amount of effect in processsed signal

 

front of an amp or in the effects

 

Sense

-72dB to +24dB

Sensitivity (Pre-Compressor level)

 

loop. Follow a Chorus or Detune

 

Thrsh

-83dB to 0dB

Gain reduction threshold

 

effect with Blue Comp to produce

 

Gain

-72dB to +24dB

Post-Compressor level

 

a “chime-like” effecta la Andy Sum-

 

 

 

 

 

mers with Police. In fact, you can

 

ATime

0-2000 ms

Attack time

 

 

 

 

 

 

use two at once. For example,

 

RTime

0-2000 ms

Release time

 

 

 

 

 

 

connect two in series in front of an

 

 

 

 

 

 

 

 

 

 

overdrive for super smooth sus-

 

 

 

 

 

 

 

 

 

 

tain that's perfect for slide playing.

 

 

 

 

 

49

 

190

 

 

 

 

 

 

 

 

 

 

 

DigiDrive1 and DigiDrive2

 

 

DigiDrive1

DigiDrive2

 

The DigiDrive 1 and 2 effects

 

 

 

 

 

combine digital distortion with 3-

 

 

 

 

 

band tone controls. In DigiDrive1,

 

 

 

 

 

the tone controls are in front of the

 

 

 

 

 

distortion. In DigiDrive 2, the tone

 

 

 

 

 

controls follow the distortion. The

 

 

 

 

 

distortion produced by these ef-

 

 

 

 

 

fects is not meant to mimic analog

 

 

 

 

 

distortion, but to provide an alter-

 

 

 

 

 

native sound. (Think “digital fuzz

 

Mix

0-100%

Dry/Wet ratio

 

box.”). The next time you’re look-

 

Level

0ff, -89dB to +6dB

Amount of effect in processsed signal

 

ing for an in-your-face fuzz effect,

 

Drive

0-100

Amount of digital distortion

 

pump one of these into your amp.

 

Low

-72dB to +24dB

Pre-Drive low frequency cut/boost

 

You might be surprised at what

 

Mid

-72dB to +24dB

Pre-Drive mid frequency cut/boost

 

comes out.

 

 

 

 

 

 

 

56

 

190

 

 

High

-72dB to +24dB

Pre-Drive high frequency cut/boost

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DigiDrive1

 

 

 

 

 

 

 

53

 

190

 

 

 

 

 

 

 

 

 

 

 

DigiDrive2

*= Interpolated; ( ) = Option of preceding parameter

7-15

Page 106
Image 106
Lexicon MPX G2 manual Blue Comp, DigiDrive1 and DigiDrive2

MPX G2 specifications

The Lexicon MPX G2 is a powerful multi-effects processor designed for musicians and audio engineers seeking a wide range of high-quality sound processing options. Known for its pristine sound quality, the MPX G2 combines a variety of effects into one compact unit, making it an essential tool for live performances and studio work alike.

One of the main features of the MPX G2 is its extensive library of effects. It offers a wide diversity of effects such as reverb, delay, modulation, dynamics processing, and more. With over 250 preset programs, musicians can choose from various configurations that suit different styles and genres. The simplicity of the interface makes it easy to navigate through these presets, helping users quickly find the perfect sound.

The MPX G2 incorporates advanced digital signal processing (DSP) technology to deliver exceptional audio fidelity. This technology ensures that signal integrity is maintained throughout the processing chain, providing a clean and polished output. The unit is engineered to minimize latency, allowing for real-time performance without noticeable delay, which is crucial in live settings.

Moreover, the MPX G2 features an intuitive user interface with a bright, easy-to-read LCD display. It provides direct access to comprehensive editing options, enabling users to tailor effects to their specific needs. The onboard controls, including knobs and buttons, allow for rapid adjustments during performance, ensuring that musicians can react quickly to changing conditions on stage.

Another characteristic of the MPX G2 is its flexible connectivity options. The processor includes standard 1/4-inch inputs and outputs, as well as stereo configurations for more complex routing. MIDI capabilities enhance its compatibility with other gear, allowing for seamless integration into various setups. This makes it an ideal choice for both solo artists and larger ensembles.

In addition to its rich palette of effects, the MPX G2 supports true stereo processing, ensuring that stereo images remain intact. This feature is particularly beneficial for creating lush, expansive soundscapes, typical in genres like ambient, rock, and classical.

In summary, the Lexicon MPX G2 stands out due to its exceptional sound quality, versatile effects library, and user-friendly interface. Its advanced DSP technology, flexible connectivity, and true stereo processing capabilities make it a top choice for musicians looking to enhance their sound with professional-grade effects. Whether on stage or in the studio, the MPX G2 delivers the reliability and creativity needed to inspire and impress.