The Effects and Parameters

 

 

 

 

 

 

 

 

 

 

 

 

 

Volume (M), Volume (S) and Volume (D)

 

 

 

 

 

 

 

 

 

 

 

 

The Volume effects can be

 

 

 

Volume (M)

Volume (S)

 

placed in front of, or behind, other

 

 

 

 

 

 

 

effect blocks to provide smooth

 

 

 

 

 

 

 

level control through a 95dB

 

 

 

 

 

 

 

range. You can use them for dy-

 

 

 

 

 

 

 

namic input or output control, EQ

 

 

 

 

 

 

 

input trim (helpful when adding

 

 

 

 

 

 

 

large amounts of gain with an EQ

 

 

 

 

Volume (D)

 

effect), stereo to mono mixer,

 

 

 

 

 

cross fade controls, volume pedal,

 

 

 

 

 

 

 

etc.

 

 

 

 

 

 

 

 

 

In Volume(M) the left and right

 

 

 

 

 

 

 

inputs are mixed together, then

 

 

 

 

 

 

 

sent to both outputs through a vol-

 

 

 

 

 

 

 

ume control.

 

 

 

 

 

 

 

In Volume (S) the left and right

 

 

 

 

 

 

 

inputs are sent through a ganged

 

 

 

 

 

 

 

pair of

volume controls.

 

 

 

 

 

 

 

In Volume (D) the left and right

 

 

 

 

 

 

 

inputs are sent through indepen-

 

 

Mix

0-100%

Dry/Wet ratio

 

 

dent volume controls.

 

 

Level*

Off, -89 to +6dB

Amount of effect in the processed signal

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vol*

0-100%

Amount of effect in the processed signal

 

17

 

190

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Voume (M)

 

 

 

 

 

 

13

 

190

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Volume (S)

 

 

 

 

 

 

18

 

190

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Voume (D)

 

 

 

 

 

 

 

 

 

 

 

 

PedalVol and ExtPedalVol

 

 

 

 

 

 

 

 

 

 

 

 

PedalVol is the same as Vol-

 

 

 

 

 

 

 

ume (S), except the Vol parameter

 

 

 

 

 

 

 

is hardwired to the Foot Pedal in-

 

 

 

 

 

 

 

put on the MPX G2. When using

 

 

 

 

 

 

 

the MPX R1 MIDI Remote Con-

 

 

 

 

 

 

 

troller, this parameter is automati-

 

 

 

 

 

 

 

cally connected to the R1’s built-in

 

 

 

 

 

 

 

pedal. This means that no patch-

 

 

 

 

 

 

 

ing is required to create a volume

 

 

 

 

 

 

 

pedal effect.

 

 

Mix

0-100%

Dry/Wet ratio

 

 

 

 

 

 

ExtPedalVol is hardwired to the

 

 

 

 

 

 

 

 

 

Level*

0ff, -89dB to +6dB

Amount of effect in processsed signal

 

 

 

 

 

 

External Pedal input of the MPX

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R1, allowing you to easily create

 

 

 

 

 

 

 

programs with both a Volume and

 

 

 

 

 

 

 

Wah pedal available simulta-

 

 

 

 

 

 

 

neously.

 

 

 

 

 

 

13

 

190

 

 

 

 

 

 

 

 

 

 

 

* = Interpolated; ( ) = Option of preceding parameter

 

PedalVol and ExtPedalVol

 

 

 

 

 

 

 

 

 

7-19

Page 110
Image 110
Lexicon MPX G2 manual Volume M, Volume S and Volume D, PedalVol and ExtPedalVol

MPX G2 specifications

The Lexicon MPX G2 is a powerful multi-effects processor designed for musicians and audio engineers seeking a wide range of high-quality sound processing options. Known for its pristine sound quality, the MPX G2 combines a variety of effects into one compact unit, making it an essential tool for live performances and studio work alike.

One of the main features of the MPX G2 is its extensive library of effects. It offers a wide diversity of effects such as reverb, delay, modulation, dynamics processing, and more. With over 250 preset programs, musicians can choose from various configurations that suit different styles and genres. The simplicity of the interface makes it easy to navigate through these presets, helping users quickly find the perfect sound.

The MPX G2 incorporates advanced digital signal processing (DSP) technology to deliver exceptional audio fidelity. This technology ensures that signal integrity is maintained throughout the processing chain, providing a clean and polished output. The unit is engineered to minimize latency, allowing for real-time performance without noticeable delay, which is crucial in live settings.

Moreover, the MPX G2 features an intuitive user interface with a bright, easy-to-read LCD display. It provides direct access to comprehensive editing options, enabling users to tailor effects to their specific needs. The onboard controls, including knobs and buttons, allow for rapid adjustments during performance, ensuring that musicians can react quickly to changing conditions on stage.

Another characteristic of the MPX G2 is its flexible connectivity options. The processor includes standard 1/4-inch inputs and outputs, as well as stereo configurations for more complex routing. MIDI capabilities enhance its compatibility with other gear, allowing for seamless integration into various setups. This makes it an ideal choice for both solo artists and larger ensembles.

In addition to its rich palette of effects, the MPX G2 supports true stereo processing, ensuring that stereo images remain intact. This feature is particularly beneficial for creating lush, expansive soundscapes, typical in genres like ambient, rock, and classical.

In summary, the Lexicon MPX G2 stands out due to its exceptional sound quality, versatile effects library, and user-friendly interface. Its advanced DSP technology, flexible connectivity, and true stereo processing capabilities make it a top choice for musicians looking to enhance their sound with professional-grade effects. Whether on stage or in the studio, the MPX G2 delivers the reliability and creativity needed to inspire and impress.