Lexicon MPX G2 manual Blue Comp, DigiDrive1 and DigiDrive2

Models: MPX G2

1 173
Download 173 pages 46.67 Kb
Page 106
Image 106
 Blue Comp

The Effects and Parameters

 DigiDrive1 and DigiDrive2Manual background Blue Comp

 

 

 

 

 

 

Blue Comp is a recreation of

 

 

 

 

 

another popular

compression

 

 

 

 

 

pedal, the CS-3. Like the CS-3 it

 

 

 

 

 

has variable Sustain (Sense),

 

 

 

 

 

Threshold (Thrsh),

Gain, Attack

 

 

 

 

 

(ATime) and Release (RTime) pa-

 

 

 

 

 

rameters. These versatile controls

 

 

 

 

 

make it flexible enough to be used

 

 

 

 

 

with many different styles and any

 

 

 

 

 

type of guitar (including acoustic

 

Mix

0-100%

Dry/Wet ratio

 

and bass). Blue Comp is useful in

 

Level

0ff, -89dB to +6dB

Amount of effect in processsed signal

 

front of an amp or in the effects

 

Sense

-72dB to +24dB

Sensitivity (Pre-Compressor level)

 

loop. Follow a Chorus or Detune

 

Thrsh

-83dB to 0dB

Gain reduction threshold

 

effect with Blue Comp to produce

 

Gain

-72dB to +24dB

Post-Compressor level

 

a “chime-like” effecta la Andy Sum-

 

 

 

 

 

mers with Police. In fact, you can

 

ATime

0-2000 ms

Attack time

 

 

 

 

 

 

use two at once. For example,

 

RTime

0-2000 ms

Release time

 

 

 

 

 

 

connect two in series in front of an

 

 

 

 

 

 

 

 

 

 

overdrive for super smooth sus-

 

 

 

 

 

 

 

 

 

 

tain that's perfect for slide playing.

 

 

 

 

 

49

 

190

 

 

 

 

 

 

 

 

 

 

 

Manual backgroundManual background DigiDrive1 and DigiDrive2

 

 

DigiDrive1

DigiDrive2

 

The DigiDrive 1 and 2 effects

 

 

 

 

 

combine digital distortion with 3-

 

 

 

 

 

band tone controls. In DigiDrive1,

 

 

 

 

 

the tone controls are in front of the

 

 

 

 

 

distortion. In DigiDrive 2, the tone

 

 

 

 

 

controls follow the distortion. The

 

 

 

 

 

distortion produced by these ef-

 

 

 

 

 

fects is not meant to mimic analog

 

 

 

 

 

distortion, but to provide an alter-

 

 

 

 

 

native sound. (Think “digital fuzz

 

Mix

0-100%

Dry/Wet ratio

 

box.”). The next time you’re look-

 

Level

0ff, -89dB to +6dB

Amount of effect in processsed signal

 

ing for an in-your-face fuzz effect,

 

Drive

0-100

Amount of digital distortion

 

pump one of these into your amp.

 

Low

-72dB to +24dB

Pre-Drive low frequency cut/boost

 

You might be surprised at what

 

Mid

-72dB to +24dB

Pre-Drive mid frequency cut/boost

 

comes out.

 

 

 

 

 

 

 

56

 

190

 

 

High

-72dB to +24dB

Pre-Drive high frequency cut/boost

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DigiDrive1

 

 

 

 

 

 

 

53

 

190

 

 

 

 

 

 

 

 

 

 

 

DigiDrive2

*= Interpolated; ( ) = Option of preceding parameter

7-15

Page 106
Image 106
Lexicon MPX G2 manual Blue Comp, DigiDrive1 and DigiDrive2