The Effects and Parameters

1-Band (D) and 2-Band (D)

 

 

 

 

1-Band (D) has two bands of

 

 

 

double-precision parametric EQ,

 

 

 

one on each channel. 2-Band (D)

 

 

 

has four bands of double-preci-

 

 

 

sion parametric EQ, two on each

 

 

 

channel.

 

 

 

 

 

Center frequency, Q, boost/cut

 

 

 

and filter type (low shelf, band,

 

 

 

high shelf) are adjustable.

 

Mix

0-100%

Dry/Wet ratio

 

 

 

 

 

Level

Off, -89 to +6dB

Amount of effect in the processed signal

 

 

 

 

 

G-L, G-L1, G-L2

-72 to +24dB

Boost/cut gain of left filter(s)

 

 

 

 

 

 

 

 

 

 

 

 

 

Fc-L, Fc-L1, Fc-L2

20-20000Hz

Center or corner frequency of left filter(s)

68

 

 

190

Q-L, Q-L1, Q-L2

0.1-10.0

Q of left filter(s)

 

 

 

 

 

 

 

 

 

 

M-L, M-L1, M-L2

LShlf, Band, HShlf

Determines EQ type(s)

 

 

 

 

 

G-R, G-R1, G-R2

-72 to +24dB

Boost/cut gain of right filter(s)

1-Band (D)

 

Fc-R, Fc-R1, Fc-R2

20-20000Hz

Center or corner frequency of right filter(s)

109

 

 

190

Q-R, Q-R1, Q-R2

0.1-10.0

Q of right filter(s)

 

 

 

 

 

 

 

 

 

 

M-R, M-R1, M-R2

LShlf, Band, HShlf

Determines EQ type(s)

 

 

 

 

 

2-Band (D)

 

 

 

 

 

Fc Splitter

 

 

 

 

 

 

The Fc Splitter effect splits a

 

 

 

 

 

mono input into a low-passed out-

 

 

 

 

 

put on the left channel and a high-

 

 

 

 

 

passed output on the right, with

 

 

 

 

 

independent control of the corner

 

 

 

 

 

frequencies of both filters. If the

 

 

 

 

 

corner frequencies are the same,

 

 

 

 

 

and the balance is set to 0, the

 

 

 

 

 

frequency response will be flat

 

 

 

 

 

when the two outputs are summed.

 

 

 

 

 

Bal controls the relative level of left

 

 

 

 

 

and right outputs. When Bal=0, the

 

Mix

0-100%

Dry/Wet ratio

 

 

 

left and right outputs are not at-

 

Level*

Off, -89 to +6dB

Amount of effect in the processed signal

 

 

 

tenuated. Negative values attenu-

 

LoCut

100-10000Hz

Corner frequency for the low cut (highpass)band

 

 

 

ate the right output (highs). Posi-

 

HiCut

100-10000Hz

Corner frequency for the high cut (lowpass) band

 

 

 

tive values attenuate the left (lows).

 

Bal*

-50 to +50

Relative level of the low and high band

 

 

 

 

 

 

 

 

 

 

 

55

190

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*= Interpolated; ( ) = Option of preceding parameter

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Image 132
Lexicon MPX G2 manual Band D and 2-Band D, Fc Splitter

MPX G2 specifications

The Lexicon MPX G2 is a powerful multi-effects processor designed for musicians and audio engineers seeking a wide range of high-quality sound processing options. Known for its pristine sound quality, the MPX G2 combines a variety of effects into one compact unit, making it an essential tool for live performances and studio work alike.

One of the main features of the MPX G2 is its extensive library of effects. It offers a wide diversity of effects such as reverb, delay, modulation, dynamics processing, and more. With over 250 preset programs, musicians can choose from various configurations that suit different styles and genres. The simplicity of the interface makes it easy to navigate through these presets, helping users quickly find the perfect sound.

The MPX G2 incorporates advanced digital signal processing (DSP) technology to deliver exceptional audio fidelity. This technology ensures that signal integrity is maintained throughout the processing chain, providing a clean and polished output. The unit is engineered to minimize latency, allowing for real-time performance without noticeable delay, which is crucial in live settings.

Moreover, the MPX G2 features an intuitive user interface with a bright, easy-to-read LCD display. It provides direct access to comprehensive editing options, enabling users to tailor effects to their specific needs. The onboard controls, including knobs and buttons, allow for rapid adjustments during performance, ensuring that musicians can react quickly to changing conditions on stage.

Another characteristic of the MPX G2 is its flexible connectivity options. The processor includes standard 1/4-inch inputs and outputs, as well as stereo configurations for more complex routing. MIDI capabilities enhance its compatibility with other gear, allowing for seamless integration into various setups. This makes it an ideal choice for both solo artists and larger ensembles.

In addition to its rich palette of effects, the MPX G2 supports true stereo processing, ensuring that stereo images remain intact. This feature is particularly beneficial for creating lush, expansive soundscapes, typical in genres like ambient, rock, and classical.

In summary, the Lexicon MPX G2 stands out due to its exceptional sound quality, versatile effects library, and user-friendly interface. Its advanced DSP technology, flexible connectivity, and true stereo processing capabilities make it a top choice for musicians looking to enhance their sound with professional-grade effects. Whether on stage or in the studio, the MPX G2 delivers the reliability and creativity needed to inspire and impress.