Studio Spaces, Little Amp, Phone Filter, Vibro Cab

MPX G2 User Guide

Lexicon

Studio Spaces

(Stand Alone)

195 Little Amp

A tiny “hog-style” amp with a 6 inch speaker.

196 Phone Filter

Overcompressed and drastically EQ’d, this is an effective way to accent a part or phrase within a mix.

197 Vibro Cab

The original Vibro Tone guitar cabinet had a rotating baffle in front of a 12 inch guitar speaker. It produced a swirling sound by spraying the speaker output through the top and sides of the cabinet as the baffle rotated. A built-in crossover sent high frequencies back to the original guitar amp so that the top end sound didn’t swirl. We use a crossover, stereo chorus and auto panners to create the effect. A/B toggles between slow and fast rotary speeds

198 Cordovox

The original Cordovox had a rotating baffle cabinet. It had an 8 inch speaker which had pretty limited bass and treble frequency response and distorted quite easily. Sound was projected out of the top and sides of the cabinet. Our version uses the preamp to recreate the amp and speaker characteristics. The sound is gritty, so when you dig in you get a lot of distortion but, as you play lighter or switch to less powerful pickups, you get cleaner sounds. Stereo chorus and auto panners are used to create the swirl. A/B toggles between slow and fast rotary speeds.

199 Rotary Cab

A Leslie speaker has separate rotating elements for treble and bass. Our version adds Chamber reverb to put the cab in in a small room. The preamp sound is clean with a little bit of grit, so when you dig in you get some distortion. A/B button controls fast and slow speeds of the rotary speaker.

Programs 200-209 are designed to give you a suite of realistic reverberation and ambience treatments for electric and acoustic guitar tracks. Think of this as adding several different live-tracking rooms plus some classic Lexicon reverb processors to your studio.

Each program can be used stand alone for tracking — just plug in your guitar and record direct through the MPX G2 built-in preamp. (You can easily change the preamp by using Copy Effect in Edit mode to copy the preamp from any other program.

These programs can also be used for tracking with an external preamp as well as for processing pre-recorded tracks during mixdown.

When using an external preamp, connect its outputs to the MPX G2 Insert Return jacks. Use the MPX G2 Speaker Simulator to fine tune the raw preamp sound.

To process pre-recorded tracks, connect the MPX G2 Insert Returns to your console’s sends as you would any stereo processor. Turn off the MPX G2 Speaker Simulator and Noise Gate, and set Post Mix (in Edit: Mix mode) to 100% wet.

200 TrackingRoom

This program features the Ambience effect. Use it to add room sound without adding the decay associated with reverberation. This is a great way to add “air” to when you’re tracking direct. Stereo EQ (in the Soft Row) lets you fine tune the sparkle and boom (high and low frequencies).

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MPX G2 specifications

The Lexicon MPX G2 is a powerful multi-effects processor designed for musicians and audio engineers seeking a wide range of high-quality sound processing options. Known for its pristine sound quality, the MPX G2 combines a variety of effects into one compact unit, making it an essential tool for live performances and studio work alike.

One of the main features of the MPX G2 is its extensive library of effects. It offers a wide diversity of effects such as reverb, delay, modulation, dynamics processing, and more. With over 250 preset programs, musicians can choose from various configurations that suit different styles and genres. The simplicity of the interface makes it easy to navigate through these presets, helping users quickly find the perfect sound.

The MPX G2 incorporates advanced digital signal processing (DSP) technology to deliver exceptional audio fidelity. This technology ensures that signal integrity is maintained throughout the processing chain, providing a clean and polished output. The unit is engineered to minimize latency, allowing for real-time performance without noticeable delay, which is crucial in live settings.

Moreover, the MPX G2 features an intuitive user interface with a bright, easy-to-read LCD display. It provides direct access to comprehensive editing options, enabling users to tailor effects to their specific needs. The onboard controls, including knobs and buttons, allow for rapid adjustments during performance, ensuring that musicians can react quickly to changing conditions on stage.

Another characteristic of the MPX G2 is its flexible connectivity options. The processor includes standard 1/4-inch inputs and outputs, as well as stereo configurations for more complex routing. MIDI capabilities enhance its compatibility with other gear, allowing for seamless integration into various setups. This makes it an ideal choice for both solo artists and larger ensembles.

In addition to its rich palette of effects, the MPX G2 supports true stereo processing, ensuring that stereo images remain intact. This feature is particularly beneficial for creating lush, expansive soundscapes, typical in genres like ambient, rock, and classical.

In summary, the Lexicon MPX G2 stands out due to its exceptional sound quality, versatile effects library, and user-friendly interface. Its advanced DSP technology, flexible connectivity, and true stereo processing capabilities make it a top choice for musicians looking to enhance their sound with professional-grade effects. Whether on stage or in the studio, the MPX G2 delivers the reliability and creativity needed to inspire and impress.

Lexicon MPX G2 manual Studio Spaces, Little Amp, Phone Filter, Vibro Cab, TrackingRoom

Models: MPX G2